Audio Technica ARTIST ELITE AE2300 User Manual Download Page 1

User Manual

Cardioid Dynamic Instrument Microphone   

AE2300

 

Features

Notes on use

 

 

Connection procedure

Output terminals

PIN1 (ground)

PIN3 

 

(cold)

PIN2 (hot)

 

Specifications

Dynamic
Cardioid
60 - 20,000 Hz
6,000 Hz, 6 dB/octave
-57 dB (1.4 mV) re 1V at 1 Pa
250 ohms

Flat, roll-off

138 g
95.6 mm long, 28.0 mm maximun diameter
Integral 3-pin XLRM-type
AT8471 isolation clamp for 5/8"-27 threaded stands;

5/8"-27 to 3/8"-16 threaded adapter;

soft protective pouch

 

1 Pascal = 10 dynes/cm

= 10 microbars = 94 dB SPL

*

 

Typical, A-weighted, using Audio Precision System One.

Polar pattern

Frequency response

180°

150°

120°

30°

330°

300°

270°

240°

210°

Audio-Technica Corporation

2-46-1 Nishi-naruse, Machida, Tokyo 194-8666, Japan

©2017  Audio-Technica Corporation

Global Support Contact: www.at-globalsupport.com

07-DEC--2020     Form No.ATGC-L0385-20

LEGEND 

0°, 50cm

SCALE IS 5 DECIBELS PER DIVISION

LEGEND 

200 Hz

1 kHz

5 kHz

8 kHz

Thank you for purchasing this product. Before using the product, read through the user manual to 
ensure that you will use the product correctly.  
Please keep this manual for future reference.

The AE2300 is a dynamic microphone with a cardioid polar pattern. It is designed specifically for 

musical instrument pickup in the studio and on stage.

The cardioid polar pattern of the microphone is more sensitive to sound originating directly in 
front of the element, making it useful for controlling feedback and reducing pickup of unwanted 
sounds.

The output of the microphone is a 3-pin XLRM-type connector.

The microphone is equipped with a switch that permits choice of flat response or high-frequency 
roll-off (via integral 6 kHz low-pass filter).

Avoid leaving the microphone in the open sun or in areas where temperatures exceed 43°C for 
extended periods. Extremely high humidity should also be avoided.

Connect the output terminals of the microphone to a device that has a microphone input 
(balanced input). The output connector is an XLRM-type with polarity as 

shown in the figure 

below.

For product improvement, the product is sublect to modification without notice.

• Tailored to capture sound from guitar amps, brass and woodwinds, drums and percussion 

instruments with equal clarity and precision

• Proprietary double-dome diaphragm construction improves highfrequency and transient 

response

• Excels in high-SPL applications and maintains directionality across the entire frequency range

• Minimal off-axis coloration (frequency response is nearly identical at 0°, 90°, and 180°) helps to 

maintain phase coherence in multiple microphone setups

• Switchable low-pass filter removes harsh, high-frequency content without negatively affecting 

the overall tone of an instrument

• Low-profile design allows microphone to be placed easily and unobtrusively in a wide variety of 

setups

• Rugged, brass metal construction ensures dependable performance in live music applications

• Isolation stand clamp provides secure mounting, versatile positioning, and effective dampening 

of unwanted mechanical noise

 

Safety precaution

Cautions for the product

Although this product was designed to be used safely, failing to use it correctly may result in an 
accident. To ensure safety, observe all warnings and cautions while using the product. 

• Do not subject the product to strong impact to avoid malfunction.
• Do not disassemble, modify or attempt to repair the product.
• Do not handle the product with wet hands to avoid electric shock or injury.
• Do not store the product under direct sunlight, near heating devices or in a hot, humid or dusty 

place.

Element

Polar pattern

Frequency response

High Frequency roll-off

Open circuit sensitivity

Impedance

Switches

Weight

Dimensions

Output connector

Accessories furnished

Roll-off

60°

90°

Response in dB

Frequency in Hertz

10

0

-10

-20

-30

20

500

100

50

200

10k

5k

1k

2k

20k

10 dB

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