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Adobe PREMIERE PRO 2 Manual Download Page 302

ADOBE PREMIERE PRO 2.0

User Guide

296

Set Matte effect

The Set Matte effect replaces the alpha channel (matte) of a clip with a channel from a clip in a different video track.
This creates traveling matte effects.

Note:

The Set Matte effect was originally from After Effects and intended only to provide compatibility with projects

created in earlier versions of After Effects that use the Set Matte effect.

Set Matte effect: Original images (left and center) and with Set Matte effect applied (right)

To create a traveling matte using the Set Matte effect, set up a sequence with two overlapping clips on different video
tracks. Apply the Set Matte effect to one of the clips and specify which clip provides the replacement matte. Although
you can use Set Matte for a traveling matte, it is easier and faster to create traveling mattes by using the Track Matte
effect.

Adjust the following controls for the Set Matte effect:

Take Matte From Layer

Specifies the video track containing the clip to use as the replacement matte. You can specify

any video track in the sequence.

Use For Matte

Specifies the channel of the specified clip to use for the matte.

Invert Matte

Inverts the transparency values of the matte.

Stretch Matte To Fit

Scales the selected clip to match the size of the current clip. If Stretch Matte to Fit is deselected,

the clip designated as the matte is centered in the first clip.

Composite Matte With Original

Composites the new matte with the current clip, rather than replacing it. The

resulting matte lets the image show through only where the current matte and the new matte both have some opacity.

Premultiply Matte Layer

Premultiplies the new matte with the current clip.

Solid Composite effect

The Solid Composite effect offers a quick way to create a composite of a solid color behind the original source clip.
You can control the opacity of the source clip, control the opacity of the solid, and apply blend modes all within the
effect’s controls.

Solid Composite effect: Original images (left and center) and with Solid Composite effect applied (right)

Adjust the following controls for the Solid Composite effect:

Source Opacity

Specifies the transparency of the source clip.

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Summary of Contents for PREMIERE PRO 2

Page 1: ...Chapter 1 Copyright User Guide...

Page 2: ...1988 1990 1997 all rights reserved Proximity Technology Inc 1992 Hachette 1992 all rights reserved Proximity Technology Inc 1984 Editions Fernand Nathan 1989 all rights reserved Proximity Technology I...

Page 3: ...ce 36 Correcting mistakes 38 Chapter 4 Adobe Bridge The basics of Bridge 40 Files and folders in Bridge 45 Running automated tasks with Bridge 50 Metadata in Bridge 51 Adobe Stock Photos 56 Comp image...

Page 4: ...46 Multiple sequences 147 Subclips 149 Editing a multi camera sequence 150 Working in other applications 155 To copy and paste between Adobe After Effects and Adobe Premiere Pro 156 Adobe Dynamic Link...

Page 5: ...Motion effect 245 Chapter 13 Applying Effects Working with effects 250 Applying removing and organizing effects 252 Adjusting effects 255 Customizing effect presets 258 Color and luminance 260 Specia...

Page 6: ...6 Video output Exporting basics 370 Exporting to videotape or DVD 375 Exporting to files 378 Adobe Media Encoder 385 Exporting for online editing and collaboration 396 Chapter 17 Creating DVDs DVD cre...

Page 7: ...he product 1 If the Activation dialog box is not already open start the product and choose Help Activate 2 Follow the on screen instructions Important If you want to install the product on a different...

Page 8: ...the extensive resources on Adobe com including support pages user forums tips and tutorials and training You can also use this area to store contact information for friends colleagues or support profe...

Page 9: ...from the For menu 2 Click the Contents tab in the navigation pane and do either of the following Click Recent Documents to display a summary of the most recent documents for the selected product Click...

Page 10: ...words or phrases to quickly find topics You can search Help for one product or for all Adobe products you ve installed If you find a topic that you may want to view again bookmark it for quick retriev...

Page 11: ...o switch between Full and Compact views To use bookmarks You can bookmark especially helpful topics for easy access just as you bookmark pages in a web browser and reread them at another time To view...

Page 12: ...to Resource Center In addition to the Total Training Video Workshop DVD included with your software short Total Training web videos on a variety of products and topics are also available in Resource...

Page 13: ...ite for access to Adobe Press books online video and instructor led training resources Adobe software certification programs and more Visit the Adobe user forums where users share tips ask questions a...

Page 14: ...Other resources on page 7 About Adobe Help Center on page 2 New features What s new With version 2 0 Adobe Premiere Pro builds on its field proven strengths extends its reach to new formats and provid...

Page 15: ...ter Effects and Adobe Premiere Pro Additionally users of Adobe Production Studio can use Dynamic Link With Dynamic Link you don t need to render an After Effects composition to view and edit it in an...

Page 16: ...ure and import assets 3 Assemble and refine sequence 4 Add titles 5 Add transitions and effects 6 Mix audio 7 Export Start or open a project Open an existing project or start a new one from the Adobe...

Page 17: ...s projects for a seamless integrated workflow You can create synthetic media such as standard color bars color backgrounds and a countdown See About capturing digitizing and importing on page 65 In th...

Page 18: ...115 Refine the sequence by manipulating clips in the Timeline panel with either context sensitive tools or tools in the Tools panel Use the specialized Trim Monitor to fine tune the cut point between...

Page 19: ...d motion using the Effect Controls panel The Effect Controls panel also lets you animate a clip s properties using traditional keyframing techniques As you adjust transitions the Effect Controls panel...

Page 20: ...fully emulates a full featured audio mixing board complete with fade and pan sliders sends and effects Adobe Premiere Pro saves your adjustments in real time on the fly With the proper sound card you...

Page 21: ...DVD Layout panel you can produce a DVD complete with navigational menus all from within Adobe Premiere Pro And using the Adobe Media Encoder even formats with extensive options MPEG1 MPEG2 and format...

Page 22: ...e contains groups of panels as well as panels that stand alone You customize a workspace by arranging the panels usually by dragging them in the layout that best suits your style of working You can cr...

Page 23: ...ay context menus right click a panel About the Info panel The Info panel displays information about a selected item For clips the Info panel displays information such as duration In point and Out poin...

Page 24: ...n tool is selected Toolbox A Selection tool B Track Selection tool C Ripple Edit tool D Rolling Edit tool E Rate Stretch tool F Razor tool G Slip tool H Slide tool I Pen tool J Hand tool K Zoom tool S...

Page 25: ...pper left corner of a panel s tab to move an individual panel Drag the group gripper at the upper right corner to move an entire group Dragging panel gripper A to move one panel dragging group gripper...

Page 26: ...close a floating window the panels within it close too Click the Close button on the panel or window that you want to close To resize panel groups The dividers between panel groups have resize handles...

Page 27: ...Premiere Pro Events lists warnings error messages and other information you can use to identify and troubleshoot problems particularly those associated with plug ins and other components from third pa...

Page 28: ...r a workspace with a matching name If the application finds a match and the monitor configuration matches it uses that workspace if it can t find a match or the monitor configuration doesn t match it...

Page 29: ...ter If your computer has a capture card compatible with Adobe Premiere Pro its own optimized presets may appear in the Available Presets list The project settings must be correct when you create the p...

Page 30: ...e options are automatically set to the IEEE 1394 standard Additional capture formats and options may appear if you install other software such as software included with a capture card certified to be...

Page 31: ...lution by choosing a different Quality setting from the Project panel menu or adjust the frame size of final output by changing Export settings Pixel Aspect Ratio Sets the aspect ratio for individual...

Page 32: ...code showing 39 as highest possible number of frames before next foot Feet Frames 35mm Reports time in feet and frames assuming the frame rate of 35mm film 16 frames per foot Use for output to 35mm fi...

Page 33: ...played back in sequences This setting may not be available if the selected compressor provides only one option for bit depth You can also specify an 8 bit 256 color palette when preparing a video prog...

Page 34: ...ssing file with an offline file a placeholder that preserves all references to the missing file every where in the project Unlike the temporary offline file created by Skip the one generated by Offlin...

Page 35: ...miere Pro Auto Save folder located in the same scratch disk location as captured video files If no files are available the Auto Save preference may be turned off 3 Open the project file containing the...

Page 36: ...results in black bands above and below the widescreen frame Or you can fill the 4 3 frame vertically with the entire height of the 16 9 frame varying the horizontal position of the 16 9 frame behind t...

Page 37: ...r B 4 3 square pixel image interpreted correctly for display on 4 3 non square pixel TV monitor C 4 3 square pixel image interpreted incorrectly for display on 4 3 non square pixel TV monitor Using as...

Page 38: ...ios in the same project and generate output that doesn t distort the resulting images 1 Select the file in the Project panel 2 Choose File Interpret Footage specify options in the Pixel Aspect Ratio s...

Page 39: ...hotoshop and After Effects that include pixel aspect ratio settings and set the frame dimensions and pixel aspect ratio to match those of your project If the pixel aspect ratio setting is unavailable...

Page 40: ...n t support nonsquare pixels This setting can also beappropriateforfootagethatwastransferredfromfilm or for customized projects D1 DV NTSC 0 9 Your footage has a 720 x 486 or 720 x 480 frame size and...

Page 41: ...s the footage as 24P and treats it accordingly regardless of your project settings To set 24P playback options 1 Choose Project Project Settings General 2 Click the Playback Settings button 3 In the 2...

Page 42: ...nually or that are created automatically when exporting to certain formats Adobe Premiere Pro uses conformed audio files and preview files to optimize perfor mance allowing real time editing 32 bit fl...

Page 43: ...ce For maximum performance follow these guidelines If your computer has only one hard disk consider leaving all scratch disk options at their default settings Set up scratch disks on one or more separ...

Page 44: ...ault values click the Reset button for the effect in the Effect Controls panel See also To change the Auto Save settings on page 29 To open an Auto Save project on page 29 History panel Use the Histor...

Page 45: ...ate in the History panel drag the panel s slider or scroll bar or choose Step Forward or Step Backward from the panel menu To delete a project state select the state Then choose Delete from the panel...

Page 46: ...e Suite 2 Adobe Bridge includes Bridge Center where you can view news readers in your web browser see your most recent activity read about tips and tricks for using Adobe products save groups of files...

