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Four LEDs display how the tube gain is affecting the input signal.
These LEDs are calibrated with the tube circuitry to give you an
accurate representation of the tube’s output signal (N

No

ottee: these

LEDs measure the signal level 

before the output level control). Use

this meter as a visual for setting the Gain level. The first LED is
labeled “Cln”. The tube is producing a clean output when this LED
is lit. 

The next two LEDs are labeled “warm.” This is the optimal oper-
ating range for the Tube PAC. At this level, the tube is producing
an output signal which most would term “warm” (Whatever you
would like to call it is fine - simmering, toasty, etc.) You’ll find the
output signal has an enhanced bottom to low mid quality with
smooth high frequency detail.

The last LED is labeled “Clip.” This LED will light approximately
6dB before audible distortion occurs. If this light flickers, do not
panic. The unique design of the Tube PAC allows the tube to dis-
tort well before any other gain stage. When a tube goes into dis-
tortion it is a gradual process and tends to sound pleasing for a
range before it turns into a distortion box. After some use you’ll
find the “sweet spot” of the Tube PAC is with this light flashing fair-
ly regularly. You may find a “clipped” level is suitable for some
applications.

N

No

ottee: Use the Tube Character Array to aid in setting the Input

Level Control.

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The Threshold control sets the point at which the compressor cir-
cuit will act on the input signal. Turning this control counterclock-
wise lowers the threshold (adding more compression to a signal).
Turning this control clockwise raises the threshold. 

Setting the Threshold control is dependent on the Gain control.

8

Summary of Contents for Tube PAC

Page 1: ...TUBE PAC PROFESSIONAL TUBE PREAMPLIFIER COMPRESSOR USER S GUIDE...

Page 2: ...el Controls and Indicators 6 Gain Control 6 Gain Switch 7 Phantom Power Switch 7 Tube Drive Gain Reduction Display 8 Threshold Control 8 Slope Switch 9 Speed Switch 9 Phase Switch 9 Output Level Contr...

Page 3: ...AC Offering a superb level of sound quality the Tube PAC will enhance the sonic textures of your audio system for years to come R Re eg gi is st tr ra at ti io on n If you haven t done so already plea...

Page 4: ...uiet reliable performance The Tube PAC offers The award winning A R T SOUND Tube based mic line preamplifier Tube based optical compressor Hand selected 12AX7a tubes VCA less compressor circuitry tran...

Page 5: ...solid state input provides extremely low noise and excellent CMRR The 1 4 input has a high impedance which prevents the loading of any device con nected to it and makes the Tube PAC perfect for DI or...

Page 6: ...circum stances should the power cable be altered If the cable becomes cut or damaged discontinue its use and have it replaced before operating the Tube PAC A Au ud di io o C Co on nn ne ec ct ti io o...

Page 7: ...e turned on The Tube PAC has the ability to add over 60dB of gain to its input signal This can cause the Tube PAC to produce a thump on power up and power down N No ot te e Like all tube based equipme...

Page 8: ...Po ow we er r S Sw wi it tc ch h The Tube PAC can power any microphone needing 48 volts DC phantom power Consult your microphone s documentation to see if phantom power is required to power it Phanto...

Page 9: ...mooth high frequency detail The last LED is labeled Clip This LED will light approximately 6dB before audible distortion occurs If this light flickers do not panic The unique design of the Tube PAC al...

Page 10: ...This is typically called soft limiting as it allows only a 1dB change in signal level for any signal reaching over 6dB over the set thresh old This setting is ideal for applications where exceeding a...

Page 11: ...roduce little to no change in the output sig nal O Ou ut tp pu ut t L Le ev ve el l C Co on nt tr ro ol l The Output Level control sets the output level of the Tube PAC When the control is fully count...

Page 12: ...In np pu ut t One input jack per channel should be used at a time However because of its design the Tube PAC can be hard wired without having to disconnect the XLR inputs when using the 1 4 jacks If...

Page 13: ...ither input and set the input and output controls to provide an appropriate level into the next stage of your system The Tube PAC is ideal for use as a DI box Plug the instrument into either input and...

Page 14: ...s S Sp pe ec ci ia al l E Ef ff fe ec ct ts s For industrial metal or just flavor textures experiment with the Tube PAC Overdriving the preamp and compressor circuitry can add interesting textures whe...

Page 15: ...ut Impedance 600 ohms XLR 300 ohms 1 4 Maximum input Level 15dBu XLR 21dBu 1 4 Maximum Output Level 27dBu XLR 22dBu 1 4 CMRR 90dB typical THD 0 1 typical Tubes Two Hand Selected 12AX7a Power Requireme...

Page 16: ...Online in Craig Anderton s Stage Studio and Sound keyword SSS under the Manufacturer Supported Forums Email us at artroch aol com Look for the A R T supported area in the MIDI Forum B area on CompuSe...

Page 17: ...should not be liable for any consequential damages including without limi tation damages resulting from the loss of use Some states do not allow limitation of incidental or consequential damages so th...

Page 18: ...R Re es se ea ar rc ch h a an nd d T Te ec ch hn no ol lo og gy y I In nc c 215 Tremont Street Rochester NY 14608 Atten Repair Department R A _______________ 7 Contact our Customer Service department...

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