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Adobe ILLUSTRATOR 6.0, Online Manual, Page: 178 / 893

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Adobe ILLUSTRATOR 6.0 Online Manual Download Page 178

178

Pasting objects in their current layer

Pasted objects (even if copied from dif-
ferent layers) are placed directly in front 
of or in back of all selected objects on 
the current layer if the Paste Remembers 
Layers option is turned off in the Gen-
eral Preferences dialog box. However, 
the relative painting order among the 
individual pasted objects remains the 
same. 

The Paste Remembers Layers option 
makes objects you paste retain their 
layering order. (See 

Moving objects 

between layers

 for more information.)

To paste objects into their current 
layer:

1

Choose File 

>

 Preferences 

>

 General. 

2

Select the Paste Remembers Layers 

option, and click OK. 

Summary of Contents for ILLUSTRATOR 6.0

Page 1: ...List of topics Menu commands Toolbar Index How to use this guide...

Page 2: ...Modifying shapes and applying special effects Painting Creating custom colors gradients and patterns Using layers Using type Using graphs Importing and exporting artwork Printing documents Producing c...

Page 3: ...phics Opening documents Saving documents Setting preferences Using the toolbox and the plug ins toolbox Using the status bar Using the Shortcuts palette Correcting mistakes Reverting to an earlier ver...

Page 4: ...es and vector graphics Understanding the difference between these two types of graphics is useful when you re creating and editing digital illustrations For more informa tion on using these formats wi...

Page 5: ...f a tire When working with bitmap images you edit pixels rather than objects or shapes Bitmap images are best used for work ing with continuous tone graphics such as photographs or images created in p...

Page 6: ...n When you move resize or change the color of the tire the program changes the mathematical definition of the shape or location of the tire or the tire s color Vector based programs are best for type...

Page 7: ...Vector Bitmap vs Vector graphics Click on artwork to jump to information on that format 4 1 zoom 16 1 zoom 4 1 zoom 16 1 zoom Bitmap...

Page 8: ...appears with the name Untitled art in its title bar You can open existing documents as well as create new ones An existing document appears with its name dis played in the title bar See also Opening...

Page 9: ...of a document under a dif ferent name location or file format For information on saving a document in a different file format or with a special preview option see Exporting artwork To save a file 1 C...

Page 10: ...ieves files based on information about the file Choose any of the follow ing options Select the Include Document Thumb nail option to create a thumbnail pre view for the file when viewed by Fetch Ente...

Page 11: ...preferences Any time you work in Illustrator your saved pref erences take effect and tools and com mands work the way you have specified To set preferences 1 Choose File Preferences and then choose th...

Page 12: ...on Options dialog box defines which language dictionary is used and lets you specify any words you don t want Illustrator to hyphenate The Plug ins dialog box lets you indicate where the plug in modul...

Page 13: ...General Preferences dialog box Click on any option for information on that option return to text...

Page 14: ...able on the plug ins toolbox This second toolbox contains tools that can be provided by third party developers For more infor mation about plug ins see Using plug in modules To show or hide either too...

Page 15: ...To move either toolbox Drag it by the title bar See also Selecting tools Using the tool pointers Toolbox overview...

Page 16: ...brush tool changes the pointer to a brush You can also change any painting or editing tool pointer to a cross hair To change the pointer to a cross hair Choose one of the following options While the...

Page 17: ...ick on any tool to jump to information on that tool Twirl Star Knife None Spiral Polygon Selection Hand Pen Brush Oval Measure Rotate Reflect Paint Bucket Gradient Graph Scissors Direct selection Zoom...

Page 18: ...selection tool selects points or segments within objects The group selection tool selects objects and groups within groups The hand tool moves the Illustrator artboard within the document window The z...

Page 19: ...its paths The add anchor point tool adds anchor points to paths The delete anchor point tool deletes anchor points from paths The convert anchor point tool changes smooth points to corner points and v...

Page 20: ...rcles and ovals The rectangle tool draws squares and rectangles The rounded rectangle tool draws squares and rectangles with rounded corners The measure tool measures the distance between two points T...

Page 21: ...er and edit type The path type tool changes paths to type paths and lets you enter and edit type on a type path The rotate tool rotates objects around a fixed point The scale tool resizes objects arou...

Page 22: ...ending points of gradients within ojbects The blend tool creates a blend between the color and shape of two objects The graph tool creates graphs The page tool adjusts the page grid to control where a...

Page 23: ...eft edge of the Illustrator document window The status line can display information about any of four different topics The current tool in use The time and date The amount of free memory RAM available...

Page 24: ...he type of information you want to display in the status line 1 Position the cursor over the status line bar and hold down the mouse button 2 Drag to choose the type of informa tion you want from the...

Page 25: ...scription of the function of all tools and keyboard shortcuts available in Illustrator To use the Shortcuts palette 1 Choose Show Shortcuts from the Help menu located at the top right of the menu bar...

Page 26: ...much memory is available you can undo up to 200 of the last operations you performed in reverse order by repeatedly choosing the Undo command Illustrator s perfor mance is usually not affected by the...

Page 27: ...To undo or redo an operation Choose Edit Undo or Edit Redo To change the maximum number of undo levels Choose File Preferences General enter a value in the Undo Levels text box and click OK...

Page 28: ...rlier version of your document The Revert to Saved command restores your document to the version that was last saved You cannot undo this action To revert your document to the saved version Choose Fil...

Page 29: ...ug ins work the same way that other functions in Illustrator work In fact in most cases you cannot even tell which functions are part of the main Illustrator program and which are plug ins When you in...

Page 30: ...nu To install a plug in module Drag the plug in into the Adobe Illustrator Plug ins folder To specify the location of plug in modules 1 Choose File Preferences Plug ins 2 Select the folder containing...

Page 31: ...be Illustrator If you are interested in creating plug in modules compatible with Adobe Illustra tor see the Adobe Systems Incorporated Home Page at http www adobe com You can also contact the Adobe De...

Page 32: ...the view of a document Magnifying and reducing the view Creating custom views Displaying multiple views of a document Using rulers About the work area Changing the artboard size Aligning the artboard...

Page 33: ...Viewing modes You have three views in which to display your artwork on screen Preview view the default Artwork view and Preview Selection view Preview view Preview Selection view Artwork view...

Page 34: ...ew because it best indicates what the finished artwork will look like Choose View Artwork to view objects in the artwork as wireframe outlines hiding the paint attributes of the objects Working in thi...

Page 35: ...folder and restart Illustrator This filter does not appear on the menu it is in effect whenever you are in Artwork view Choose View Preview Selection to view selected objects in Preview view and disp...

Page 36: ...view For information on placed images see Opening and placing artwork The Preview and Print Patterns option in the Document Setup dialog box lets you specify whether patterns appear in your artwork wh...

Page 37: ...aced EPS images and patterns appear 1 Choose File Document Setup 2 Choose any of the following options Select or deselect the Show Placed Images option Select or deselect the Preview and Print Pattern...

Page 38: ...us trator document is analogous to moving a piece of paper on a desk with your hand To scroll with the hand tool 1 Select the hand tool 2 Move the pointer onto the document and drag in the direction i...

Page 39: ...to often used magnification levels The Actual Size command lets you display a document at 100 magnification and centers the document in the active win dow The Fit In Window command cen ters and scale...

Page 40: ...is dimmed Tip To choose the zoom in tool while using another tool press Command spacebar To chose the zoom out tool while using another tool press Command Option spacebar To zoom out Choose one of the...

Page 41: ...a marquee around the area you want to magnify To draw the marquee from the center hold down the Control key as you drag To move the marquee around the artwork begin dragging a marquee and then hold d...

Page 42: ...some objects and create another view not as magnified for laying out those objects on the page You can create and store up to 25 views of a document When you save a view the current zoom level scroll...

Page 43: ...w view and click OK The view names along with keyboard shortcuts for accessing them appear at the bottom of the View menu To retrieve a view select the name of the view you want to use To rename or de...

Page 44: ...t editing artwork in any of the win dows affects the artwork in all windows at the same time To open a new window Choose Window New Window A new window of the same size appears on top of the previousl...

Page 45: ...ble but you can dis play them at any time These rulers are a tool for placing and measuring objects in artwork accurately As you scroll and zoom around the document the rulers adjust accordingly To sh...

Page 46: ...quals 1 72 of an inch a pica equals 12 points or 1 6 of an inch You can change the unit of measure to inches or millimeters using the General Preferences dialog box or the Document Setup dialog box Th...