Page 47: ...To open Bridge directly double click the Adobe Bridge icon By default this is located in the Appli cations Adobe Bridge folder To quit Bridge choose File Exit Windows or Bridge Quit Bridge Mac OS To r...

Page 48: ...igger thumbnails However you can t move panels outside the Bridge window Do any of the following Drag a panel by its tab up or down into another panel area Drag the horizontal divider bar between pane...

Page 49: ...l appearance settings Metadata Controls which sections and fields are displayed in the Metadata panel Labels Assigns names to each color label and specifies whether you need to press Ctrl as part of t...

Page 50: ...cache is centralized you don t have to search in multiple distributed locations if you want to remove the cache To specify a new name or location for this centralized cache folder click Choose Use Dis...

Page 51: ...ng thumbnails of any Version Cue alternates and versions for each item Adobe Creative Suite 2 only Only the current file appears unless you have created an alternates group containing the file or crea...

Page 52: ...perates independently of the View Sort commands To navigate folders and files with Bridge Do any of the following Select the Folders panel and click to select the folder you want Click the plus sign W...

Page 53: ...files to another folder Select the files and drag them to a different folder When you search for Adobe Stock Photos you can t drag images to other areas because some images may be comp thumbnails To d...

Page 54: ...more images in the content area 2 Choose Edit Rotate 90 Clockwise Rotate 90 Counterclockwise or Rotate 180 To label files with Bridge Labeling files with a certain color is a flexible way to mark a la...

Page 55: ...rce folder from the Look In menu By default the menu displays the currently active folder Click the Browse button to navigate to another folder 3 Optional Select Include All Subfolders to expand the s...

Page 56: ...iles or folders you want to use If you select a folder the command is applied where possible to all files in the folder 2 Choose Tools Application followed by the command you want If your application...

Page 57: ...h XMP The Advanced view in the File Info dialog box displays the fundamental values being stored Metadata that is stored in other formats such as EXIF IPTC IIM GPS and TIFF is synchronized and describ...

Page 58: ...og of changes made to images with Photoshop Adobe Stock Photos Lists information about images obtained from Adobe Stock Photos Version Cue Lists any Version Cue version information about the file Note...

Page 59: ...also choose text from the menu to the right of the text fields To specify copyright information select Copyrighted from the Copyright Status pop up menu Then enter the copyright notice string and the...

Page 60: ...as document title and keywords Holding down Alt Windows or Option Mac OS also displays the Reset button to restore the previous settings 4 Click OK to apply the changes To work with metadata template...

Page 61: ...ve To create a new keyword click the New Keyword button at the bottom of the panel or choose New Keyword from the panel menu A new default keyword name appears in the panel To create the new keyword t...

Page 62: ...photos again after you purchase them See also About comp images on page 59 Benefits of Stock Photos accounts on page 61 Buying stock photos on page 59 Searching for images in Adobe Stock Photos There...

Page 63: ...a are displayed in batches There is a preference for changing the number of images displayed in a batch To view more images click More Results See also Search tips for stock photos on page 58 To view...

Page 64: ...he native currency of your billing country it is the supported currency for purchases made from your country When you purchase photos from Adobe Stock Photos your credit card will be billed in the sup...

Page 65: ...and then choose Send To Recycle Bin Windows or Control click it and choose Move To Trash Mac OS For more information on using comps see the terms of service TOS which describe when and for how long yo...

Page 66: ...m the shopping cart at any time by clicking the Delete icon 3 Click Check Out 4 Do one of the following If you have an Adobe account enter your ID and password If you want to open an Adobe account cli...

Page 67: ...t a particular order click the order number highlighted in blue 4 In the Order Detail page you can see the billing information as well as a description of the photos you purchased Click Return To Your...

Page 68: ...d and then click Continue If your login is successful the Your Account page appears If you re having trouble logging into your account make sure that you have spelled your e mail address and password...

Page 69: ...default credit card type a new name in the Payment Nickname text box To change the default credit card number type the new number in the Credit Card Number text box and then choose the expiration date...

Page 70: ...ntry Or Region To change your default billing country choose the name of the country from the Billing Country menu The currency displayed next to the Billing Country menu may not be the native currenc...

Page 71: ...files readable by Adobe Premiere Pro Import Use the Import command to bring files for example still images or audio you ve downloaded that are already on your hard drive into your Adobe Premiere Pro p...

Page 72: ...cord the timecode supplied by the controller instead of attempting to record any timecode that might be written to the source tape File size limits Adobe Premiere Pro does not limit the size of files...

Page 73: ...PEG MPE MPG M2V QuickTime MOV requires QuickTime player DLX Windows Media File WMV Animated GIF Filmstrip FLM Note Type 1 AVI clips must be rendered before they can be previewed from a DV device To re...

Page 74: ...capture and batch capture controls With device control you can use the Capture panel to log each clip and then use the Batch Capture command to record logged clips automatically Adobe Premiere Pro co...

Page 75: ...e menu setting is correct and select a bin from the list if needed If no bin is selected or the bin list is empty captured clips appear in the Project panel 11 Enter information into the Clip Data are...

Page 76: ...s and the shuttle control lets you change the speed of the tape as you play it forward or backward The Record button lets you begin a manual capture If you press the Rewind button when the tape is sto...

Page 77: ...nection to their power adapters to activate their IEEE 1394 ports Other camcorders may go into sleep mode or demo mode if left in the camera mode without tape activity for a period of time To avoid th...

Page 78: ...er of clips and have Adobe Premiere Pro capture as many as you like in a batch To capture an entire tape 1 In the Capture panel make sure that your device is online as indicated above the preview 2 In...

Page 79: ...se when you capture digital video If your device camera or deck goes into sleep mode close and then reopen the Capture panel or close the Capture panel turn the device off and back on and then reopen...

Page 80: ...your digitizer capture card Because of the differences among brands of cards specific options and supported formats can vary This complex relationship between video capture cards and Adobe Premiere Pr...

Page 81: ...digital form for example from an analog cassette or a live microphone you need to digitize it through an audio or audio video digitizer capture card The quality of digitized audio and the size of the...

Page 82: ...e 7 When you finish testing deselect Meter Input s Only to meter the project s audio tracks also 8 Speak into the microphone again Watch the Audio Mixer level meters to ensure that the input levels fo...

Page 83: ...clips by selecting them and choosing File Batch Capture When you begin capture Adobe Premiere Pro automatically re sorts entries by tape name and timecode In points so that they re captured as efficie...

Page 84: ...ort the spreadsheet into Adobe Premiere Pro as a list of offline files 1 In the Capture panel make sure that your device is online as indicated above the preview 2 Insert a tape into your device Adobe...

Page 85: ...ore you start logging the series When you click the Log Clip button a dialog box appears so that you can accept or change the clip data In the Clip Data section specify a tape name Adobe Premiere Pro...

Page 86: ...olution higher than the project s To determine whether the offline file already has its own capture settings look in the Capture Settings column in the Project panel Scroll right to see this column If...

Page 87: ...t clip when it captures it In this way it avoids overwriting the other file with the same name To manage capture errors when the Capture Settings Error dialog box appears do one of the following To fi...

Page 88: ...king the online clips offline by using the Unlink Media command A source file is unavailable when you open a project so that Adobe Premiere Pro can t locate it automatically and you can t locate it ma...

Page 89: ...rames that were identified or captured previ ously as in the following tasks You want to log clips before you capture them You plan to capture clips using batch automated capture You want to recapture...

Page 90: ...order is reading the timecode you striped before you start shooting The 30 second empty lead on the tape also helps in batch capturing Check your camera s settings whenever changing tapes especially w...

Page 91: ...DV timecode not the original RCTC For convenience in referencing shot logs made for the original Hi8 tape you want to reset the timecode to the original RCTC numbers 1 Select the clip in the Project...

Page 92: ...o and then export your project to the Advanced Authoring Format AAF or EDL for transfer to an editing system with more powerful hardware You can then perform the final online edit and rendering at ful...

Page 93: ...imported audio channel to 32 bit floating point data at the project s sample rate All imported audio is conformed even audio tracks in video files Note If you want to capture an audio only file from a...

Page 94: ...the Project panel 2 Choose File Interpret Footage 3 Select an option in the Pixel Aspect Ratio section and click OK 4 Select one of the following Use Pixel Aspect Ratio From File Uses the original asp...

Page 95: ...o set up graphics using layers in Photoshop or Illustrator When Adobe Premiere Pro converts layers to a sequence the sequence is imported into the Project panel as a bin each layer in the file becomes...

Page 96: ...as used to create it To import numbered still image files as one clip 1 Make sure that each still image file name contains an equal number of digits at the end and has the correct file extension for e...

Page 97: ...is a file apart from any project file Although Adobe Premiere Pro doesn t directly support libraries it allows you to import PLB library files A library converts to a bin when you import it into an A...

Page 98: ...to any square As you drag a vertical bar indicates where the item is going If you drag an item to a bin the item goes inside the bin You can use Icon view for storyboarding and then use the Automate...

Page 99: ...e or change a column attribute in the Edit Columns dialog box the attribute is locked by Adobe Premiere Pro and cannot be changed For example you can change the names of columns you added but not the...

Page 100: ...option It can be helpful to use scene names from a script here to help organize your work Shot Take Shot and or take name that was entered using the Capture panel s Shot Take option Good Indicates pre...

Page 101: ...nue to click this button until the top level contents of the Project panel appear See also To create bins of favorite effects on page 253 To label assets Labels are colors that help you identify and a...

Page 102: ...amed frame Differenced frames sample size The blue bars represent the sample size of the differenced frames between compression keyframes To see the properties of a clip Do one of the following If the...

Page 103: ...mn in List view choose Edit Find or click the Find button specify options and click Find To play back a clip in the Project panel You can use the preview area at the top of a Project panel to preview...

Page 104: ...right To open or clear a clip in the Source Monitor To view and edit source clips listed in the Project panel or individual clip instances in a sequence open the clips in the Source Monitor The Sourc...

Page 105: ...the current time markers and the In and Out points by dragging their icons in a time ruler Current time indicator CTI Shows the location of the current frame in each monitor s time ruler The CTI is th...

Page 106: ...he monitors Safe zone guides are for your reference and are not included in previews or export Safe zones in Program Monitor A Action safe zone B Title safe zone Click the Safe Margins button below th...

