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ADOBE PREMIERE PRO 2.0
User Guide
260
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To create a presets bin, choose New Presets Bin from the Effects panel menu. Adobe Premiere Pro nests each new
presets bin in the root Presets bin.
•
To nest a new custom or presets bin, select the bin into which you want to place the new bin, and then create a
custom or presets bin.
•
To rename a bin, select the bin, then click the bin name, and then type a new name and press Enter. Skip steps 2
and 3.
•
To delete a bin or an item in a bin, select the bin or bin item, and then click the Delete Custom Items button
at the bottom of the Effects panel. Skip steps 2 and 3.
2
Locate the effect, transition, or preset that you want to store in the bin. You may need to resize the panel so that
you can see both the item and the bin.
3
Drag the item to the bin. Adobe Premiere Pro creates a shortcut to the item.
See also
“Effect presets” on page 258
Color and luminance
Adjusting color and luminance
In video, color correction encompasses adjusting both the hue (color or chroma) and luminance (brightness and
contrast) in an image. Adjusting the color and luminance in video clips can create a mood, eliminate a color cast in
a clip, correct video that’s too dark or too light, or set the levels to meet broadcast requirements or to match color
from scene to scene. Effects can also adjust the color and luminance to emphasize or de-emphasize a detail in a clip.
Adobe Premiere Pro’s color and luminance adjusting effects can be found in the Color Correction bin inside the
Video Effects bin. Although there are other effects that adjust color and luminance, the Color Correction effects are
especially created for making very fine color and luminance corrections.
You apply the Color Correction effects to a clip the same way you apply all Standard effects. The effect properties are
adjusted in the Effect Controls panel. The Color Correction effects and other color effects are clip-based. However,
you can apply them to multiple clips by nesting sequences. For information about nesting sequences, see “Nesting
sequences” on page 148.
In addition to the Color Correction effects, you can also use the Broadcast Colors effect to adjust a clip’s colors to
broadcast standards. For more information, see “Broadcast Colors effect” on page 346.
When color correcting, it’s useful to use Adobe Premiere Pro’s Vectorscope or waveform scopes (YC Waveform, RGB
Parade, and YCbCr Parade) to help you analyze the chroma and luminance in a clip. You can view a scope in a
separate Reference Monitor that’s ganged to the Program Monitor so that you can check your video levels as you
make adjustments. For information about scopes, see “About the vectorscope and waveform monitors” on page 279.