Page 47: ...hange the unit of measure for all documents choose File General Preferences To change the unit of measure for the active document only choose File Document Setup 2 From the Ruler Units pop up menu dra...

Page 48: ...ny Illustrator text box that accepts numeric values Illustrator performs the calculation and uses the result For example when specifying the size of a rectangle you can type 72 pt 2 pt for the height...

Page 49: ...new setting becomes the default for the document whenever that document is opened You can change the origin for the rulers at any time For example you may be working on a 3 inch by 5 inch card that is...

Page 50: ...f the rulers where the rulers intersect 2 Drag the pointer to where you want the new ruler origin As you drag a cross hair in the window and in the rul ers indicates the changing ruler origin 3 Releas...

Page 51: ...area occupies the entire space within the Illustrator document window and includes more than just the printable page containing your artwork The work area is made up of four sections Imageable area No...

Page 52: ...area The imageable area is the area within the dotted lines representing the portion of the page on which the selected printer can print an image Many printers cannot print to the edge of the paper ju...

Page 53: ...he nonimageable area is the area between the dotted and solid lines representing any nonprintable margin of the page This example shows the nonimageable area of an 8 5 x 11 page for a standard laser p...

Page 54: ...t can contain printable artwork The artboard equals the imageable area plus any non imageable area By default the artboard is the same size as the page but it can be enlarged as in the example shown T...

Page 55: ...olid lines and the border of the document window represents a space on which you can create edit and store elements of artwork before moving them onto the artboard Objects placed on the scratch area a...

Page 56: ...The work area Scratch area Artboard Nonimageable area Imageable area Click on any option for information on that option return to text...

Page 57: ...Document Setup dialog box To change the size of the artboard 1 Choose File Document Setup 2 Choose any of the following options Choose a preset size from the Size pop up menu Choose Custom from the Si...

Page 58: ...atch the page size set in the Page Setup dialog box The size of the artboard then changes any time you choose a new page size in the Page Setup dialog box 3 Click OK See also About the work area Setti...

Page 59: ...selecting a page type in the Page Setup dialog box On most printers the imageable area is slightly smaller than the page The imageable area is surrounded by either dotted lines or a gray rectangle Th...

Page 60: ...on a separate sheet of paper that corre sponds to page 6 If you specify printing only from pages 1 to 5 the part of the artwork that is on page 6 won t print The program may print blank pages if the d...

Page 61: ...on one or more pages printing each page according to the page size defined in the Page Setup dialog box To set whether the tiling format is visible on screen Choose View Show Page Tiling or View Hide...

Page 62: ...time Note With the Tile Full Pages option any artwork that extends past the imageable area of a given page is not printed Select the Tile Imageable Areas option to view and print a single piece of ar...

Page 63: ...rence only they do not print The numbers enable you to print all of the pages in the document or specify particular pages to print The page or set of pages is aligned with the center of the artboard b...

Page 64: ...Tiling options Single Page option Letter size page 11 x 14 artboard Tile Full Pages option Letter size page 20 x 14 artboard...

Page 65: ...Tile Imageable Areas option Letter size page 40 x 60 artboard...

Page 66: ...undaries of the current page You can adjust the page on any of the three View displays You may find it eas ier to choose View Fit In Window first so that you can see more of the docu ment while you ad...

Page 67: ...intable area Note To move a page past the artboard boundary change the artboard s size in the Document Setup dialog box Any part of a page that extends past the artboard boundary is not displayed or p...

Page 68: ...reate standard and custom size pages Select the Use Page Setup option in the Document Setup dialog box to override the dimensions set in the Document Setup dialog box If you have artwork with bleeds m...

Page 69: ...Horizontal letter page Document Setup Use Page Setup Page Setup US letter paper Landscape orientation Setting up standard and custom pages return to text...

Page 70: ...Vertical tabloid page Document Setup Use Page Setup Page Setup Tabloid paper Portrait orientation Setting up standard and custom pages continued return to text...

Page 71: ...Horizontal tabloid page Document Setup Use Page Setup Page Setup Tabloid paper Landscape orientation Setting up standard and custom pages continued return to text...

Page 72: ...nt Setup Custom artboard 19 5 by 13 5 Landscape orientation Tile Full Pages view Page Setup US letter paper Portrait orientation Setting up standard and custom pages continued Two page spread return t...

Page 73: ...Standard envelope center fed Document Setup Use Page Setup Page Setup Envelope paper Landscape orientation Setting up standard and custom pages continued return to text...

Page 74: ...etter page with bleed Document Setup Tabloid paper Portrait orientation Single Full Page view Page Setup US letter paper Portrait orientation Setting up standard and custom pages continued return to t...

Page 75: ...page Document setup Custom artboard 22 75 by 25 3375 Portrait orientation Tile Imageable Areas Page Setup US letter paper Landscape orientation Setting up standard and custom pages continued return t...

Page 76: ...Document Setup dialog box Click on any option for information on that option return to text...

Page 77: ...Adjusting path segments Hiding the anchor points and edges of a selected object Adding and deleting anchor points Selecting stray points Splitting paths with the scissors tool Averaging anchor points...

Page 78: ...Drawing polygons Drawing spirals Drawing stars Tracing artwork Drawing continued...

Page 79: ...consists of one or more seg ments Anchor points which define where each segment of a path starts and ends anchor the path in place By moving anchor points you modify path segments and change the shap...

Page 80: ...ath are called the endpoints If you fill an open path the program draws an imaginary line between the two endpoints and fills the path Closed paths Open paths Selected line segment Unselected anchor p...

Page 81: ...nts as you draw according to the path length and complexity and the Freehand Toler ance value 2 pixels by default set in the General Preferences dialog box You can adjust the position of anchor points...

Page 82: ...the pointer appears as a cross hair As you drag a dotted line trails the pointer When you release the mouse button anchor points appear along the path and at its ends The path takes on the current pa...

Page 83: ...the pointer changes to an eraser To set the freehand tolerance 1 Choose File Preferences General 2 Enter a value between 0 and 10 in the Freehand Tolerance text box Click OK To make drawing tool poin...

Page 84: ...eater precision than with the freehand tool For most users it is the most important and powerful drawing tool in Illustrator as it provides the best control and greatest accuracy for drawing See also...

Page 85: ...ool 1 Select the pen tool 2 Move the tip of the pen to the straight line s starting point and click A solid square an anchor point appears it is selected until you define the next point 3 Click where...

Page 86: ...Choose one of the following options Click the pen tool in the toolbox Hold down the Command key to change to the selection tool and then click anywhere away from the path Choose Edit Select None Selec...

Page 87: ...ts The position of each direction line and point determine the size and shape of a curved segment Moving these elements reshapes the curves in a path Parts of a curved segment The direction lines are...

Page 88: ...the height or depth of the curve Moving direction lines changes the slope of the curve Continuous curved paths paths along a continuous wave shape are con nected by anchor points called smooth points...

Page 89: ...the curves on both sides of the point adjust simultaneously In comparison when you move a direction line on a corner point only the curve on the same side of the point as the direc tion line is adjust...

Page 90: ...lect the pen tool 2 Position the pen tip where you want the curve to begin Hold down the mouse button The first anchor point appears and the pen tip changes to an arrowhead 3 Drag in the direction you...

Page 91: ...end press the mouse button and drag in the opposite direction to complete the segment Hold down the Shift key to constrain the tool to multiples of 45 degrees Drag in direction and then drag in of cur...

Page 92: ...to end and drag away from the curve Drag away from curve to create next segment To change the direction of the curve and create a noncontinuous curve position the pointer on the last anchor point hol...

Page 93: ...mouse button reposition the pointer and drag in the opposite direction to end the curve segment Press Option key and drag in direction of curve and then release Option key and drag in opposite direct...

Page 94: ...econd direction point in the opposite direction to create a single curve Dragging both direction points in the same direction creates an S curve Drag in opposite Drag in same direction direction to cr...

Page 95: ...anchor points as possible placing them as far apart as possible Less to more efficient curves See the Adobe Illustrator Tutorial and Beyond the Basics for step by step procedures on drawing curves wi...

Page 96: ...one of three selection tools The selection tool lets you select entire objects or an entire path by selecting any spot on the path The direct selection tool lets you select individual anchor points or...

Page 97: ...ions If the object is filled and you are in Preview view click within the object Note The Area Select option in the General Preferences dialog box must be selected for this option to work For more inf...