Page 107: ...in the entire image To choose a display mode You can display normal video the video s alpha channel or one of several measurement tools In the Source or Program Monitor click the Output button or clic...

Page 108: ...k the Stop button or press K or the spacebar The button and the spacebar toggle between Play and Stop To play in reverse press J To play from the In point to the Out point click the Play In To Out but...

Page 109: ...nt button in the Program Monitor or press Page Up with the Timeline panel or Program Monitor active To go to the beginning of the clip or sequence press Home To go to the end of the clip or sequence p...

Page 110: ...rison to use the color matching filter for example Alternatively you can gang the Reference Monitor and Program Monitor together so that they both show the same frame of a sequence and move in tandem...

Page 111: ...ce Monitor and the Program Monitor so that changes in the edit point of one are reflected in the other Do one of the following In the Reference Monitor click the Gang button In the Reference Monitor s...

Page 112: ...e 122 4 Adjust clip attributes if necessary As you assemble your sequence you may want to change the duration or the speed at which the clip plays See Changing clip speed on page 128 5 Rearrange clips...

Page 113: ...nstances there The Source Monitor menu lists instances by name sequence name and In point Duplicate clip An independent copy of a source clip which you create manually using the Edit Duplicate command...

Page 114: ...time indicator CTI Sets the current frame in the sequence The current frame displays in the Program Monitor The current time indicator is a light blue triangle in the ruler A vertical line extends fr...

Page 115: ...r example 1213 becomes 00 00 12 13 for NTSC projects and 00 00 12 13 for PAL projects Enter values that exceed the normal values For example if the current time indicator is at 00 00 12 23 and you wan...

Page 116: ...splays the number of frames as you drag The window displays a negative number if you drag the clip toward the beginning of the sequence To view the total duration of selected clips 1 Make sure that th...

Page 117: ...ck header area between two tracks so that the height adjustment icon appears and then drag up or down to resize the track below for video or the track above for audio Collapsed tracks always appear at...

Page 118: ...speakers Click to hide the Eye icon for video or the Speaker icon for audio at the left edge of the track Each icon is a toggle switch Click its box again to display the icon and include the track Not...

Page 119: ...he preview area You can add a track as you add a clip to the sequence See To add a track while adding a clip on page 119 To rename a track 1 Right click the track s name and choose Rename 2 Type a new...

Page 120: ...Monitor 2 Do one of the following To mark an In point go to the frame you want and then click the Set In Point button To mark an Out point go to the frame you want and then click the Set Out Point bu...

Page 121: ...ble click the clip in the Timeline panel to open it in the Source Monitor If you want to remove In and Out points from a source clip double click it in the Project panel 2 Choose Marker Clear Clip Mar...

Page 122: ...ey to shift into insert mode Adding a clip by inserting it between clips An insert edit shifts clips in all unlocked tracks To prevent an insert edit from shifting clips in another track lock the trac...

Page 123: ...s you drag triangles show which tracks will have content shifted Targeting a track while dragging a clip to a sequence When you add clips to a sequence using the Source Monitor controls or keyboard sh...

Page 124: ...m Monitor can help you determine where to position a clip you re adding to a sequence During an overlay edit it displays the frames in the sequence adjacent to the new clip s head and tail During an i...

Page 125: ...the Program Monitor 2 Navigate to the Out point in the Timeline panel and click the Set Out Point button You can move the In and Out points together without affecting the duration by dragging the In...

Page 126: ...alerts you to the discrepancy and provides alternatives to resolve it See also To set clip In and Out points in the Source Monitor on page 114 Targeting tracks on page 117 To specify source tracks to...

Page 127: ...ou choose Sort Order clips are added in the order they re listed in the Project panel from top to bottom in List view or from left to right top to bottom in Icon view If you choose Selection Order cli...

Page 128: ...d do one of the following To edit the In point drag the left edge of the clip once the Trim in icon appears To edit the Out point drag the right edge of the clip once the Trim out icon appears Note To...

Page 129: ...rlier in time shortening the previous clip lengthening the next clip and maintaining the program duration A ripple edit trims a clip and shifts subsequent clips in the track by the amount you trim Sho...

Page 130: ...appears and drag left or right Subsequent clips in the track shift in time to compensate for the edit but their durations remain unchanged Alt drag to affect only the video or audio portion of a linke...

Page 131: ...out changing its duration or affecting adjacent clips In this slip edit a clip is dragged left moving its source In and Out points earlier in time A slide edit shifts a clip in time while trimming adj...

Page 132: ...t the clip s new source media In and Out points are displayed Choose Timecode Overlay During Edit from the Program Monitor panel menu A check mark indicates that the command is selected Using the Trim...

Page 133: ...so that it changes into the Rolling Edit tool then drag left or right Drag the center timecode display left or right Drag the center jog disk left or right Click the timecode display between the view...

Page 134: ...te doesn t match the project s the project automatically reconciles the difference and plays back the clip at its proper speed Changing a clip s speed causes its source frames to be either omitted or...

Page 135: ...a clip in the Timeline panel 2 To freeze a frame other than the In or Out point open the clip in the Source Monitor and set Marker 0 zero to the frame you want to freeze 3 Choose Clip Video Options Fr...

Page 136: ...sion standards have interlaced and nonin terlaced variants Noninterlaced video frames are not separated into fields A progressive scan monitor will display a noninterlaced video frame by drawing all o...

Page 137: ...backward 3 For Processing Options select one of the following choices None Doesn t process the clip s fields Interlace Consecutive Frames Converts pairs of consecutive progressive scan noninterlaced...

Page 138: ...clips in the current selection Shift drag a marquee around clips Shift dragging a marquee that includes unselected clips adds them to the current selection Shift dragging a marquee that includes selec...

Page 139: ...lighting conditions Settings intrinsic to the source clip motion opacity volume replace those in the destination clips All other effects including keyframes are added to the list of effects already a...

Page 140: ...ne appears when alignment occurs You can toggle the snap feature using a keyboard shortcut S even during an editing operation such as moving or trimming a clip Aligning clips with the snap feature ena...

Page 141: ...ss Delete Note You can also delete a track along with everything it contains See To delete tracks on page 113 To delete space between clips When you delete space between clips all clips in all unlocke...

Page 142: ...the clip performs an extract edit and an insert edit that shifts clips in the destination tracks only To move a clip using the keypad You can change the position of a clip in a sequence by typing the...

Page 143: ...he project s full frame rate In the Timeline panel rendered areas are marked with a green line Note Projects refer to preview files in much the same way as source media If you move or delete preview f...

Page 144: ...r Previewing on a television monitor requires video hardware that provides an appropriate video port for the monitor Some video cards and operating system software products support a preview monitor i...

Page 145: ...sync try to preview both video and audio through the same device Working with preview files When you render previews Adobe Premiere Pro creates files on your hard disk These preview files contain the...

Page 146: ...the time ruler of the Source and Program monitors as small icons Clip markers also become icons within the clip as it appears in the Timeline panel and sequence markers appear in the sequence s time...

Page 147: ...ou can specify any unused number from 0 to 99 To go to a clip marker in the Source Monitor 1 Open a clip in the Source Monitor 2 Do one of the following To go to the previous marker click the Go To Pr...

Page 148: ...mments you want to associate with the marker You enter and view comments in the Marker dialog box Comments that you import from Adobe Clip Note reviews appear in your sequence as markers You can navig...

Page 149: ...s automat ically See also About sequence marker comments chapters and links on page 142 Editing audio in the Timeline panel Setting sample based audio In and Out points In and Out points are set at ti...

Page 150: ...s and drag left or right To adjust the Out point position the pointer over the right edge of the clip s audio so that the trim tail icon appears and drag left or right 5 Use the waveform display or pl...

Page 151: ...ip and choose Clip Unlink Though the audio and video are unlinked they are both still selected Reselect either clip to use it separately To automatically synchronize clips that were moved out of sync...

Page 152: ...Creating special clips To create a counting leader If you plan to create film output from a sequence you may want to add a counting leader A counting leader helps a projectionist verify that audio and...

Page 153: ...lor matte on page 368 In the Project panel click the New Item button at the bottom of the Project panel and choose Black Video from the menu that appears To create a transparent video clip You can use...

Page 154: ...complex one you can create it once and then simply nest it in another sequence as many times as you want Apply different settings to copies of a sequence For example if you want a sequence to play ba...

Page 155: ...ift T to open the source sequence in the Timeline panel with the current time indicator at the frame you specified in the nested sequence 3 Double click the clip where the current time indicator rests...

Page 156: ...clip and setting media start and end times for the subclip To adjust media start and end times of a subclip 1 Select the subclip in the Project panel 2 Choose Clip Edit Subclip 3 Edit the Subclip Star...

Page 157: ...so edit the sequence like any other sequence using the standard editing tools and techniques adding effects or compositing using multiple tracks See To record multi camera edits on page 153and To adju...

Page 158: ...from various cameras and from still images You assemble the media into a sequence of up to four video and four audio tracks You can add more than one clip to a track to accommodate the use of multipl...

Page 159: ...not editing a multi camera sequence To create a multi camera target sequence 1 Choose File New Sequence 2 Drag the sequence containing the multi camera clips into a video track of the new sequence See...

Page 160: ...he active camera If you click a camera preview the border turns red and you ll begin recording that camera footage to the sequence Note The Multi Camera Monitor previews the targeted video only Effect...

Page 161: ...on so that you can edit them and then automati cally incorporate those changes into the current project without quitting Adobe Premiere Pro or replacing files Exported Adobe Premiere Pro movies can al...

Page 162: ...n copy a layer containing footage from an After Effects composition and paste it into an Adobe Premiere Pro sequence Adobe Premiere Pro converts footage layers to clips in the sequence and copies the...

Page 163: ...an effect that is also used by After Effects After Effects converts the effect and all of its settings and keyframes You can copy color mattes stills nested sequences and offline files into After Effe...

Page 164: ...positions in After Effects and either Adobe Premiere Pro or Adobe Encore DVD Creating a dynamic link is as simple as importing any other type of asset and dynamically linked compositions appear with u...

Page 165: ...e Dynamic Link go to Resource Center on the Adobe website Adobe periodically provides updates to software and Help To check for updates click the Preferences button in Adobe Help Center and then click...

