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9. Image menu
Image 9-74
9.5.3
Advanced settings,
fi
lm mode detection
About
fi
lm mode detection
This mode detects whether
fi
lm or video is displayed.
When enabled, the hardware looks for tell-tale signs of 3:2 or 2:2 pull-down sequences. These are the result of converting cinema
material recorded at 24 frames-per-second to the television frequencies of 60 or 50 interlaced
fi
elds per second respectively. When
FILM conversion is detected, the original 24 frames-per-second are restored. This avoids deinterlacing artefacts, and results in a
perfect artefact-free display. Note that in some cases (video clips, scrolling newstickers,...) FILM and VIDEO material are mixed
on one screen. This may confuse the detector and cause it to go into FILM restoration mode. This will cause "jaggies" or motion
artefacts. In such cases, disabling FILM mode processing is the best cure.
Film mode detection is only for interlaced sources.
3:2 pull-down
Method used to map the 24 fps of
fi
lm onto the 30 fps (60
fi
elds) or 25 fps (50
fi
elds), so that one
fi
lm frame occupies
three video
fi
elds, the next two, etc. It means the two
fi
elds of every other video frame come from different
fi
lm frames
making operations such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can
unravel the 3:2 sequence to allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence
repeats every
fi
ve video frames and four
fi
lm frames, the latter identi
fi
ed as A-D. Only
fi
lm frame A is fully on a video
frame and so exists at one time code only, making it the editable point of the video sequence.
2:2 pull-down
The process of transferring 24-frames/sec
fi
lm format into video by repeating each frame (used for PAL DVD’s) as two
video
fi
elds. ( AD )
Artefacts
Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be
eliminated in order to achieve a high-quality picture. Most common in analog are cross color and cross luminance.
Most common in digital are macroblocks, which resemble pixelation of the video image.
How to set up
1. Press
MENU
to activate the menus.
2. Use the
▲
or
▼
key to select
Image
and press
ENTER
.
3. Use the
▲
or
▼
key to select
Advanced settings
and press
ENTER
.
The Advanced settings menu is displayed.
4. Use the
▲
or
▼
key to select
Film mode
and press
ENTER
to toggle between [auto] or [off].
86
R59770180 FLM HD20 11/07/2008
Summary of Contents for FLM HD20
Page 1: ...FLM HD20 User guide R59770180 00 11 07 2008...
Page 4: ......
Page 14: ...1 Safety 10 R59770180 FLM HD20 11 07 2008...
Page 46: ...5 Connections 42 R59770180 FLM HD20 11 07 2008...
Page 58: ...6 Getting started 54 R59770180 FLM HD20 11 07 2008...
Page 62: ...7 Start up of the Adjustment Mode 58 R59770180 FLM HD20 11 07 2008...
Page 72: ...8 Input menu 68 R59770180 FLM HD20 11 07 2008...
Page 97: ...9 Image menu Image 9 105 Image 9 106 Image 9 107 R59770180 FLM HD20 11 07 2008 93...
Page 98: ...9 Image menu 94 R59770180 FLM HD20 11 07 2008...
Page 112: ...10 Layout menu Image 10 56 108 R59770180 FLM HD20 11 07 2008...
Page 116: ...11 Lamp menu Image 11 11 Image 11 12 Image 11 13 112 R59770180 FLM HD20 11 07 2008...
Page 156: ...13 Projector control 152 R59770180 FLM HD20 11 07 2008...
Page 190: ...17 Removal of the projector covers 186 R59770180 FLM HD20 11 07 2008...
Page 194: ...18 Dimensions 190 R59770180 FLM HD20 11 07 2008...
Page 204: ...20 Troubleshooting 200 R59770180 FLM HD20 11 07 2008...
Page 212: ...21 Specifications 208 R59770180 FLM HD20 11 07 2008...
Page 214: ...22 Order information 210 R59770180 FLM HD20 11 07 2008...