Page 98: ...art of the segment Drag direct selection to select segment and marquee display direction lines When you select a segment all of the anchor points on the path are displayed including any direction line...

Page 99: ...To add or remove selections Hold down the Shift key while selecting additional objects or segments See also Selecting filled objects Selecting multiple objects Deselecting objects...

Page 100: ...ct option in the General Preferences dialog box controls whether you can select a filled object in Preview view by clicking anywhere within its area or whether you must click a path or anchor point Th...

Page 101: ...th overlap ping filled objects Area Select option off Dragging selects points and segments within marquee Area Select option on Dragging selects object To turn the Area Select option on or off 1 Choos...

Page 102: ...it them using any editing tool To select or deselect multiple objects Choose one of the following options Drag the marquee over all of the objects Select an object and then hold down the Shift key whi...

Page 103: ...mand selects all objects in a document except objects that have been locked or hid den See Locking and hiding objects for more information on these types of objects To select all unselected objects an...

Page 104: ...ur artwork To deselect objects when you are using a selection tool Choose one of the following options To deselect everything in the docu ment click or drag at least 2 pixels away from any object or c...

Page 105: ...of its anchor or direc tion points Tip To quickly adjust a path you are drawing hold down the Command key with the pen tool selected Adjust the path and then release the Command key to resume drawing...

Page 106: ...y to constrain the tool to multiples of 45 degrees Select points Drag to move curve anchoring curve To adjust a straight segment 1 Select the direct selection tool and click anywhere along the segment...

Page 107: ...a curve 1 Select the direct selection tool 2 Select the curve you want to adjust Direction lines appear for that curve 3 Choose one of the following options To adjust the location of the curve s anch...

Page 108: ...on either side of the anchor point drag the direction point Click to select the and drag the segment curve drag the direction or drag the anchor point point Note Hold down the Shift key to constrain t...

Page 109: ...any selection tool is selected or select the convert direction point tool Tip With the pen tool selected press Option Control to use the convert direction point tool With the convert direction point...

Page 110: ...lines converting it to a smooth point Click smooth point Drag corner point for corner point for smooth point Select a smooth point to display direc tion lines Then drag a direction line converting th...

Page 111: ...e selection edge When you are working with complex paths or moving selected objects you can hide all anchor points and selection edges if they obstruct your view using the Hide Edges command You can s...

Page 112: ...ntrol over the path shape Similarly you can delete anchor points to change the shape of a path or to sim plify the path If a path contains numer ous anchor points it s a good idea to delete unnecessar...

Page 113: ...l and the delete anchor point tool Adding anchor point Result Deleting anchor point Result To add anchor points midway between pairs of anchor points in a path use the Add Anchor Points filter You can...

Page 114: ...and click the mouse button To delete an anchor point 1 Select the delete anchor point tool 2 Position the pointer over an anchor point and click the mouse button To add anchor points using the Add Anc...

Page 115: ...tool in the artwork area and then choose another tool The Delete Stray Points option in the Cleanup Artwork dialog box finds and deletes all isolated single points in the artwork To delete all stray...

Page 116: ...he scissors tool you can split an open path into two paths and split a closed path so that it becomes one or more open paths However you cannot split a text path Path split with scissors tool and adju...

Page 117: ...re created one on top of the other Both endpoints are selected If you split the path at an anchor point a new anchor point is created on top of the original anchor point Both anchor points are selecte...

Page 118: ...r current locations Average command To average anchor points 1 Use the direct selection tool to select two or more anchor points 2 Choose Object Average 3 Choose whether to average along both axes the...

Page 119: ...g two noncoincident end points draws a path between them Tip To average and join two paths at once select the two points to join and press Command Option J to join the paths at their midpoint To join...

Page 120: ...direct selection tool drag to select the endpoints 2 Choose Object Join 3 Select the Corner or Smooth option see About direction lines and direction points for more information Click OK Drag to selec...

Page 121: ...Select the brush tool The pointer changes to a brush when you move it to the active window 2 Position the tip of the brush where you want the path to begin Drag the brush to draw the path When you re...

Page 122: ...d brush stroke ending round or flat To specify the brush width and style 1 Double click the brush tool 2 Choose from the following options If you have a pressure sensitive drawing tablet select the Va...

Page 123: ...Calligraphic option for script letters and lines to simulate drawing with an angled calligraphic pen tip The line width varies on the up and down stroke Set the pen rotation angle in the Calligraphic...

Page 124: ...phic brush strokes use the Calligraphic option see Specify ing brush widths and styles The Callig raphy filter does not work with type To apply a calligraphic stroke 1 Select a curved path 2 Choose Fi...

Page 125: ...en you drag outward from the center The rounded rectangle tool lets you draw round cornered rectangles by dragging from one corner of the rect angle to the opposite corner The centered rounded rectang...

Page 126: ...r art work You can show or hide the center point but you cannot delete it Squares with center point visible and hidden To create a rectangle or oval by dragging from an edge 1 Select the rectangle too...

Page 127: ...by dragging from the center 1 Select one of the centered rectangle tools or the centered oval tool by double clicking the tool icon or pressing Option with the rectangle tool or oval tool selected 2 P...

Page 128: ...units of measure are deter mined by defining ruler units in the Document Setup or General Preferences dialog box 3 Enter the rectangle s width in the Width text box Note To create a square or circle e...

Page 129: ...is determined by the corner radius value you specify in either the Rectangle or General Preferences dialog box Specifying a corner radius value in either dialog box updates the value in the other dia...

Page 130: ...ength with each side the same distance from the center of the object Polygons To draw a polygon by dragging 1 Select the polygon tool in the plug ins toolbox Choose Window Show Plug in Tools to displa...

Page 131: ...gon sides To draw a polygon by specifying dimensions 1 Select the polygon tool from the plug ins toolbox 2 Click to set the polygon s center The Polygon dialog box displays the dimen sions of the last...

Page 132: ...the number of complete turns that the spiral will complete from start to finish Spirals To draw a spiral by dragging 1 Select the spiral tool from the plug ins toolbox Choose Window Show Plug in Tools...

Page 133: ...or decrease the amount by which each wind of the spiral decreases relative to the previous wind Hold down the spacebar to move the spiral as you drag Press or hold down the Up arrow key or the Down a...

Page 134: ...rom the center to the outermost point in the spiral in the Radius text box 4 Enter the amount by which each wind of the spiral should decrease relative to the previous wind in the Decay text box 5 Cli...

Page 135: ...1 Select the star tool from the plug ins toolbox Choose Window Show Plug in Tools to display the plug ins tool box 2 Position the pointer at the center of the star you will create then drag 3 Choose...

Page 136: ...Down arrow key to add or delete sides to the star To draw a star by specifying dimensions 1 Select the star tool from the plug ins toolbox 2 Click to position the star s center The Star dialog box dis...

Page 137: ...4 In the Radius 2 text box enter the distance from the star s center to its outermost points 5 Click the arrows or enter the number of sides to the star in the Points text box Click OK...

Page 138: ...u can bring the image into Illustrator and trace over it You have two ways of tracing artwork depending on the source of the artwork you want to trace and how you want to trace it You can open an imag...

Page 139: ...autotrace tool you can auto matically trace objects in the template To open a new document with a template 1 Hold down the Option key while choosing File New 2 Select a PICT or MacPaint image This ca...

Page 140: ...onding template document appears To change the template associated with an existing document 1 Close the document if it is open 2 Hold down the Option key while choosing File Open 3 Select the documen...

Page 141: ...l and draw more complex shapes with the freehand or pen tool You can also use a dedicated tracing program such as Adobe Streamline To trace a template shape 1 Open a document with a template 2 Select...

Page 142: ...trace entire object Illustrator draws the path from where you clicked keeping the shape on its right The path may be drawn clockwise or counterclockwise depending on where you click and on the path s...

Page 143: ...re the path will start to its end Drag autotrace to autotrace part tool of object When tracing part of a template you must start and stop dragging within 2 pixels of shape s edge See also Setting the...

Page 144: ...ells the autotrace tool to ignore gaps that are equal to or less than the number of pix els you specify For example setting the distance to 1 tells the autotrace tool to ignore gaps of 1 pixel or less...

Page 145: ...ayer Because a placed EPS image displays 8 bit color even while dimmed tracing over a placed EPS image may be espe cially useful for complex multicolored or detailed artwork Also you can move a placed...

Page 146: ...py the EPS image and paste it onto the layer For information on placing images see Opening and placing artwork Dim the layer by double clicking the layer s name in the Layers palette selecting the Dim...