Page 166: ...File Adobe Dynamic Link New After Effects Compo sition 2 If the After Effects Save As dialog box appears enter a name and location for the After Effects project and click Save When you link to a new A...

Page 167: ...po sition Once After Effects is open you can make edits without having to use the Edit Original command again 1 Select the After Effects composition in the Adobe Premiere Pro or Adobe Encore DVD Proje...

Page 168: ...that are burned to disc Select the composition in the Project panel and do one of the following In Adobe Premiere Pro choose Project Make Offline In Adobe Encore DVD choose File Transcode Now You can...

Page 169: ...For a tutorial on transitions go to Resource Center on the Adobe website Adobe periodically provides updates to software and Help To check for updates click the Open Preferences Dialog button in Adob...

Page 170: ...you decide to proceed the transition appears in the Timeline panel with diagonal warning bars through it Transition using duplicate frames For best results with transitions shoot and capture source m...

Page 171: ...ne through it while a single sided transition is split diagonally with one half dark and one half light Types of transitions A Double sided transition using duplicate frames B Double sided transition...

Page 172: ...he transition over the cut Start At Cut icon Aligns the beginning of the transition to the beginning of the second clip Note As you drag in the Timeline panel you can see the area covered by the trans...

Page 173: ...1 Do one of the following Choose Edit Preferences General Click the Effects panel menu button Choose Default Transition Duration 2 Change the value for the Video Transition Default Duration or Audio...

Page 174: ...current time indicator in the Effect Controls panel s time ruler Note Keyframes cannot be used with transitions For transitions the Timeline View in the Effect Controls panel is used for adjusting tra...

Page 175: ...point To place unequal portions of the transition in each clip drag the transition slightly left or right For finer control zoom in on the time ruler Dragging the transition in the Effect Controls tim...

Page 176: ...the Effect Controls time ruler is not visible click the Show Hide Timeline View button in the Effect Controls panel Drag the Duration value or select it and type a new value How the transition change...

Page 177: ...ble click the color swatch or use the eyedropper to choose the color Reverse Plays the transition backward For example the Clock Wipe transition plays counterclockwise Anti Aliasing Quality Adjusts th...

Page 178: ...Wipe Settings dialog box 4 Adjust the softness of the transition s edges by dragging the Softness slider As you drag the slider to the right image A increasingly shows through image B Click OK Note T...

Page 179: ...them into submixes and nested sequences If you have Adobe Audition 2 0 you can use the Edit in Adobe Audition command to send an audio file to Adobe Audition for advanced editing See also About record...

Page 180: ...3 To rename a track on page 113 About channels in audio clips Clips can contain one audio channel mono two audio channels left and right stereo or 5 audio surround channels with a low frequency effect...

Page 181: ...See also To record an analog source on page 76 Applying audio effects to clips on page 196 Processing order for audio As you edit sequences Adobe Premiere Pro processes audio in the following order fr...

Page 182: ...ts name You can also use the Audio Mixer to record audio directly into a sequence s tracks Audio Mixer A Pan balance control B Track Input Channel C Mute Track Solo Track Enable Track For Recording bu...

Page 183: ...the following from the Audio Mixer menu To display or hide specific tracks choose Show Hide Tracks use the options to mark the tracks you want to see and click OK To display hardware input levels on t...

Page 184: ...io in a clip To view a waveform expand the audio track by clicking the triangle next to the audio track name Clicking the triangle expands the audio track to show the audio waveform See also Audio Mix...

Page 185: ...cts and sends you can hide them by clicking the triangle at the left edge of the Audio Mixer See also Adjusting gain and volume on page 186 Mixing audio tracks and clips on page 175 Working with clips...

Page 186: ...e Channel Mappings command to multiple master clips You should map source audio channels before adding a clip to a sequence If you apply the Source Channel Mappings command to a master clip that s bee...

Page 187: ...eparate 5 1 surround audio channels when the clip is added to the Timeline panel If the number of source channels is not in multiples of six Adobe Premiere Pro creates a 5 1 surround audio track with...

Page 188: ...audio clips must have the same channel type and each clip must be on a different track If clips are already linked such as an audio clip linked to a video clip they must be unlinked before creating t...

Page 189: ...audio Otherwise you can only group the clips 2 Do one of the following Shift click to select a video clip and more than one audio clip on separate tracks in the Timeline panel Shift click to select mo...

Page 190: ...ows XP Refer to your operating system s Help for details In Adobe Premiere Pro set the default device options in the Audio Hardware Preferences for specifying the input channel used when recording Onc...

Page 191: ...p menu appears after you click the Enable Track For Recording icon 5 Repeat steps 3 and 4 as necessary if you re recording to multiple tracks 6 Optional Create a new sequence Note It s also possible t...

Page 192: ...rag a channel icon from one source channel row to another source channel row This swaps the output channels of the two source audio channels Adjusting volume levels Adjusting gain and volume Gain gene...

Page 193: ...ow much to adjust the audio so that the strongest signals in the clip don t exceed the ceiling level 0dB and create distortion The displayed value indicates the amount of gain Adobe Premiere Pro autom...

Page 194: ...panel Each time you move the current time indicator and make an adjustment a new keyframe is created You can also adjust the interpolation between keyframes by editing the keyframe graph Repeat as ne...

Page 195: ...e also Clip handles and transitions on page 164 Transition workflow on page 163 To crossfade between two audio clips 1 If necessary click the triangle to the left of each track name in the Timeline pa...

Page 196: ...by applying the Balance audio effect Do this only after you determine that track balancing isn t sufficient The relation between the number of channels in an audio track and the number of channels in...

Page 197: ...l percentage and subwoofer volume No pan control appears if a track outputs to a submix or master track that contains the same number of channels or fewer therefore a pan or balance control is never a...

Page 198: ...n 5 Use the Selection tool or the Pen tool to adjust the level 6 Optional If you re adjusting the pan or balance effect over time repeat steps 4 and 5 as necessary See also Working with keyframes on p...

Page 199: ...ck s signal to a submix track for effects processing The submix can return the processed signal to the mix by routing it to the master track or it can route the signal to another submix A send include...

Page 200: ...choose one of the following Create Mono Submix Create Stereo Submix or Create 5 1 Submix Sends A Name of submix assigned to send and Send Assignment pop up menu B Send mute C Control knob for selecte...

Page 201: ...track or device with fewer channels Adobe Premiere Pro must downmix the audio to the number of channels in the destination track Downmixing is often practical or necessary because a sequence s audio m...

Page 202: ...of the following To route track output to another track select a submix or Master from the Track Output Assignment pop up menu at the bottom of each track in the Audio Mixer To completely turn off tra...

Page 203: ...ter the application of the track s fader Effects are pre fader by default In the Audio Mixer effect options that change over time can be recorded using the automation options or specified in the Timel...

Page 204: ...es have not been added or to add or edit keyframes See also Working with keyframes on page 230 To remove or bypass a track effect in the Audio Mixer In the effects list in the Audio Mixer do one of th...

Page 205: ...ct name The VST editor window opens Note The option controls for VST plug in effects are also available at the bottom of the Effects And Sends panel 3 In the VST editor window specify the options and...

Page 206: ...utomation does not start until you begin adjusting a property When you stop adjusting a property its option settings return to their previous state before the current automated changes were recorded T...

Page 207: ...ollowing options and then click OK Linear Keyframe Thinning Creates keyframes only at points that do not have a linear relationship to the start and end keyframes For example suppose you are automatin...

Page 208: ...d which appears in the Project panel The new audio file opens in Adobe Audition The original audio in the master clip is preserved 3 Edit and save the audio file in Adobe Audition 4 Return to Adobe Pr...

Page 209: ...text and shape tools or you can use one of the included templates preset text styles and images to quickly create an attractive title Although the Titler panel provides the main drawing area you can...

Page 210: ...re 2 0 Adobe Premiere Pro saved all titles as independent files separate from the project file You can import titles created in older versions of Premiere Pro just as you import any footage When you s...

Page 211: ...unds represented by dark gray and light gray squares so that you can see your video beneath the title others are completely opaque You can easily change every element in the template by selecting the...

Page 212: ...the title template and then click OK Designing titles for television To show a frame of video behind the title If you are creating a title for a specific segment of your movie for example to name a sc...

Page 213: ...fe margins Note If you are creating content for the web or for CD the title safe and action safe margins do not apply to your project because the entire image is displayed in these media Choosing Safe...

Page 214: ...ess Enter to begin a new line 3 When you finish typing choose the Selection tool and click outside the text box area To type horizontal or vertical text in a text box 1 In the Titler do one of the fol...

Page 215: ...eas some object properties such as fill color and shadow are common to all objects you create in the Titler other properties are unique to text objects Controls for font font style and type alignment...

Page 216: ...modify 2 In the Title Properties panel click the arrow next to Properties and set values for any of the following options Font Specifies the font applied to the selected text object To view a font in...

Page 217: ...d specifies that all selected objects appear in uppercase Small Caps Size Specifies the size of the small caps as a percentage of regular height Adjusting this value changes the size of all characters...

Page 218: ...tab marker To create a tab stop with right justified text click the Right Justify tab marker 4 Click the tab ruler above the numbers to create a tab Drag the tab stop to adjust its position As you dr...

Page 219: ...al segment does not return to the original starting point or you can close the connecting segments by clicking the initial control point Shape tools A Pen B Rectangle C Rounded Corner Rectangle D Wedg...

Page 220: ...underneath the pen pointer when it is directly over the initial anchor point To leave the path open Ctrl click anywhere away from all objects or select a different tool in the Tools panel To draw curv...

Page 221: ...the same direction that you dragged to create the previous anchor point Drawing S curves A Starting to drag new smooth point B Dragging in same direction as previous direction line creating S shaped c...

Page 222: ...he Convert Anchor Point tool and position the cursor over the anchor point that you want to convert 3 Do one of the following To convert a corner point to a smooth point drag a direction point out of...

Page 223: ...ults in a bevel join Note You can apply the options described above to shapes you create with the Pen tool or Line tool You can apply an inner or outer stroke to any text or graphic object Adding imag...

Page 224: ...densely stacked it may be difficult to select an element within the stack You can use the Title Select command to navigate easily through the stacked elements to reach the target element Aligning and...

