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Introduction to the Ampex 350-2, Revision 1.1

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Unlike later stereo Ampex recorders (such as the 351-2 and later machines), the 350-2 stereo machines 
used full-track erase heads and a unique bias-coupling arrangement between master and slave electronics.  

The master electronics was essentially unchanged from 1953 to 1957 (the years when the mono 350 and 
the stereo 350-2 were produced) but there were various issues of the 350-2 slave electronics (including 
early ones with a bias buffer amplifier and later ones without this buffer amp).   

Keep in mind that no factory-issued Ampex 350-2 recorders had independent bias oscillator linked 
together (as did the later 351-2 and AG-350-2 recorders).  But many technicians in the 1950s, 1960s, and 
1970s made their own 350-2 recorders by taking two 350 master electronics and coupling the two bias 
oscillators together (normally such modified machines will have a stereo erase head).  This works well if 
done correctly.  One method was to tie the two bias-oscillator grids together; this was often done with a 
two-conductor (plus shield) cable going from one master electronics to the other.  

Note also that the early multichannel mastering recorders (such as the 300-3 and 300-4) used the 300 
transport but with 350 mono slave units and a special master bias oscillator (built in on a chassis the same 
size as a 350 power supply) that was not used in 350-2 stereo recorders.  

Unless you understand the unique bias-coupling arrangement of the 350-2, setup will be very confusing 
because there is no erase current meter indication on the master unit (because the 

erase head is plugged 

into the slave, not the master

). 

Identifying master and slave units 

The master unit has the ac mains input connector, two fuse holders, and normally a female 4-pin Cinch-
Jones transport power connector.  Typical catalog numbers are 5701 or 5701-1. 

The slave unit has a blank plate instead of the mains input connector.  It has one fuse holder and normally 

male

 4-pin Cinch-Jones connector.  Catalog numbers for slave electronics varied and are often different 

than those shown in documentation.  Early 350 slaves have a single-ended bias buffer amplifier using a 
6F6 tube (in place of the 6SN7 used in the master); later slaves do not have a bias buffer amp and will 
have a blank plate at this chassis location.  

Sometimes you will find a slave unit with a push-pull bias-buffer amplifier (used to reduce bias 
distortion).  These units use a 6SN7 bias buffer tube and can be identified by the presence of two toroidal 
transformers under the chassis.  This 350 slave was generally only used with 300-3 or 300-4 recorders—
and only then until these recorders were supplied with special versions of the Ampex 351 slave 
electronics (typically catalog 30960-11) around 1958. 

There is a special power interconnect cable (used only with 350-2 setups) with two female Cinch-Jones 
connectors (one for the 350 transport and the other for the slave electronics) and a male Cinch-Jones 
connector for the master electronics. 

Note that very late model 350-2 electronics used a 6-pin transport interconnect cable but these are rather 
uncommon. 

 

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Prepared by David Dintenfass, Full-Track Productions, Seattle, Washington © 2020 by David Dintenfass

 

Summary of Contents for 350-2

Page 1: ...use there is no erase current meter indication on the master unit because the erase head is plugged into the slave not the master Identifying master and slave units The master unit has the ac mains in...

Page 2: ...is while comparing phase of left and right channels on a dual trace oscilloscope as test frequencies step from 1 kHz up to 20 kHz If you don t have an oscilloscope adjust playback azimuth left elastom...

Page 3: ...in mains voltage does affect erase current so deviation within 1 dB of 0 VU is normal Therefore do not the adjust the erase unless the VU meter indication of erase current deviates more than 1 dB fro...

Page 4: ...d 8 Adjust playback gain to 0 VU Now adjust the Bias Control R460 on top of chassis for peak indication on the VU meter and adjust the input level so that the VU meter indicates 0 VU 9 Increase the bi...

Page 5: ...chine into record mode operate at 15 ips 5 Carefully adjust record head azimuth left elastomeric nut on the record head for best phase tracking between left and right channels while monitoring off the...

Page 6: ...w obsolete noise balance circuit The noise balance circuit was used in the Ampex 300 and 350 recorders to compensate for the leaky 1 uF 400Vdc metalized paper capacitors used to couple the audio signa...

Page 7: ...precisely dc noise or modulation noise 1 Beginning with the Ampex 300 the workaround to this problem was the addition of a circuit to inject a small dc offset into the record head after the 1 uF coupl...

Page 8: ...Meg resistor DO NOT remove R119 47K Remove C112 16 uF 150V electrolytic Replace C111 1 uFd 400 VDC with a low leakage capacitor of similar value and voltage rating such as a polyes ter polypropylene...

Page 9: ...or mounted in consoles for studio use The electronics chassis for the 402 and 403 was similar electrically to the earlier 400 series electronics but had an updated mechanical configuration that was m...

Page 10: ...dels Note that this modification is for the record circuit only it does not change playback response Playback of recordings made with older tape formulations will remain unchanged Acknowledgments Full...

Page 11: ...using modern tape formulations disconnecting it removes it from the circuit Note that L101 was only installed on older Ampex 300 electronics The following is excerpted from Ampex service bulletin 9 04...

Page 12: ...connects C423 and C424 which are effectively removed from the circuit On the model 400 400A 401 and 401A L401 is on the underside of the chassis near input transformer T401 On the model 402 and 403 L4...

Page 13: ...ounted on rear of front panel between input level pot and equalization switch This disconnects C425 and C426 which are effectively removed from the circuit L401 Removing the high frequency record boos...

Page 14: ...versions Carefully remove 1L 1 mounted on the record board This disconnects 1 C11 and 1C 12 which are effectively removed from the circuit Removing the high frequency record boost from early Ampex rec...

Page 15: ...er cores are now available from Full Track Productions This bulletin explains how to install the new core using parts transferred from your old capstan idler assembly The capstan idler core is made fr...

Page 16: ...ers onto the shaft core assem bly some washers go below and some go on the top of the bronze bearing and install the retaining ring Typically two 0 005 washers are used on the bottom and at least one...

Page 17: ...m may be fixed by doing the following Disconnecting the high frequency record resonance circuit if not previously disconnected Rewiring the record EQ switch Installing an extra RC filter to flatten th...

Page 18: ...ensate for this droop By the late 1950s however magnetic recording tape had improved enough so that this circuit was no longer necessary consequently Ampex recorders designed after approximately 1960...

Page 19: ...he location 3 Move the green wire to the wiper terminal of the record equalization switch If the wire is not long enough re place it with a longer length of green insulated wire 18 to 22 gauge strande...

Page 20: ...qualization for maximum flatness If there is too much high frequency boost remove a set of plates from C407 as outlined in Part 4 Part 4 Remove plates from C407 optional If you use recording tape with...

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