Page 147: ...with the drawing tools The autotrace tool is not recommended for line art because it translates lines into closed paths Tracing PICT MacPaint and EPS images PICT and MacPaint images con taining simple...

Page 148: ...rde del verano El universo seco de pronto tachonado por este firmamento de frescura deja caer la fruta rebosante se abren sus hemisferios mostrando una bandera verde blanca escarlata que se disuelve e...

Page 149: ...he x and y axes Stacking objects Moving objects to the front and back of the artwork Pasting objects in front of and in back of other objects Pasting objects in their current layer Using the Control p...

Page 150: ...the arrow keys Using the Move command Using the Transform Each command when Moving groups of objects Using the Control palette In addition you can use guides to align objects with precision You can al...

Page 151: ...f the object s group use the Copy and Paste commands in the Edit menu See also Choosing preferences that affect how objects move Aligning and distributing objects vertically and horizontally Moving gr...

Page 152: ...drag an object it snaps to an anchor point or a guide when the pointer is within 2 pixels of the anchor point or guide This option is on by default You can turn this option off if you want to drag obj...

Page 153: ...each press of an arrow key to move a selection Select the Transform Pattern Tiles option to transform a pattern when you move or transform an object painted with a pattern For more information on pat...

Page 154: ...into another document open the document Note To paste a bitmap PICT version of the selected object onto the Clipboard for pasting into other applications hold down the Option key while choosing the Co...

Page 155: ...Choose Edit Paste in Back to paste the object directly in back of the selected object See also Pasting objects in front of and in back of other objects...

Page 156: ...Select the object Then position the pointer on an anchor point or path segment of the selected object 2 Drag the object to its new location Hold down the Shift key to constrain the object to multiples...

Page 157: ...Illustrator documents or between Illustrator and Photoshop documents by dragging 1 Open the document to which you want to drag the object 2 Select the object Then position the pointer on an anchor po...

Page 158: ...rrow keys 1 Select the object 2 Press the arrow key that indicates the direction in which you want the object to move The distance the object moves each time you press an arrow key is deter mined by t...

Page 159: ...the selection tool The Move dialog box displays the results of the last move or measure operation using the unit of measure set in the General Preferences dialog box See defining ruler units for more...

Page 160: ...s specify a counterclockwise move negative angles specify a clock wise move You can also enter values between 180 and 360 degrees these values are converted to their corre sponding negative values for...

Page 161: ...s along the vertical axis using the rightmost cen ter or leftmost anchor point of the selected objects You can also align objects along the horizontal axis using the topmost center and bottommost anch...

Page 162: ...or vertical axis Alignment option Alignment option Horizontal center Vertical center To align or distribute objects 1 Select the objects you want to align or distribute 2 Choose Window Show Align 3 Cl...

Page 163: ...want the bricks to appear slightly offset from each other instead of perfectly aligned you could select the Random option To use the Move Each option 1 Select the objects you want to move 2 Choose Arr...

Page 164: ...4 Choose one of two options To move the objects by the specified amounts click OK To move the objects randomly but no more than the specified amounts select the Random option Then click OK...

Page 165: ...s useful when you want to create concentric shapes or make many repli cations of a path at a regular distance from the original path You can create an offset path from a closed path or an open path if...

Page 166: ...he paths you want to offset 2 Select Filter Objects Offset Path 3 Specify the Offset distance Line join type and Miter limit For more information about these options see Setting stroke attributes with...

Page 167: ...Deleting objects Deleting an object removes it permanently To delete an object 1 Select the object 2 Press the Delete key or choose Edit Clear...

Page 168: ...angle of constraint in the General Prefer ences dialog box Rotating the axes is useful if your art work contains elements that are rotated to the same angle such as a logo and text displayed on a 20...

Page 169: ...train the movement of one or more objects so that they move in a precise horizontal vertical or diagonal direction in 45 degree increments relative to the current orientation of the x and y axes Press...

Page 170: ...aring Moving objects with the arrow keys Any objects or operations to which you apply constraint by holding down the Shift key while performing the action limiting them to 45 degree multiples relative...

Page 171: ...nstrain Angle text box If you enter a positive number the axes are rotated counterclockwise If you enter a negative number the axes are rotated clockwise 3 Click OK The rotation of the axes is saved i...

Page 172: ...on stacking is important when work ing with masks You can change the stacking order also called the painting order of objects in your artwork at any time You can also control how overlapping objects a...

Page 173: ...or back of the stack of objects on its layer For more information see about layers If the object is part of any type of group including masked artwork compound paths text and word wraps the object is...

Page 174: ...ought Object repositioned to front in stack To make an object the frontmost or backmost object on its group or layer 1 Select the object you want to move 2 Choose Arrange Bring to Front or Arrange Sen...

Page 175: ...ommands also enable you to paste the artwork into the same position in a new document as it was in the old relative to the page origin To move an object in front of or in back of other objects in the...

Page 176: ...object is pasted into position If no object was selected in step 3 the object is pasted on top of or in back of the stack Red object selected Red object cut Yellow object Red object pasted selected i...

Page 177: ...rtwork However the relative painting order among the individual pasted objects remains the same If you are working with multiple layers in your document that you have defined with the Layers palette t...

Page 178: ...is turned off in the Gen eral Preferences dialog box However the relative painting order among the individual pasted objects remains the same The Paste Remembers Layers option makes objects you paste...

Page 179: ...t 3 Choose any of the following options To select the reference point from which you are modifying the object click a handle on the square repre senting the object s bounding box on the palette To mov...

Page 180: ...rotate an object enter a new angle between 0 and 360 degrees in the Angle text box To scale an object enter a value in the Scale text box 4 Press the Tab key or Return key to apply the change jump to...

Page 181: ...The Control palette Click on any option for information on that option Point of origin for transformation Vertical position Height Angle Width Scale Horizontal position return to text...

Page 182: ...s displayed in the Info palette The Info palette shows the horizontal and verti cal distance traveled from the x and y axes the absolute horizontal and verti cal distance the total distance and the an...

Page 183: ...2 Choose one of two options Click the two points between which you want to measure Click the first point and drag to the second point Hold down the Shift key to constrain the tool to multiples of 45...

Page 184: ...e Info palette Vertical distance from y axis Horizontal position Angle diagonal distance measured Absolute horizontal distance measured Angle measured return to text Absolute vertical distance measure...

Page 185: ...ul for setting alignment lines across the length or width of the work area Guide objects are objects such as lines rectangles or any other artwork consisting of paths except type that have been conver...

Page 186: ...ll guides on a single layer You can then choose the layer to select all guides for moving or adjusting See Creating layers and setting layer options for more information To create a ruler guide 1 If t...

Page 187: ...3 Hold down the mouse button and drag the dotted ruler guide into position To convert an object into a guide object 1 Select an object a group of objects or any combination of objects and groups...

Page 188: ...ide 1 Choose Object Guides Lock to unlock the guide When a guide is locked a check mark appears in front of the Lock Guide command 2 Select the guide you want to move delete or release and choose one...

Page 189: ...y choosing Object Guides Release Note The Lock Guides option locks all guides in the document To lock an indi vidual guide select the guide when the Lock Guides option is turned off and choose Arrange...

Page 190: ...might group the objects in a logo design so that you can move and scale the logo as one unit Groups can also be nested that is they can be grouped within other objects or groups to form larger groups...

Page 191: ...this tool The direct selection tool lets you select a single path or object that is part of one or several groups If you have groups of objects within other groups you can select the next group in th...

Page 192: ...tion tool 2 Position the pointer on the path you want to select and click the mouse button 3 Click the same place again to select successive groups until you have selected everything you want to inclu...

Page 193: ...Third click selects Fourth click selects next group next group group B group C...

Page 194: ...er on a given layer See Stacking objects and About layers for more information Grouped objects are stacked together behind the frontmost object in the group If you group two objects that are separated...

Page 195: ...ion the Hide command makes objects temporarily invisible and so may speed performance when you work on large or complex artwork Locked objects remain locked when files are closed and reopened However...

Page 196: ...se Arrange Hide To hide all unselected objects hold down the Option key and choose Arrange Hide To unlock or show all objects Choose Arrange Unlock All or Arrange Show All All previously locked object...

Page 197: ...raphic objects Changing gradients and patterns into objects Changing vector graphics into bitmap images Applying special effects to bitmap objects Using the Pathfinder filters to modify shapes Convert...