Page 225: ...Titler select two or more objects 2 In the Titler Actions panel click the button for the type of alignment you want To distribute objects in titles 1 In the Titler select three or more objects 2 In th...

Page 226: ...erties panel Note Dragging the handles of a text object created with the Horizontal Type or Vertical Type tool changes its font size If the scaling is not uniform the text s aspect value also changes...

Page 227: ...anel Note If you add a stroke to an object the stroke also includes a fill see To add a stroke to an object on page 224 1 Select the object you want to fill 2 In the Title Properties panel click the t...

Page 228: ...anates from each corner of the object Double click a color stop to choose a color Drag the color stops to adjust the transition smoothness between the colors The Color Stop Color option and the Color...

Page 229: ...of the object the texture aligns Arbitrary aligns the texture to the title and not the object letting you move the object without moving the texture Clipped Face aligns the texture to the clipped area...

Page 230: ...rop Face stroke type Angle Specifies the offset angle of the stroke in degrees This option is not available for the Edge stroke type Magnitude Specifies the height of the stroke This option is availab...

Page 231: ...to blurring This is particu larly useful on small thin features such as cursive descenders or ascenders on typeface which tend to disappear if you apply a significant blur Working with styles About s...

Page 232: ...by the style name only In the Titler Styles panel menu choose one of the following Choose Text Only Displays only the style name Choose Small Thumbnails Displays only small swatches of sample text ob...

Page 233: ...For example you can delete the current library display create new styles as you work and then save those styles in their own library In the Titler Styles panel do any of the following To restore the...

Page 234: ...e a long text box using the Area Type tool and use alignment tabs and leading to adjust the formatting 3 In the Titler panel click the Roll Crawl Options button 4 Specify the appropriate Direction and...

Page 235: ...e In Specifies the number of frames through which the title rolls at a slowly increasing speed until the title reaches the playback speed Ease Out Specifies the number of frames through which the titl...

Page 236: ...change over time By default values change between keyframes in a linear manner but you can apply options that refine the rate of change between keyframes For example you can bring motion to a gradual...

Page 237: ...panel you have limited control for example you can t change values that use x y coordinates such as Position however you can make keyframe adjustments while editing without moving to the Effect Contr...

Page 238: ...ne property s keyframes can be displayed at a time within an individual clip or track You can specify which property s keyframes are currently displayed by choosing an option from the Show Keyframes p...

Page 239: ...owing from the menu Show Keyframes Displays the graph and keyframes of any video effect applied to clips in the track An effect menu appears next to the clip name so you can choose the effect you want...

Page 240: ...lip Keyframes or Show Track Keyframes in steps 2 and 3 click the effect menu and choose the effect that contains keyframes Choosing from the effects pop up menu 6 Place the pointer directly over a key...

Page 241: ...n the Effect Controls panel 4 In the Effect Controls panel click the triangle next to the effect property you want to animate 5 Click the Toggle Animation button next to the property name A keyframe a...

Page 242: ...the Pen tool to drag a marquee around the keyframes to select contiguous keyframes Shift drag to add more keyframes to an existing selection In the Effect Controls panel only you can also use the Sele...

Page 243: ...ke further adjust ments See also Displaying keyframes in the Timeline panel on page 232 To adjust or reset controls in the Effect Controls panel on page 257 To apply an effect to a clip on page 253 To...

Page 244: ...Rising graph indicating increasing value D Falling graph indicating decreasing value E Keyframe F Value graph G Velocity graph 1 In the Timeline panel select a clip containing an effect containing ke...

Page 245: ...track select the property you want to adjust If you can t see the effect menu try increasing the magnification of the Timeline panel 4 Use the Selection or Pen tool to do one of the following If you w...

Page 246: ...t points of the clip but they are constrained to the limits of the source media Note The first keyframe always uses the Start Keyframe icon and the last keyframe always uses the End Keyframe icon Use...

Page 247: ...eyframes are cut or copied Adobe Premiere Pro pastes in the first track where it finds a corresponding effect property looking first at a sequence s audio tracks then its submix tracks and then the ma...

Page 248: ...in between frame given an equal share of the changed value Changes created with linear interpolation start and stop abruptly and develop at a constant rate between each pair of keyframes Bezier inter...

Page 249: ...erpolation Bezier handles are two directional controls that change the curve of the line segment between the handle and the next point on either side The farther you pull a handle from its vertex cent...

Page 250: ...1 Display the Bezier keyframe you want to adjust 2 Select either the Selection tool or the Pen tool and do one of the following To adjust the slope of the curve drag the Bezier handle up or down Movi...

Page 251: ...he right or left Note Influence determines how quickly the Velocity graph reaches the value you set at the keyframe giving you an additional degree of control over the shape of the graph The values to...

Page 252: ...Effects Mirror Transform and Twirl This capability is indicated by the Transform icon next to the effect name in the Effect Controls panel See also To adjust position scale and rotation on page 246 A...

Page 253: ...so Animating motion in the Program Monitor on page 247 Animating motion in the Program Monitor You can create animations insets and split screens by manipulating a clip directly in the Program Monitor...

Page 254: ...nt to its Out point 4 In the Effect Controls panel expand the Motion effect and click the Toggle Animation button next to each property you want to define at that point in time A Keyframe icon appears...

Page 255: ...onitor 3 Do any of the following To move an existing keyframe drag the keyframe handle in the Program Monitor To create a new position keyframe set the current time between existing keyframes and drag...

Page 256: ...colorspace Choose Project Project Settings Video Rendering and then select the Maximum Bit Depth option to have Adobe Premiere Pro process an effect at the highest possible quality Keep in mind that t...

Page 257: ...handles in the Program Monitor All Standard effect properties can be animated over time using keyframing and changing the shape of the graphs in the Effect Controls panel The smoothness or speed of th...

Page 258: ...lable if your graphics card doesn t have Pixel Shader 2 0 and Vertex Shader 2 0 See also Page Curl effect on page 312 Refraction effect on page 312 Ripple Circular effect on page 312 Working with disc...

Page 259: ...e Effects panel to a clip in the Timeline panel or by dragging the effect icon to the Effect Controls panel if the clip is selected You can even apply the same effect multiple times using different se...

Page 260: ...n copy and paste one or more effects from one clip to another in the Effect Controls panel You can also copy all effect values including keyframes for Fixed and Standard effects from one clip to anoth...

Page 261: ...it by dragging the tab onto another panel You can quickly optimize the workspace for effects editing by choosing Window Workspace Effects Effect Controls panel A Sequence name B Clip name C Show Hide...

Page 262: ...e the Effect Controls panel The Effect Controls panel also includes controls for playing and looping audio clips Under the Effect Controls panel time ruler is the keyframe area where you can set keyfr...

Page 263: ...ontrols panel The Effect Controls panel displays all the controls that you use to change parameter values for an effect Controls can include underlined text sliders effect point icons angle controls m...

Page 264: ...et See also About markers on page 140 Customizing effect presets Effect presets You can customize individual effect settings and save them as presets You can then apply the presets to other clips in a...

Page 265: ...ame was 1 second from the Out point of the source clip when you saved the preset then this option adds the keyframe at 1 second from the Out point of the target clip and adds all other keyframes relat...

Page 266: ...or to match color from scene to scene Effects can also adjust the color and luminance to emphasize or de emphasize a detail in a clip Adobe Premiere Pro s color and luminance adjusting effects can be...

Page 267: ...s are similar to the ones in Photoshop and After Effects users The RGB Curves lets you restrict adjustments to a specific tonal range or a specific range of colors Three Way Color Corrector Makes adju...

Page 268: ...splays all scopes in one monitor Vect YC Wave YCbCr Parade Displays the Vectorscope YC Waveform and YCbCr Parade in one monitor Vect YC Wave RGB Parade Displays the Vectorscope YC Waveform and RGB Par...

Page 269: ...or the Three Way Color Corrector effect See also To adjust luminance using levels on page 268 To adjust luminance or color using numeric controls use the controls in the Luma Corrector or RGB Color Co...

Page 270: ...lor or range of colors to adjust on page 272 To make quick luminance corrections The Fast Color Corrector and the Three Way Color Corrector effects have automatic controls for making quick adjustments...

Page 271: ...g to the right rotates the colors towards red Balance Magnitude Controls the intensity of the color introduced into the video Moving the circle out from the center increases the magnitude intensity Th...

Page 272: ...nal Range menu Choosing Master applies color correction to the entire tonal range of the image If necessary use the Tonal Range Definition controls to define the different tonal ranges You can choose...

Page 273: ...as you make the curves adjustments If you re using the Vector scope there should be minimal green shading in the areas outside of the center of the scope Areas outside the center define the level of...

Page 274: ...g it off the graph As you make adjustments watch carefully for banding noise or polarization in the image If you notice any of these reduce the value you are adjusting Original image left adjusting lu...

Page 275: ...To restrict your adjustments to a color or range of colors click the triangle to expand the Secondary Color Correction controls Define the color or color range using the Eyedropper tool slider control...

Page 276: ...tput to 100 IRE or lower the lightest highlight will be mapped to that level Note You can also adjust the Input and Output levels by scrubbing the underlined text or typing a value for Input Black Lev...

Page 277: ...Corrector effect 3 Optional Choose Tonal Range from the Output menu This displays a tri tone image of the shadows midtones and highlights areas in the image The Tonal Range preview updates as you mak...

Page 278: ...Corrector Luma Curve RGB Color Corrector RGB Curves or Three Way Color Corrector effect 2 In the Effect Controls panel click the triangle to expand the Luma Corrector Luma Curve RGB Color Corrector R...

Page 279: ...rom 100 thin sharply defined edges to 100 spread diffused edges The default value is 0 8 Select the Invert Limit Color option to adjust all colors except the range that you specified using the Seconda...

Page 280: ...ick the Midtone Target eyedropper in the area in the target clip that you want to change 8 Expand the Match category in the Color Match effect and click the Match button In the Program Monitor the tar...

Page 281: ...click the triangle to expand the Secondary Color Correction controls Define the color or color range using the Eyedropper tool slider controls or enter numeric values See also To specify a color or ra...

Page 282: ...fect Controls panel See also Color Pass effect on page 315 To specify a color or range of colors to adjust on page 272 To adjust brightness using convolution 1 In the Effects panel click the triangle...

