©
American DJ
®
- www.americandj.com - Tempest 575H™ Instruction Manual Page 7
©
American DJ
®
- www.americandj.com - Tempest 575H™ Instruction Manual Page 8
Tempest 575H™
Set Up
Figure 3
1 Ground
1 Ground
XLR Male Socket
XLR Pin Configuration
3 Hot
2 Cold
2 Cold
3 Hot
XLR Female Socket
Pin 3 = Data True (positive)
Pin 2 = Data Compliment (negative)
Pin 1 = Ground
Special Note: Line Termination.
When longer runs of cable are
used, you may need to use a terminator on the last unit to avoid erratic
behavior. A terminator is a 90-120 ohm 1/4 watt resistor which is con-
nected between pins 2 and 3 of a male XLR connector (DATA + and
DATA -). This unit is inserted in the female XLR connector of the last
unit in your daisy chain to terminate the line. Using a cable terminator
(ADJ part number Z-DMX/T) will decrease the possibilities of erratic
behavior.
DMX512 IN
3-PIN XLR
SOUND
REMOTE
CONTROL
INPUT
POWER
INPUT
OUTPUT
SOUND
REMOTE
CONTROL
INPUT
POWER
INPUT
OUTPUT
SOUND
REMOTE
CONTROL
INPUT
POWER
INPUT
OUTPUT
DMX512
DMX+,DMX-,COMMON
1
2
3
Termination reduces signal errors and
avoids signal transmission problems
and interference. It is always advisable
to connect a DMX terminal, (Resistance
120 Ohm 1/4 W) between PIN 2 (DMX-)
and PIN 3 (DMX +) of the last fixture.
1
2
3
1
2
3
DMX +
DMX -
COMMON
DMX512 OUT
3-PIN XLR
Figure 4
5-Pin XLR DMX Connectors.
Some manufactures use 5-pin XLR
connectors for DATA transmission in place of 3-pin. 5-pin XLR fixtures
may be implemented in a 3-pin XLR DMX line. When inserting stan-
dard 5-pin XLR connectors in to a 3-pin line a cable adaptor must be
used, these adaptors are readily available at most electric stores. The
chart below details a proper cable conversion.
Conductor
5-Pin XLR Male (In)
3-Pin XLR Female (Out)
Pin 1
Pin 5 - Do Not Use
Pin 4 - Do Not Use
Pin 3
Pin 2
Pin 1
Pin 3
Pin 2
Not Used
Not Used
Data True (+ signal)
Data Compliment (- signal)
Ground/Shield
3-Pin XLR to 5-Pin XLR Conversion
Operating Modes:
Universal DMX Control:
This mode allows you to use a universal
DMX-512 controller such as the American DJ
®
DMX Operator™ or
Show Designer.™
1. To control your fixture in DMX mode, follow the set-up procedures
on pages 6 - 8 as well as the set-up procedures included with
your DMX controller.
2. For longer cable runs (more than a 100 feet) use a terminator on
the last fixture.
3. Assign a DMX address to the unit by following the dipswitch chart
on page 14.
4. The Tempest 575H™ uses one DMX channel to access the
different programs. See page 13 for detailed description of the
DMX traits. Use your DMX controller to activate the various built-in
programs.
5. For help operating in DMX mode consult the manual included
with your DMX controller.
Stand-Alone Operation (Sound Active):
This mode allows a
single unit to run to the beat of the music. Only use this mode when
running a single unit, or when running several units as individuals.
1. Set dipswitch #10 to the “ON” positon to activate Stand-Alone.
2. The unit will react to the low frequencies of music via the
internal microphone.
3. Use the audio sensitivity knob on the side of the unit to make
the unit more or less sensitive to sound. Turning the sensitivity knob
in the clockwise direction will increase the sensitivity, turning the
knob in the counter-clockwise direction will decrease the fixture’s
sensitivity to sound.
4. The optional
MINI/C Controller
may be used with this mode to
control a blackout function.
Master-Slave Operation (Sound Active):
This mode will allow
you to link up to 16 units together and operate without a controller.
In Master-Slave mode, the units will react to sound. In Master-Slave
operation one unit will act as the controlling unit and the others will
react to the controlling units programs. Any unit can act as a Master
or as a Slave.
Tempest 575H™
Operation