Page 198: ...and the blend tool Except for the blend tool the transfor mation tools change objects relative to a fixed point on or around the object See Rotating Rotating each object in a selection Reflecting Scal...

Page 199: ...me fixed point on or around the object This fixed point is called the point of origin The default point of origin is the object s center point You can drag an object to transform it around its center...

Page 200: ...point of origin When you transform an object the changes take place horizontally along the x axis vertically along the y axis or along both axes relative to the Constrain Angle setting in the General...

Page 201: ...especially when you are copying objects The Repeat Transform com mand in the Arrange menu lets you repeat a move scale rotate reflect or shear operation as many times as you want You must choose the c...

Page 202: ...r See also Rotating each object in a selection To rotate by dragging 1 Select the object you want to rotate 2 Select the rotate tool 3 Choose one of two options Drag to rotate around the object s cent...

Page 203: ...trol drag farther from the object s point of origin To rotate by specifying an angle 1 Select the object you want to rotate 2 Choose one of two options To set the center point as the point of origin d...

Page 204: ...ect counterclockwise 4 Choose one of the following options To rotate the object click OK To rotate a copy of the object click Copy To place multiple copies of the object in a circular pattern around a...

Page 205: ...Choose Arrange Result Repeat Transform as needed...

Page 206: ...iffers from that of the rotate tool which rotates objects in a selection around a common point of origin You can also use the Rotate option to rotate objects a random amount to create a more natural e...

Page 207: ...360 degrees 4 Select the Preview option to preview the effect before you apply it 5 Choose one of two options To rotate the objects by the specified amount click OK To rotate the objects by a random a...

Page 208: ...t 2 Select the reflect tool 3 Position the pointer on one point along the invisible axis across which you want the reflection to occur and click to set the point of origin The pointer changes to an ar...

Page 209: ...stead of clicking Hold down the Shift key to constrain the tool to multiples of 45 degrees As you drag the invisible axis of reflection rotates around the point you clicked in step 3 When the image is...

Page 210: ...s the point of origin double click the reflect tool To change the point of origin from which to reflect the object select the reflect tool hold down the Option key and click the new point of origin 3...

Page 211: ...d angle of reflection in degrees relative to the x axis Positive angles reflect the axis counterclockwise negative angles reflect it clockwise 4 Choose one of two options To reflect the object click O...

Page 212: ...lative to the point of origin you designate The default point of origin is the object s center point See also Scaling each object in a selection To scale by dragging 1 Select the object you want to sc...

Page 213: ...ag to scale the object Click to set point Then drag to scale of origin To scale the object uniformly hold down the Shift key as you drag To scale a copy of the object instead of the object itself hold...

Page 214: ...select the scale tool hold down the Option key and click the new point of origin 4 Choose one of two options Select the Uniform Scaling option and enter a percentage in the text box to preserve the r...

Page 215: ...ight Scale Line Weight option on option off Select the Nonuniform Scaling option and enter the horizontal and vertical scale factors as percentages to scale the height and width separately The scale f...

Page 216: ...ct differs from that of the scale tool which resizes objects in a selection around a common point of origin The Scale option also lets you scale objects a random amount to create a more natural effect...

Page 217: ...000 and 4000 4 Select the Preview option to preview the effect before you apply it 5 Choose one of two options To scale the objects by the specified amounts click OK To scale the objects randomly but...

Page 218: ...fy Copy ing while shearing is useful for creating cast shadows To shear by dragging 1 Select the object you want to shear 2 Select the shear tool 3 Choose one of two options Drag the object to shear u...

Page 219: ...direction you want to shear the object Hold down the Shift key to constrain the tool to multiples of 45 degrees Select object Then drag with shear tool To shear a copy of the object instead of the ob...

Page 220: ...hold down the Option key and click the point of origin 3 Enter the new shear angle The shear angle is the amount of slant to be applied to the object relative to a line perpendicular to the shear axis...

Page 221: ...ed axis enter the angle of the axis that you want in degrees relative to the x axis Original Shearing by a specified angle 5 Choose one of two options To shear the object click OK To shear a copy of t...

Page 222: ...distort 2 Choose Filter Distort Free Distort The object s image appears in the Distort box Deselect the Show Me option if you don t want a preview 3 Drag a corner point representing a boundary of the...

Page 223: ...nding Important To create linear or radial blends between two or more colors use the Gradient palette For more informa tion see Creating and working with gradient fills To create a blend 1 Place the t...

Page 224: ...4 in the Number of Steps text box because 254 is the maximum number of printable gray values between black and white on a high res olution output device The total num ber of printable colors is 256 th...

Page 225: ...tween 100 and 200 in the First Blend and Last Blend text boxes The default values are deter mined by the value in the Number of Steps field For example if you specify 15 steps the First Blend and Last...

Page 226: ...7 Click OK The entire set of blended objects excluding the original objects is selected and grouped Select anchor point Select anchor point on first object on second object Result...

Page 227: ...ween two closed paths such as a circle and a square Depending on the way you paint the objects you are blend ing you can produce airbrush effects such as complex shading highlighting and contouring On...

Page 228: ...ons in the shape of a partic ular object The following rules apply to blending shapes and their associated colors using the blend tool A beep warns you if you have incorrectly selected objects to blen...

Page 229: ...nt custom colors process colors are used to paint the intermediate steps If however you blend between tints of the same custom color the steps are all painted with percentages of the custom color Note...

Page 230: ...cts to graphic objects Illustrator provides a variety of filters for changing an object s shape and path direction See Roughening Scribbling and tweaking Twirling Punking and bloating Rounding corners...

Page 231: ...al object creating a rough edge on the object To roughen an object 1 Select the object you want to roughen 2 Choose Filter Distort Roughen 3 Set the size of the distortion by dragging the Size slider...

Page 232: ...r entering a value between 0 and 1000 in the Detail text box 5 Select the type of distortion you want around each anchor point Smooth for soft edges or Corner for sharp edges 6 Select the Preview opti...

Page 233: ...ints away from the original object The Tweak option moves anchor points on the selected object by the amount you specify To scribble or tweak an object 1 Select the object you want to scribble or twea...

Page 234: ...select the Tweak option In the Horizontal and Vertical text boxes enter the amount to move points between 0 and 100 points or drag the sliders To move anchor points select the Anchor Points option To...

Page 235: ...han at the edges To twirl an object 1 Select the object you want to twirl 2 Choose one of the following options Choose Filter Distort Twirl Enter a value for the twirl angle from 999 to 999 and click...

Page 236: ...Punking and bloating The Punk and Bloat filters curve objects inward and outward from their anchor points Punk filter Bloat filter Original 20 60 Original 20 60...

Page 237: ...der toward Punk to curve the object inward from its anchor points and move the anchor points outward drag the slider toward Bloat to curve the object outward from its anchor points and move the anchor...

Page 238: ...object to smooth curves To round corners on an object 1 Select the object whose corners you want to round 2 Choose Filter Stylize Round Corners 3 Enter a value in points in the Radius text box to det...

Page 239: ...ect along the x or y axis as well as vary the darkness of the drop shadow Drop Shadow filter To create a drop shadow 1 Select the object for which you want to create the drop shadow 2 Choose Filter St...

Page 240: ...that of the selected object 5 To make the shadow part of the object rather than a separate object in the background select the Group Shadows option For example if you have two objects currently select...

Page 241: ...d command converts gradi ents and patterns into a set of masked objects This command can be useful if you are having difficulty printing these types of objects Gradient before Pattern before and and a...

Page 242: ...options Choose Object Expand If you are expanding a gradient in the Expand dialog box enter the number of steps to which you want to convert the gradient and click OK Any patterns are automat ically...

Page 243: ...r paste a TIFF copy over it Once converted you can apply plug in filters such as those designed for Adobe Photoshop to the image as you would with any placed image However you cannot apply vector tool...

Page 244: ...screen frequency basics for more information on resolution 4 If you do not want to smooth the jagged edges around the bitmap image when it is converted deselect the Anti aliased option the default 5...

Page 245: ...th Adobe Photoshop version 3 0 4 or later in Adobe Illustrator You can also use the Gallery Effects filters included on the Adobe Illustrator Deluxe CD ROM disc See the Adobe Gallery Effects User Guid...

Page 246: ...n control the tile size the spacing between tiles and the total number of tiles and preserve the proportions of the original image when creating the mosaic copy The Object Mosaic filter works with any...