Page 283: ...ties in the Program Monitor Click the Transform icon next to Lighting Effects in the Effect Controls panel to display the adjustment handles and Center circle Lighting Effects Original image left Spot...

Page 284: ...ectional light or Spotlight Adjust this control by specifying a value in degrees You can also move the pointer outside a handle in the Program Monitor until it turns into a double headed curved arrow...

Page 285: ...rts of the channel from the surface Deselect this option to raise the dark parts 9 Scrub the underlined text to specify the Bump Height value from flat 0 to mountainous 100 Vectorscope and waveform mo...

Page 286: ...isplays the chrominance in the digital video signal information YC Waveform The YC Waveform displays a graph showing the signal intensity in the video clip The horizontal axis of the graph corresponds...

Page 287: ...o signal The waveforms appear in a graph one after another parade like The Intensity control adjusts the brightness of the waveforms It does not affect the video output signal Note CbCr are the color...

Page 288: ...onitor menu if you selected a clip in the Timeline panel 3 Choose any of the following from either the Reference Monitor Program Monitor or Source Monitor menu All Scopes Displays the Vectorscope YC W...

Page 289: ...dobe Premiere Pro To preview an effect not in this gallery apply it and preview it in the Program Monitor Original image Bevel Alpha Bevel Edges Brightness Contrast Camera Blur Clip Color Balance Crop...

Page 290: ...ser Guide 284 Lens Flare Lightning Mirror Mosaic Noise Pinch Pointillize Posterize Radial Blur Replicate Sharpen Sharpen Edges Original image Shear Solarize Spherize Texturize Tiles Tint Twirl Vertica...

Page 291: ...t Adobe Premiere Pro ignores scene changes when you have enabled Temporal Smoothing Snap Neutral Midtones Auto Color only Specifies that Adobe Premiere Pro finds an average nearly neutral gray color i...

Page 292: ...thematical operation known as a convolution The Convolution Kernel Settings dialog box displays a grid that represents a pattern of pixel brightness multipliers with the pixel being evaluated in the c...

Page 293: ...a global darkening or lightening of an image but rather adjusts the shadows and highlights independently based on the surrounding pixels You can also adjust the overall contrast of an image The defaul...

Page 294: ...the Shadow Highlight effect Midtone Contrast Specifies the degree of contrast that the effect applies to the midtones Higher values increase the contrast in the midtones alone while concurrently dark...

Page 295: ...pplied center and with Compound Blur applied and the cloud layer made invisible right This effect is useful for simulating smudges and fingerprints or changes in visibility caused by atmospheric condi...

Page 296: ...er Drag the dot in the Blur Center box to change the origin of the blurring You can also set the Amount of the blur from 1 to 100 With the Spin blur method this value reflects the degree of rotation w...

Page 297: ...ion in the Render Settings dialog box Adjust the following controls for the 3D Glasses effect Left View Right View Specify the clip to use as the left or right view You only need to apply 3D Glasses t...

Page 298: ...right as the red However viewing the images with red and green lenses produces an even result because green has a higher luminance value than red About ghost effects Ghost effects occur when the lumin...

Page 299: ...the channel to extract and blend with the original clip RGBA Displays all channels normally Gray Shows the luminance of the original RGBA image Red Green Blue Alpha Converts all channels to the value...

Page 300: ...To Log Detects an 8 or 10 bit logarithmic Cineon file when you plan to render it as an 8 bit logarithmic proxy 10 Bit Black Point Specifies the black point minimum density for converting a 10 bit loga...

Page 301: ...nd Source To Fit Scales the second layer to match the size width and height of the current layer If this option is deselected the second layer is placed at its source s current size aligned with the u...

Page 302: ...s the replacement matte You can specify any video track in the sequence Use For Matte Specifies the channel of the specified clip to use for the matte Invert Matte Inverts the transparency values of t...

Page 303: ...lor Picker and select a color to define the white balance Hue Balance And Angle Controls hue and saturation adjustments using a color wheel A circular thumb moves about the center of wheel and control...

Page 304: ...t of the image Input Black Input Gray Input White Adjust the black point midtone and white point input levels for the highlights midtones or shadows Output Black Output White Adjust the mapped output...

Page 305: ...ange Center Defines the central color in the range that you re specifying Select the Eyedropper tool and click anywhere on your screen to specify a color which is displayed in the color swatch Use the...

Page 306: ...and Luma Specify the color range to be corrected by hue saturation or luminance Click the triangle next to the option name to access the threshold and softness feathering controls to define the hue s...

Page 307: ...nel s midtone values without affecting black and white levels Red Pedestal Green Pedestal and Blue Pedestal Adjusts the tonal values in the red green or blue channel by adding a fixed offset to the ch...

Page 308: ...manipulate the shape You can add a maximum of 16 points to the curve To delete a point drag it off the graph Red Green and Blue Alters the brightness and contrast of the red green or blue channel when...

Page 309: ...nce Assigns a black midtone gray or white balance to a clip Use the different Eyedropper tools to sample a target color in the image or choosing a color from the Adobe Color Picker Tonal Range Definit...

Page 310: ...ropper tools to sample a target color in the image or anywhere on your monitor s desktop You can also click the color swatch to open the Adobe Color Picker and select a color to define the black midto...

Page 311: ...tal or above and below Vertical Split View Percentage Adjusts the size of the corrected view The default is 50 Reduction Axis Lets you set the limits defining the range of luminance Luma color Chroma...

Page 312: ...h Specifies the wave width Corner Pin effect The Corner Pin effect distorts an image by changing the position of each of its four corners Use it to stretch shrink skew or twist an image or to simulate...

Page 313: ...control to any setting except None disables the Resize Layer option None Specifies that the Size Magnification and Feather controls operate separately Size To Magnification Specifies that the size of...

Page 314: ...efore where the reflection appears on the clip An angle of 0 reflects the left side on the right An angle of 180 reflects the right side on the left An angle of 90 reflects the top on the bottom An an...

Page 315: ...geometric transformations to a clip Use the Transform effect to skew a clip along any axis Apply the Transform effect instead of using a clip s Fixed effects if you want to render anchor point positio...

Page 316: ...ppears in the Program monitor is only a small portion of the entire fractal The Program monitor behaves like a fixed viewing area and the Offset control repositions the fractal within that view which...

Page 317: ...ine waves The Wave Warp effect is automatically animated at a constant speed across the time range without keyframes To vary speeds you need to set keyframes Wave Type Specifies the shape of the wave...

Page 318: ...water Refractive Index Specifies the ratio of the light s velocity as it passes from a rarer to a denser medium Bump Specifies the grain amount on the surface Depth Specifies the depth of the surface...

Page 319: ...this color as a target for building the color correction mask Matching Tolerance Specifies the degree of color matching before the color is affected by the color correction With low tolerances only co...

Page 320: ...performs Setting To Color Performs a direct change of affected pixels to the target color Transforming To Color Transforms affected pixel values towards the target color using HLS interpolation The a...

Page 321: ...or between two scenes on page 273 Color Offset effect The Color Offset effect shifts the pixels of the red green and blue channels in a specified direction and amount Use this effect to create a three...

Page 322: ...eas unaffected The default gamma setting is 1 0 In the effect s Settings dialog box you can adjust the gamma from 0 1 to 2 8 PS Arbitrary Map effect The PS Arbitrary Map effect applies a Photoshop arb...

Page 323: ...eying effects Alpha Adjust effect Use the Alpha Adjust effect in place of the Opacity effect when you need to change the default render order of Fixed effects Change the opacity percentage to create l...

Page 324: ...the edges of the transparent area to create a smooth transition between the transparent and opaque areas See also About the Color Key on page 361 Difference Matte Key effect The Difference Matte Key e...

Page 325: ...Blue Screen Key and Green Screen Key on page 362 Image Matte Key effect The Image Matte Key effect keys out areas of a clip s image based on the luminance values of a still image clip which serves as...

Page 326: ...extures from separate files If you import footage with a premultiplied alpha channel or if you create alpha channels with After Effects you may need to remove halos from an image Halos are caused by a...

Page 327: ...pixels To achieve a balance between sharpness of the image and hiding defects try various combinations of radius and threshold settings Draft and Best quality settings give the same results Dust Scrat...

Page 328: ...t Amount Specifies the amount of noise that s added to the clip Original Alpha Specifies how to apply noise to the alpha channel of a clip Add Produces equal amounts of noise in the transparent and op...

Page 329: ...values right Adjust the following controls for either the Noise HLS effect or the Noise HLS Auto effect Noise Specifies the type of noise the effect adds Uniform produces evenly distributed pixel noi...

Page 330: ...tance gets larger the image recedes Specular Highlight Adds a glint of light that reflects off the surface of the rotated image as though an overhead light were shining on the surface When Draw Previe...

Page 331: ...a shadow from a point light source over the clip it s applied to rather than from an diffused light source as with the Drop Shadow effect The shadow is cast from the alpha channel of the source clip a...

Page 332: ...lip s If this clip contains no semi transparent pixels Color Influence has little or no effect and the Shadow Color value determines the shadow s color Decreasing the Color Influence value blends the...

Page 333: ...more transparent the gradient The original source layer s opacity value represents 100 opacity in the effect Blending Mode Specifies how the gradient colors interact with the original layer colors Th...

Page 334: ...f tiles are determined by the Cells Horizontal and Cells Vertical values Cells Horizontal and Cells Vertical Specify the number of horizontal or vertical cells on a tile Note To determine the size of...

Page 335: ...d anchor point controls deter mines the checkerboard size Width Slider Specifies that the Width value determines the checkerboard pattern size and shape The individual checkered shape remains square b...

Page 336: ...a ring The difference in the values set for this control and Radius determines the ring s width Thickness Creates a ring with a specified thickness The corresponding slider measures the ring thickness...

Page 337: ...Eyedropper effect Original image left and with different color samples applied center and right Adjust the following controls for the Eyedropper Fill effect Sample Point Specifies the sampled pixel co...

Page 338: ...al relationship between the Corner point and the Anchor point Width Specifies the horizontal width of the grid cells If you choose Width Slider in the Size From menu this value specifies both the widt...