Page 247: ...image filter applied To create a tiled effect on a copy of a bitmap image 1 Select a bitmap image 2 Choose Filter Create Object Mosaic The dimensions of the bitmap image are displayed at the top left...

Page 248: ...itmap image This action calculates the appropriate number of tiles to use for the height of the mosaic based on the number of tiles for the width Select the Lock Height option and click Use Ratio if y...

Page 249: ...cify the color you want to give to the black portion of 1 bit TIFF images Original 1 bit image Colorized To colorize a 1 bit TIFF image 1 Select the 1 bit TIFF image 2 Use the Paint Style palette to p...

Page 250: ...d paths A compound path is a group of two or more paths that are painted so that overlapping paths can appear transparent Except where noted the objects created by all Path finder filters are assigned...

Page 251: ...s are deleted The Intersect filter traces the outline of all overlapping shapes in the selected objects ignoring any nonoverlapping areas It works on only two objects at a time The Exclude filter trac...

Page 252: ...component filled faces a face is an area undivided by a line segment The resulting faces can then be ungrouped and manipulated inde pendently of each other Note If the Divide and Outline Will Extract...

Page 253: ...ring an image when you need to create a trap for overprinting objects For a complete description of trapping see About traps The Trim filter removes the part of a filled object that is hidden It does...

Page 254: ...the common space shared by two shapes Exclude knocks out the area where one shape overlaps another Minus Front subtracts the frontmost object from the backmost object Minus Back subtracts the backmos...

Page 255: ...lines divided at each intersection Trim removes hidden part of filled paths with out merging Merge removes hidden filled paths merges adja centx overlapping ob jects filled with same color Crop divide...

Page 256: ...ion text box to set the precision of the Pathfinder filters calculations The more precise the calculation the more accurate the drawing and the more time is required to carry out a Pathfinder filter C...

Page 257: ...he outline of an object more than you could if it were only a stroke You can also use this filter to create an overlay of your original artwork that strips out all stroked lines and replaces them with...

Page 258: ...work 1 Select the artwork you want to outline The image can contain both filled and stroked paths but only stroked paths will be outlined 2 Choose Filter Objects Outline Path The outline replaces the...

Page 259: ...Apply Knife command slices overlapping objects into discrete shapes according to the selection s boundaries and discards the original selection The knife tool in the plug ins toolbox slices an object...

Page 260: ...2 Choose Object Apply Knife Object selected Apply Knife command applied Resulting objects pulled apart The shapes that result are ungrouped and selected...

Page 261: ...double click the knife tool in the plug ins toolbox Select the Copy Objects option and click OK Drag the knife tool pointer over an object to cut it To cut objects along a path you draw click to sele...

Page 262: ...es where the original objects overlapped such as the interi ors of the letters o and g Creating com pound paths lets you create more complex objects than you could easily create using the drawing tool...

Page 263: ...e direct selection tool Note If you use complex shapes as compound paths or if you use several compound paths in a file you may have problems printing the file If you experi ence printing problems sim...

Page 264: ...indows to preview artwork in one window as you work in Artwork view in the other To create a compound path 1 Make sure that objects to be see through are in front of the background object in the paint...

Page 265: ...ction option in the Attributes dialog box Compound path Reversed option inner circle selected changed on inner circle To reverse paths in a compound path 1 Use the direct selection tool to select a pa...

Page 266: ...dobe Illustrator you mask objects using the Make Mask command Masking Masking Result Image appears object placed on only through mask top of image Note If you use complex shapes as masks or if you use...

Page 267: ...ject 2 Choose Object Attributes The Attributes dialog box lists the masking status of the selected object You can also select all masks in your art work using the Select Masks command See also Creatin...

Page 268: ...e as a mask 2 Make sure that the object is on top of the objects you want to mask When masking objects on different layers keep in mind that objects on intermediate layers become part of the masked ar...

Page 269: ...None Mask and objects Mask command applied selected To undo the effects of a mask 1 Select the objects you no longer want to use as a mask 2 Choose Object Masks Release Because the mask was assigned...

Page 270: ...bjects are affected by a mask 1 Choose the direct selection tool 2 Click the mask once to select it Shift click to select the masked objects until all are selected To add an object to masked artwork 1...

Page 271: ...or Edit Paste in Back The object is pasted in front of or behind the selected object and becomes part of the masked artwork Object in mask New object pasted in selected back To remove an object from m...

Page 272: ...ects masks in the document If there aren t any objects selected the com mand selects all of the masks in your document If objects are selected the filter deselects any of those objects that are not ma...

Page 273: ...troke for a mask The command places the stroked object on top of the mask and it places the filled object behind the masked objects To apply a fill and stroke to a mask 1 Select the mask you want to f...

Page 274: ...4 Choose Filter Create Fill Stroke for Mask then click OK Mask selected Fill Stroke for Mask filter applied...

Page 275: ...rating colors Inverting colors Creating transparent color effects Blending colors between objects About custom colors gradients and patterns Outlining paths with patterns Selecting colors using other...

Page 276: ...inting continued Setting stroke attributes with the Paint Style palette Creating wavy and zigzag lines Adding arrowheads Copying and applying paint attributes with the eyedropper and paint bucket tool...

Page 277: ...butes are then assigned to all new objects you create except type until you change the attributes again See Setting paint attributes for more information Filling an object paints the area enclosed by...

Page 278: ...sed and open paths differently as the following examples illustrate Open paths are filled as if the endpoints were connected by a straight line Closed paths Open paths See also Using the Paint Style p...

Page 279: ...tte consists of three panels the left panel containing the paint swatches and the Fill and Stroke boxes the right panel containing the color selection options and the lower panel closed by default con...

Page 280: ...tyle palette Stroke attributes Paint swatches Color selection options Palette viewing options Fill and stroke boxes Process color or tint sliders return to text Click on any option for information on...

Page 281: ...ur artwork if you want the attributes to apply only to new paths you create 2 Choose Object Paint Style or Window Show Paint Style If an object is selected the current paint attributes of the object a...

Page 282: ...ws you to adjust attributes common to different objects without altering differing paint attributes 3 Select the Auto option to apply the palette settings to all selected objects in the artwork as you...

Page 283: ...tte paint swatches to fill or stroke with the color displayed in that swatch 6 Select line attributes If you selected the Auto option the paint attributes are automatically applied 7 If the Auto optio...

Page 284: ...ents The default set of swatches is defined in the startup file Paint Style swatches can store custom and process colors blends and pat terns Clicking a paint swatch displays that color s name below t...

Page 285: ...nd Process White cannot be replaced 3 Continue choosing colors and Option clicking swatches as needed 4 Save the document to save the new paint swatches in the palette To clear paint swatches Hold dow...

Page 286: ...shade is as you want it Using the White option produces the same results as choosing a CMYK mix of 0 Using the Black option produces a one color black of 100 with no cyan magenta or yellow If you do...

Page 287: ...Style palette or adjust the Cyan Magenta Yellow and Black sliders until the color you want appears in the Fill or Stroke box in the palette Note The Adobe Illustrator program creates an approximate sc...

Page 288: ...lors 3 Choose one of the following methods to adjust the process values Enter a value from 0 to 100 in each of the four process color boxes using the Tab key to move from one text box to the next Drag...

Page 289: ...ack is added to the cyan magenta and yellow along the other three sliders The Fill or Stroke box whichever is selected displays the composite pro cess color To adjust the overall color saturation with...

Page 290: ...fill or stroke color or both to a process color from a custom color or to a process four color black from a solid black Adjusting colors To adjust colors 1 Select the objects whose colors you want to...

Page 291: ...m color select the Fill or Stroke or both options and select the Custom to Process option To convert a solid black to a four color black select the Fill or Stroke or both options and select the Black...

Page 292: ...he per centage tint of custom colors To saturate or desaturate colors 1 Select the objects whose colors you want to saturate or desaturate 2 Choose Filter Colors Saturate 3 Drag the slider or enter a...

Page 293: ...cale are con verted to the inverse of the CMYK color values of the original For example if an object is filled with 0 cyan 0 magenta 100 yellow and 25 black the inverted image will contain 100 cyan 10...

Page 294: ...the Hard and Soft filters you can mix the colors in overlapping painted objects For information on creating transparent effects by over printing see Step 3 Select overprint options for colors you wan...

Page 295: ...a 40 yel low and 0 black and Color 2 is created from 40 cyan 20 magenta 30 yel low and 10 black the resulting hard mix color is 40 cyan 66 magenta 40 yellow and 10 black To mix colors by combining the...

Page 296: ...A low value results in a low level of transparency a high value produces a high level of transparency To specify how much color to show through overlapping objects 1 Select the objects whose colors yo...

Page 297: ...based on the objects vertical or horizontal orienta tion or on their stacking order The filters do not affect strokes or unpainted objects For more information on stack ing order see Stacking objects...

Page 298: ...cts choose Filter Colors Blend Front to Back To fill the intermediate objects with gradated blends between the leftmost and rightmost filled objects choose Filter Colors Blend Horizontally To fill the...

Page 299: ...olors gradients and patterns See Creating and working with gradient fills and Creating and working with patterns Fills Custom colors gradients and patterns you create and load into the Paint Style pal...

Page 300: ...u can also customize your startup file so that custom colors gradients pat terns and swatches you use frequently are loaded when the program is opened Custom color option Pattern option Gradient optio...

Page 301: ...separation See About separations for more infor mation To paint with custom colors 1 Select the objects you want to fill or stroke 2 In the Paint Style palette select the Fill or Stroke box to indicat...

Page 302: ...e Fill or Stroke box appears as desired When printing color separations using the Color Separation Setup dialog box you can convert a spot color back to its process color components See Separat ing cu...

Page 303: ...ill and path patterns differ in their design and tiling For more information see How patterns tile For the best results use fill patterns to fill objects and path patterns to outline objects To fill a...

Page 304: ...patterns including some 50 patterns from the Adobe Collector s Edition Pat terns and Textures You can load pat terns with the Import Styles command Patterns used to stroke objects or fill type appear...

Page 305: ...nt to change 3 Select the Gradient option at the top of the palette A list of the available gradients appears 4 Select the name of a gradient or click a gradient swatch that you want to use 5 To chang...

Page 306: ...me effects you can create see the Adobe Illustrator Tutorial and Beyond the Basics You can choose path patterns from the Path Pattern library of almost 200 designs located on the Adobe Illustrator Del...

Page 307: ...1 If necessary create the artwork that you will outline with patterns For best results fill and stroke the artwork with None To better see your artwork you can work in Artwork view 2 Select the object...

Page 308: ...h patterns are named with a suffix indicating the type of design side for side outer for the outer corner designs and inner for the inner corner designs 6 Adjust the path pattern as desired as describ...

Page 309: ...des of an object Click the Outer Corner box to apply the pattern to the corners of a rectangle or polygon Click the Inner Corner box to apply the pattern to the interior corners of an irregularly shap...

Page 310: ...he selected object Let Illustrator deter mine the amount of space between tiles or specify an amount in the Tile Size Spacing text box as described in step 2 If you are applying a pattern to a rectang...

Page 311: ...lying a pattern to a circle use a smaller width than the circle s diameter for a donut effect or match the tile s width to the circle s diameter for a solid effect Adjusting either the width or height...

Page 312: ...To flip a path pattern horizontally vertically or both 1 In the Path Pattern dialog box select the Tile Position option to flip the pattern horizontally vertically or both 2 Click OK...

Page 313: ...LOUR System and the Trumatch color swatching system To load predefined custom colors into your palette Choose File Import Styles and open the file you want from the Color Sys tems folder The colors ap...

Page 314: ...tion you can simulate the PANTONE colors with process colors The PANTONE Process Color System includes more than 3000 CMYK combi nations that can be used to generate PANTONE color equivalents To view...

Page 315: ...Select from PANTONE Coated PANTONE Uncoated PANTONE Process and PAN TONE ProSim custom colors For more information contact PANTONE at PANTONE Inc 590 Commerce Blvd Carlstadt NJ 07072 201 935 5500...

Page 316: ...e Toyo 91 Process Color Finder Before assigning a color to a document determine the ink color you want by referring to the corresponding Toyo Color Finder 1050 Book This book is available from printer...

Page 317: ...lt as in the color book use spot color ink for colors marked with one or two asterisks For more information contact Toyo at the following address Toyo Ink Manufacturing Co Ltd 3 13 2 chome Kyobashi Ch...

Page 318: ...ou can choose a FOCOLTONE color using one of two files one with the 763 colors arranged by their four digit iden tification number the other with the color swatches as they appear in the FOCOLTONE Col...

Page 319: ...CMYK gamut in even steps The TRUMATCH COLORFINDER displays up to 40 tints and shades of each hue each originally created in four color process and each reproducible in four colors on electronic images...

Page 320: ...ill or stroke options For informa tion on the selection tools see Selecting objects You can also make global changes to any fill or stroke identified by a name custom colors patterns gradients and nam...

Page 321: ...To select all objects with the same fill color select one or more objects with that fill color or choose the fill color from the Paint Style palette Choose Filter Select Same Fill Color To select all...

Page 322: ...ll objects with the same stroke weight select one or more objects with the same stroke weight or choose the stroke weight from the Paint Style palette Choose Filter Select Same Stroke Weight Select fi...

Page 323: ...oosing another tool when the fill and stroke options are set to None You can use the Cleanup dialog box to delete unpainted objects To delete unpainted objects 1 Choose Filter Objects Cleanup 2 Select...

Page 324: ...te select the Stroke box then choose the color you want for the stroke 2 To specify a line weight enter the desired line weight in the Stroke Weight text box You can enter a value in inches in or mill...

Page 325: ...0 25 point may not reproduce in final printing depend ing on the printer s resolution 3 Choose the full palette option the first option from the Palette pop up menu in the upper right corner of the p...

Page 326: ...d lines with semicircular ends Select the Projecting Caps option for stroked lines with squared ends that extend half the line width beyond the end of the line This option makes the weight of the line...

Page 327: ...ointed corners then enter a Miter Limit between 1 and 500 The miter limit controls when the program switches to a mitered pointed join to a beveled squared off join The default miter limit is 4 switch...

Page 328: ...Select the Bevel Joins option for stroked paths with squared corners Caps Joins 2 If the Auto option is not selected in the Paint Style palette click Apply or press Return...

Page 329: ...cify a dash sequence by entering the lengths of dashes and the gaps between them in the Dash Pattern text boxes As with the line weight you can enter a value in inches in or millimeters mm and Illustr...

Page 330: ...numbers entered are repeated in sequence So once you have set the pat tern it s unnecessary to fill in all the text boxes Dash patterns are specified in points Effects of line cap styles on dashed li...

Page 331: ...r upward from the path and some to the right of or downward from the path You can specify the number of anchor points to make and the distance to move them You can also choose whether to create smooth...

Page 332: ...t text box or drag the slider 4 Enter the number of ridges per unit of measure you want in the Ridges text box or drag the slider 5 Choose any of the following options To create smooth points resultin...

Page 333: ...d line The resulting arrows can be edited like any other object Arrowheads and Modified arrows arrowtails To add arrowheads to a line 1 Select a line 2 Choose Filter Stylize Add Arrowheads 3 Choose fr...

Page 334: ...ale text box 5 Choose the Start or End option to place the arrowhead at the beginning or the end of the line choose the Start and End option to place the arrowhead at both ends of the line The start a...

Page 335: ...int attributes from any object in an Illustrator document and then use the paint bucket tool to apply the attributes to another object See To copy paint attributes using the eyedropper tool To apply p...

Page 336: ...be anywhere on your desktop such as in another application 3 Double click the object to apply the paint attributes to all selected objects The object can be unselected locked or in an inactive artwork...

Page 337: ...t and paint it with the attributes currently in the Paint Style palette Note To toggle between the eyedropper tool and the paint bucket tool hold down the Option key while either tool is currently sel...

Page 338: ...ool 1 Double click the paint bucket or eyedropper tool The Paint Bucket Eyedropper Options palette appears 2 Select the attributes you want to copy with the eyedropper and apply with the paint bucket...

Page 339: ...ents and Patterns About custom colors gradients and patterns Creating custom colors Creating and working with gradient fills Creating and working with patterns Importing styles from other documents Cr...

Page 340: ...ients and patterns you want when you open the program The procedure for creating a custom color gradient fill and pattern is similar First you create or select your color gra dient or pattern and then...

Page 341: ...ou color separate the artwork each custom color is printed out on a separate piece of film or converted to its process color equiv alent as described in Spot color output See Modifying custom colors D...

Page 342: ...or using one of the procedures described in Creating a process color 5 Click OK The custom color you have created appears in the Paint Style palette listed alphabetically with the other custom colors...

Page 343: ...the tint of a custom color whereas you use the Custom Color dialog box to modify all other attributes of a custom color When you modify a custom color the new color replaces all objects painted with t...