Page 339: ...igher values produce tree like lightning bolts Branch Angle Specifies the size of the angle between a branch and the main lightning bolt Branch Seg Length Specifies the length of each branch segment a...

Page 340: ...ffect is a non destructive paint tool that fills a selected area with a solid color It works much like the paint bucket tool in Adobe Photoshop Use Paint Bucket for colorizing cartoon type outlined dr...

Page 341: ...edge of the fill area Stroke Confines the fill to just the border of the selected area The Stroke Width value indicates the width of the stroke in pixels Each Stroke option has a corresponding slider...

Page 342: ...e Brush Strokes effect Stroke Angle Specifies the direction in which the strokes are made The image is effectively shifted in this direction which may cause some clipping at the layer boundaries Brush...

Page 343: ...rees A setting of 45 causes the shadow to be cast in the northeast direction Relief Specifies the apparent height of the embossing in pixels The Relief setting actually controls the maximum width of h...

Page 344: ...osaic divisions in each direction Sharp Colors Gives each tile the color of the pixel in its center in the unaffected clip Otherwise the tiles are given the average color of the corresponding region i...

Page 345: ...he detailed definition in the texture of the roughness Lower Complexity values reduce the definition Note Increasing complexity results in longer rendering times Reduce the Scale value rather than inc...

Page 346: ...e effect to appear at full intensity higher values diminish the intensity of the effect Strobe Duration Specifies in seconds how long a strobe effect lasts Strobe Period Specifies in seconds the durat...

Page 347: ...olor and opacity specified at each keyframe to the entire stroke Color Applies the color specified at a keyframe to the stroke starting at that keyframe until it is changed at a later keyframe The opa...

Page 348: ...of intensities of subsequent echoes For example if the decay is set to 0 5 the first echo will be half as bright as the Starting Intensity The second echo will then be half that or 0 25 times the Star...

Page 349: ...each edge of the clip separately You can crop by pixels or image percentage If you don t want Adobe Premiere Pro to automatically resize the trimmed clip to its original dimensions use the Clip effec...

Page 350: ...called the gradient layer The luminance of a pixel in the gradient determines the time at which the corresponding pixel in the clip on the first video track becomes transparent Dark areas of the grad...

Page 351: ...ction Wipe Angle Specifies the direction that the wipe travels For example at 90 the wipe travels from left to right Linear Wipe effect Original image left and after applying the Linear Wipe effect ce...

Page 352: ...values of 0 will cause red to smear on an NTSC monitor Avoid pure black and pure white values Commonly used values for black and white are 16 and 235 respectively Render a test of your sequence and p...

Page 353: ...Offset option and counts up based on the Time Display option Time Display Sets the timebase used by the Timecode effect By default this option is set to the project timebase when the Timecode Source...

Page 354: ...meter displays the amount of the reduction in decibels Male and Female Specifies the gender of the narrator or vocalist This option helps the effect to adapt to the difference in tone between genders...

Page 355: ...ween 10 and 10 dB Offset allows additional control when the automatic denoising is not sufficient Dynamics effect The Dynamics effect provides a set of controls that can be combined or used independen...

Page 356: ...e of the signal Limiter Reduces clipping in audio clips that contain peaks in the signal For example by leveling out peaks that exceed 0 dB in an audio file the overall level of the audio doesn t have...

Page 357: ...ee band compressor with controls for each band Use this effect instead of the compressor in Dynamics when you need a softer sounding compressor Use the graphical controls in the Custom Setup view or a...

Page 358: ...pe 60 Hz and in most other countries type 50 Hz Q Specifies the range of frequencies to be affected A low setting creates a narrow band a high setting creates a wide band Parametric EQ effect The Para...

Page 359: ...the amount of dampening for low frequencies in decibels Dampening lower frequencies prevents the reverb from rumbling or sounding muddy Hi Damp Specifies the amount of dampening of high frequencies i...

Page 360: ...l in the After Effects Composition panel or the Adobe Premiere Pro Monitor panel white indicates complete opacity black indicates complete transparency and shades of gray indicate partial trans parenc...

Page 361: ...when working with objects too complex to mask easily The technique of keying out a background of a consistent color is often called bluescreening or greenscreening although you do not have to use blu...

Page 362: ...cy information All video track frames are completely transparent except where you ve added opaque content such as video still images or titles You can make areas of opaque content partially or complet...

Page 363: ...track below the image you are keying See also About alpha channels and mattes on page 354 To create a solid color matte on page 368 Adjusting the opacity of clips By default clips on tracks appear at...

Page 364: ...adjustments by entering a value dragging the Opacity slider or dragging an Opacity handle on the graph You can also adjust the interpolation between keyframes by editing the keyframe graph Repeat step...

Page 365: ...out a background brightness keys to add texture or special effects alpha channel keys to modify a clip s alpha channel and matte keys to add traveling mattes or apply other clips as mattes 1 In the E...

Page 366: ...enu and then choose Alpha from the new Program Monitor menu See also About keying on page 355 About mattes on page 364 To key out a single color on page 361 To edit keyframe graphs in the Effect Contr...

Page 367: ...area s border Positive values enlarge the mask increasing the transparent area Negative values shrink the mask decreasing the transparent area 7 Drag the Edge Feather slider to specify the softness of...

Page 368: ...reshold setting Dragging the Cutoff slider to the right increases the opacity Use the Mask Only option to view the white opaque areas as you drag the Cutoff slider Smoothing Specifies the amount of an...

Page 369: ...rent areas white represents opaque areas and gray represents partially transparent areas See also About keying on page 355 About the Luma Key The Luma Key creates transparency for darker values in the...

Page 370: ...only blue and green colors remain at their original values A still image used as a matte left defines transparent areas in the superimposed clip center revealing background clip right To composite cli...

Page 371: ...her still or moving image You can create the matte by saving a frame from a clip that shows the static background before the moving object enters the scene For best results neither the camera nor anyt...

Page 372: ...e Track Matte Key The Track Matte Key reveals one clip background clip through another superimposed clip using a third file as a matte that creates transparent areas in the superimposed clip This effe...

Page 373: ...r is in the position you want Click the Toggle Animation icons of the settings you want to adjust 9 Click the Composite Using pop up menu and choose one of the following Matte Alpha Composites using t...

Page 374: ...ime make sure that the current time indicator is in the position you want Click the Toggle Animation icons for the position settings you plan to adjust 6 Do any of the following to adjust the mask sha...

Page 375: ...the triangle to expand the Keying bin 3 Drag the Remove Matte effect to the clip containing the matte 4 Optional If you re animating the Remove Matte effect over time make sure that the current time...

Page 376: ...are comments on a project in progress Clip Notes are embedded in a Portable Document PDF file Note When exporting a clip or a sequence as a movie file you can choose between two export methods the Exp...

Page 377: ...ng programs such as Adobe Premiere Pro Adobe After Effects and Adobe Audition When exporting from post production software you must determine the file settings appropriate to the film stock you will u...

Page 378: ...be created using the proper software and a CD recorder a DVD recorder isn t required On the other hand VCD quality is comparable to VHS much lower than DVD quality You can create Video CD files using...

Page 379: ...V Developed jointly by several companies HDV employs a form of MPEG 2 compression to enable high definition video to be encoded on standard miniDV cassette media H 264 Also known as MPEG 4 part 10 and...

Page 380: ...type of device at a certain bandwidth you choose a compressor decompressor also known as an encoder decoder or codec to compress the information and generate a file readable by that type of device at...

Page 381: ...s for video capture and editing CD ROM playback The data rate for video played from a CD ROM depends on the speed of the drive For example if you are preparing a final video file for a quad speed CD R...

Page 382: ...ains are online To prepare for recording to DV tape Before you begin make sure the DV device camcorder or deck is connected to your computer using an IEEE 1394 connection IEEE 1394 connections can use...

Page 383: ...fficient 4 In the Options section select any of the following options Abort After Dropped Frames Ends export automatically if a specified number of frames is not exported successfully Specify the numb...

Page 384: ...or audio file respectively Adobe Media Encoder Use the Adobe Media Encoder to create files in formats such as MPEG 1 MPEG 2 or a web friendly format using QuickTime RealMedia or Windows Media The Adob...

Page 385: ...d GIF the same way you do any other file making sure that you choose Animated GIF as the File Type except that you can specify special options by clicking Compile Settings in the Export Movie dialog b...

Page 386: ...F Targa or TIFF If you choose a movie format or Animated GIF all the frames will be in one file 4 Choose the frames to export from the Range menu 5 Click Video and specify options 6 Click Keyframe And...

Page 387: ...See also File formats supported for export on page 381 Export settings When you choose File Export Movie Frame or Audio you can specify the settings that determine file type compressor and so on Click...

Page 388: ...e Windows Bitmap sequence See also Supported file formats for import on page 67 General export settings The following options are available in the General panel of the Export Movie Settings Export Fra...

Page 389: ...ptions described in this section Color Depth Choose the color depth or the number of colors to include in video that you export This menu is not available if the selected Compressor supports only one...

Page 390: ...alent of progressive scan which is the correct setting for computer display and motion picture film Choose Upper Field First or Lower Field First when exporting video for an interlaced medium such as...

Page 391: ...ported file see About channels in audio clips on page 174 If you choose fewer channels than are in the sequence s master track the audio will be downmixed see About audio tracks in a sequence on page...

Page 392: ...indicates how the clip s frame size and pixel aspect ratio PAR appear after processing A time display and a time ruler that includes a current time indicator CTI and viewing area bar appear under each...

Page 393: ...Drag the center of the viewing area bar to change the visible portion of the time ruler To export a file using Adobe Media Encoder 1 Do either of the following To export a sequence select the sequenc...

Page 394: ...he exported file deselect the appropriate option in the Export Settings panel 4 Do any of the following To customize video settings specify the options you want in the Video panel see Adobe Media Enco...

Page 395: ...for Video Compact Disk VCD VCD is a cheaper more accessible but lower quality alternative to DVD VCDs use standard recordable CD media and can be played in a standard CD ROM drive The format provides...

Page 396: ...uality Specifies the encoding quality Generally higher values increase rendering time and file size TV Standard Conforms the output to the NTSC or PAL standard Frame Width Scales the output frame s ho...

Page 397: ...s Bi directional frames between consecutive I frames Intra frames and P frames Predicted frames N frames Specifies the number of frames between I frames Intra frames This value must be a multiple of t...

Page 398: ...using the Export To DVD command any video you export to DVD is automatically transcoded to MPEG 2 if it isn t already in that format After Effects and Adobe Premiere Pro add metadata to MPEG 2 files t...

Page 399: ...e Alternates pane and specify the options you want 4 With any pane selected choose Add Remove Audiences or Add Remove Alternates from the panel menu click the arrow button in the upper right of the pa...

Page 400: ...To use alternates check Alternate Movie and specify the following options Alternate Filename prefix Specifies the root file name for alternates Create Reference File Fallback Creates a reference file...

Page 401: ...he password to a password protected server Retries Specify the number of attempts to contact the server if a connection isn t established Send Local File To Recycle Bin Deletes the local copy of the e...

Page 402: ...llaboration Exporting an EDL With Adobe Premiere Pro you can export your project as an edit decision list EDL in the CMX3600 format This format is the most widely accepted and most robust of the EDL f...

Page 403: ...d AAF files exported from Adobe Premiere Pro and imported into Avid Xpress do not automatically relink to the source footage To relink the footage use the Offline Only batch import option in Avid Xpre...

Page 404: ...fficient workflow by performing two functions reducing the storage needs of a project and consolidating the files associated with a project The Project Manager reduces a project by creating a new vers...

Page 405: ...mmed project source clips that do not match the current project settings are recaptured at their original settings not the current project settings To override this behavior click Override Clip Settin...

Page 406: ...ains a rendered sequence either as an embedded file or streamed from a server that you can e mail to any number of reviewers A reviewer can open the PDF file play the movie and enter comments directly...

Page 407: ...URL just prior to creating the Clip Notes PDF file FTP File To Server Select this option and specify settings to upload the rendered file to a server using FTP file transfer protocol You may need to...

Page 408: ...r e mail client software if the editor specified an e mail address in the Return Comments To option when creating the Clip Notes PDF file To import Clip Notes comments Imported Clip Notes comments app...

Page 409: ...ack through the movie using the Next and Previous buttons on a DVD player s remote control Menu based DVD with scene selection submenu Displays a submenu of scenes that you specify with markers These...

Page 410: ...and the look of your DVD menus in the Preview DVD window See To preview a menu based DVD on page 414 5 Burn the DVD Attach a write capable DVD drive to your computer and burn your DVD content to disc...

Page 411: ...ps in the sequence from beginning to end Note You can use both main menu markers and scene markers in a movie However you must remember that once the DVD player encounters a stop marker it returns to...

Page 412: ...remiere Pro uses scene markers to create a scene submenu which is accessible from the Scene Selection button on the DVD main menu If you have no scene markers in the sequence Adobe Premiere Pro omits...

Page 413: ...rent time 3 Type a name for the marker Keep the name short so that it fits in the menu and doesn t overlap another button You can also adjust the name later after you ve selected the desired template...

Page 414: ...the movie contains several minutes of footage Total Markers Places the number of markers you specify evenly spaced across the entire range of clips in the Timeline panel 4 If the sequence contains exi...

Page 415: ...Clear DVD Marker All DVD Markers Designing menu based and autoplay DVDs About menu based DVDs You create a menu based DVD by using the predesigned menu templates included in Adobe Premiere Pro Each te...

Page 416: ...ut panel click Change Template 3 Select Apply A Template For A DVD With Menus 4 From the Theme menu choose a theme that contains menu designs you like 5 Scroll through the templates until you find the...

Page 417: ...ine Keep the name short so that it fits in the menu and doesn t overlap another button To select the image you want displayed in the button thumbnail in the menu drag the Thumbnail Offset timecode as...

Page 418: ...the panel 2 Select a button in the DVD Layout panel 3 In the Effect Controls panel select Motion Menu Button 4 Set the In point where you want the clip to start playing when the menu is displayed You...

Page 419: ...ns on page 166 Duration Sets the duration of background video or audio from the In points The maximum duration is 30 seconds Apply To All Menus Applies the background to all DVD menus Duration Motion...

Page 420: ...which they link Preview DVD navigation controls A Previous Scene B Next Scene C Rewind D Skip back a frame E Play Pause F Skip forward a frame G Fast forward H Button navigation arrows and Enter butt...

Page 421: ...g export The DVD video format requires MPEG2 compression Depending on the complexity and length of the project and your computer compressing video and audio for a DVD can take hours If you plan to bur...

Page 422: ...rea bar This option is available for autoplay DVDs only Loop Playback Plays the video from start to end and then plays the video again This option is available for autoplay DVDs only 3 In the Export s...

Page 423: ...u can assign shortcuts to commands that don t currently have shortcuts reassign shortcuts from commands you rarely use to commands you use often or set shortcuts to match other software you use If oth...

Page 424: ...ed by the operating system and cannot be reassigned to Adobe Premiere Pro Also you cannot assign the plus and minus keys on the numeric keypad because they are necessary for entering relative timecode...

Page 425: ...w Result Shortcut Selection tool V Track Select tool M Ripple Edit tool B Rolling Edit tool N Rate Stretch tool X Razor tool C Slip tool Y Slide tool U Pen tool P Hand tool H Zoom tool Z Result Shortc...

Page 426: ...t panel You can find most keyboard shortcuts in menu commands and tool tips Additional shortcuts appear in the table below Step back Left Arrow Step forward Right Arrow Stop S Result Shortcut Decremen...

Page 427: ...hift Right Arrow Extend selection up Shift Up Arrow Move selection down Down Arrow Move selection to the end End Move selection to home Home Move selection left Left Arrow Move selection a page down P...

Page 428: ...dge clip selection one frame to the left Alt Nudge clip selection 5 frames to the right Alt Shift Nudge clip selection one frame to the right Alt Play from current time indicator to Out point Alt spac...

Page 429: ...trl Alt Left Arrow Slip clip selection 5 frames to the right Ctrl Alt Shift Right Arrow Slip clip selection one frame to the right Ctrl Alt Right Arrow Step back Left Arrow Step back 5 frames units Sh...

Page 430: ...Nudge selected object 5 pixels down Shift Down Arrow Nudge selected object 1 pixel down Down Arrow Nudge selected object 5 pixels to the left Shift Left Arrow Nudge selected object 1 pixel to the left...

Page 431: ...tches to the next view As Thumbnails As Film strip As Details or As Versions And Alternates Control Switch to user defined workspaces Control F6 through Control F12 Switch to previous view Shift Contr...

Page 432: ...sh tree and thumbnail panes F5 Add an item to the selection Shift Right Arrow Left Arrow Up Arrow or Down Arrow Rotate image clockwise Control Rotate image counterclockwise Control Launch File Bridge...

Page 433: ...ressing linked clips in Adobe Premiere Pro 162 unlinking compositions 162 Adobe Encore DVD setting chapter links for use in 143 Adobe Expert Support 2 Adobe Help Center about 2 adding contact informat...

Page 434: ...ist 177 muting tracks in 188 panning and balancing in 191 setting audio units in 178 audio mixing about 175 automating 199 audio sample rate 75 audio samples 143 audio submixes 192 196 audio tracks ab...

Page 435: ...ontrol 72 without device control 72 capture cards 23 74 Capture panel about 11 65 controls 70 capture settings analog 74 audio 75 batch list 80 file locations of 80 Card Flip transition 172 cassette d...

Page 436: ...Arithmetic effect 295 Compound Blur effect 289 compressed audio 87 compression about compression keyframes 96 374 384 compressor decompressor See codecs Constant Bit Rate See CBR encoding Constant Gai...

Page 437: ...D marker data exporting 379 DVD markers about 405 adding manually 406 deleting 409 main menu 405 main menu markers 405 moving 408 renaming 408 scene markers 406 stop markers 407 DVD media 414 DVD menu...

Page 438: ...files 378 381 settings 381 383 384 385 still images 380 381 to AAF 397 to CD ROM 371 to film 371 to high definition video 373 to streaming video 374 to video files 378 to videotape 375 to videotape u...

Page 439: ...em GPS data 51 Go To In Point button 115 Go To Next Marker button 141 Go To Previous Marker button 141 GPS information in files 51 52 GPU effects 252 Gradient Wipe effect 344 Gradient Wipe transition...

Page 440: ...239 viewing in Effect Controls panel 231 viewing in Timeline panel 232 keying about 355 keys applying 364 Blue Screen 362 Chroma 360 Color 361 Difference Matte 365 Green Screen 362 Image Matte 364 Lu...

Page 441: ...tons menu items editing in templates 411 menu based DVDs about 403 previewing 414 menus context 17 displaying 17 metadata about 51 395 adding to documents 53 appending 54 applying as templates 54 edit...

Page 442: ...es for server 394 exported still images 384 Out Point icon 127 Out points See In and Out points Out Shift display 127 Out Shift timecode number 127 Overlay button 120 overlay edit 116 Overlay icon 118...

Page 443: ...cts about 23 creating 23 importing earlier 90 opening 27 PS Arbitrary Map effect about 316 applying 316 converting AVC files 317 Purge Cache For This Folder command 44 Purge Central Cache command 44 Q...

Page 444: ...deleting 409 moving 408 renaming 408 scopes displaying 282 scratch disks about 36 increasing performance 37 preferences 75 specifying 37 Scratch Disks Device Control command 377 Screen Key 363 Screen...

Page 445: ...spect ratio Standard effects 251 stars rating files with 49 Steinberg VST plug ins See VST plug ins stereo audio about 173 breaking out to mono clips 181 panning and balancing 192 Stereo Mixer effect...

Page 446: ...eshold effect 288 TIFF format importing as sequence 90 importing as still image 88 time current time display 99 time ruler moving sequentially 103 Source and Program Monitors 99 using in Reference Mon...

Page 447: ...157 transferring activation 1 Transform effect 309 Transform properties conversion in Adobe Premiere Pro 156 transitions about 163 adding between clips 165 166 aligning 166 168 audio 189 border 171 ce...

Page 448: ...gram Monitors 100 in Timeline panel 108 109 viewing mode in Reference Monitor 104 views in Adobe Help Center 5 Virtual Studio Technology See VST plug ins voiceovers 75 volume 233 Volume audio filter c...

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