Page 344: ...ustom color 1 Choose the custom color you want to change using the Paint Style palette 2 Drag the Tint adjustment slider or enter a tint value in the tint percentage text box The lower the number the...

Page 345: ...the custom colors listed in the Paint Style palette The Custom Color dialog box appears 2 Select the color you want to change 3 Change the color to black white or a process color using the dialog box...

Page 346: ...colors will reappear the next time you open the documents To delete a custom color 1 Close any documents from which you do not want to delete custom colors 2 Choose Object Custom Color or double click...

Page 347: ...an also add intermediate colors to a gradient to create a fill defined by multi ple blends between colors You can create a linear or radial gra dient With a radial gradient the starting point of the g...

Page 348: ...lend from white to black and the midpoint of the blend the point at which each color is 50 is halfway between the two colors To base your new gradient on an existing fill select the existing gradient...

Page 349: ...e sure to deselect the Convert to Process option in the Separa tion Setup dialog box to print the gradient as individual separations Gradients between a custom color and a process color print as proce...

Page 350: ...8 To display the full palette or only the top panel click the palette display con trol below the gradient bar at the top right of the palette 9 To adjust the gradient s starting or ending point drag t...

Page 351: ...To adjust the midpoint of the fill the point at which the colors are at 50 drag the diamond located above the bar Gradient fills with midpoint at different percentages 25 50 75 25 50 75...

Page 352: ...by transpos ing the beginning and ending colors or you can add colors to blend between multiple colors It s a good idea to fill an object with the gradient you plan to adjust This lets you see the eff...

Page 353: ...dient bar to define another triangle Select a color and adjust the triangle as you would any other starting or ending color To delete an intermediate color drag the triangle off the gradient bar Linea...

Page 354: ...ors in a gradient Drag the starting color triangle below the gradient bar to the ending color triangle or vice versa You can use this procedure with any two starting and ending points in a gradient Tr...

Page 355: ...ient change the starting and end ing points of a gradient and apply a gradient across multiple objects To use the gradient tool 1 Select an object whose gradient you want to modify 2 Select the gradie...

Page 356: ...direction and length To apply a gradient across multiple objects 1 Select the objects you want to fill with a gradient 2 Fill each object with the gradient using the Paint Style palette or the paint b...

Page 357: ...the starting point of the gra dient and drag across the object in the direction you want the gradient to be painted 6 Release the mouse button where you want to set the gradient s ending point Defaul...

Page 358: ...that you don t want affected If any object is currently painted with that gradient a message appears Any objects painted with a deleted gradient are filled with black This procedure does not delete gr...

Page 359: ...rator program You can customize any pat tern by resizing the pattern or by color ing the pattern s objects The Adobe Illustrator Deluxe CD ROM includes libraries of patterns The Adobe Illustrator Star...

Page 360: ...ll patterns to fill objects and path patterns to outline objects See How patterns tile Guidelines for constructing patterns Constructing simple patterns and defining patterns Constructing patterns wit...

Page 361: ...tile per pendicular to the path the top of the pattern tile always faces outward Also corner tiles rotate 90 degrees clockwise each time the path changes direction Fill and path patterns also tile dif...

Page 362: ...r path patterns should be no larger than 1 2 to 1 high by 1 to 2 wide the corner tiles must be the same height as the side tiles and should be square The more complex the pattern the smaller the selec...

Page 363: ...and colors and place a bounding box behind the lines to create a pattern tile To ensure smooth tiling close paths before defining the pattern Enlarge your artwork view and check for flaws before defi...

Page 364: ...artwork subtly not dramatically for a more realistic effect You can use the Roughen filter in the Distort menu to control variations Original Roughen filter applied Follow these additional guidelines...

Page 365: ...er tiles with your path pattern align objects in the corner tile horizontally with objects in the side tiles so that the patterns tile correctly Create special corner effects for path patterns using c...

Page 366: ...You cannot use a mask or gradients unless converted to objects as a pattern 2 To make the pattern easier to print remove any unnecessary detail from the pattern artwork and group objects that are pai...

Page 367: ...of the dialog box 7 Name the pattern using up to 31 characters For ease of use on IBM PC compatible platforms name the pattern using the DOS 8 3 naming convention of eight characters for the name fol...

Page 368: ...utes dialog box For example the diamond shape in the following illustrations was created by using the polygon tool 2 Make sure the Snap to Point option is on in the File General Preferences dia log bo...

Page 369: ...objects and begin dragging the objects to the right by one of their anchor points then hold down the Option and Shift keys to create a copy and constrain the move 8 When the copy of the object has sna...

Page 370: ...er right object For a path pattern draw a bounding box from the center point of the artwork holding down the Option key and the Shift key as you drag to draw from the center outward and to constrain t...

Page 371: ...you painted the rectangle copy it fill and stroke it with None and choose Arrange Send to back to make it the bounding box and backmost in your artwork 13 Define the geometric objects as a pattern fol...

Page 372: ...the bounding box See How patterns tile for more information To create an irregular texture 1 Draw a bounding box rectangle If you are creating a path pattern go to step 13 2 Draw the texture with the...

Page 373: ...wn the Option and Shift keys to make a copy and to constrain the move Draw texture and then copy on left side of texture and rectangle rectangle 5 When the upper left corner point of the copy snaps to...

Page 374: ...ect right to create identical rectangle and texture on the right delete it and left 8 Use the freehand tool to draw a tex ture with objects or lines intersecting only the box s top side Select all lin...

Page 375: ...en hold down the Option and Shift key Draw texture at then copy texture top of rectangle and rectangle 10 When the upper left corner point of the copy snaps to the box s lower left corner point releas...

Page 376: ...elect lower box to create identical delete it texture on bottom 13 Use the freehand tool to fill the box with a texture without intersecting the box s edges Paint the texture 14 Define the artwork and...

Page 377: ...h pattern file supplied with Adobe Illustrator on the Deluxe CD ROM that you want to use 2 Choose Object Pattern Select the tile you want to use Click Paste to paste a copy of the tile in the center o...

Page 378: ...te tool Option click the lower left corner of the bounding box Enter a value of 90 and click Copy to create a copy flush left of the first tile This will become the corner tile 7 Use the selection too...

Page 379: ...t anchor point snaps to the corner tile s lower right anchor point release the mouse button and the Option and Shift keys This third copy is for alignment Rotate 90 and Option drag corner tile copy ri...

Page 380: ...and the Shift key so that the artwork overlaps that in the corner tile Copy move right Result tile over corner 10 Edit the corner tile to line up its art work vertically and horizontally with the tile...

Page 381: ...e into your artwork 2 Using the reflect tool reflect the tile 135 and copy it The adjustment matches how Adobe Illustrator reflects corner tiles as it applies them to inner corners 3 Select the tile a...

Page 382: ...nition rather than with the old definition To modify an existing pattern 1 Make sure that nothing is selected in your artwork 2 Choose Object Pattern 3 In the scrolling list select the pattern that yo...

Page 383: ...name select the name of the existing pattern and click OK The pattern is updated in all open docu ments in which the pattern appears Click New enter a name for the pattern and click OK For ease of us...

Page 384: ...the patterns within a file 1 Choose View Show Rulers 2 With the selection pointer on the box in the lower right corner where the rulers intersect begin dragging into the window When the ruler origin t...

Page 385: ...will be transformed the same way To return fill patterns to their original states select another paint style and then reselect the desired pattern You can transform fill patterns using the dialog box...

Page 386: ...ions Select the Pattern Tiles option to transform the pattern tiles Select the Objects option to transform the object 4 Enter the desired transformation val ues in the text boxes 5 Click OK To select...

Page 387: ...erns 1 Choose Object Pattern 2 Choose one of the following options Select the pattern you want to delete Click Select All Unused to select all of the patterns that are currently unused 3 Click Delete...

Page 388: ...ecause patterns can significantly slow previewing and printing you may want to turn off the Preview and Print Patterns option You can turn the option back on at any time to preview and print the patte...

Page 389: ...custom colors patterns gradients and graph designs are added to your document s scrolling lists Note When importing new styles into a document keep in mind that any new style with the same name as an...

Page 390: ...very new Adobe Illustrator document you create In addition any new documents you create have the same Document Setup and Page Setup settings as those found in the startup file and they use the same zo...

Page 391: ...en the default startup file to use as a template for the custom startup file This document contains labeled squares filled with the default process colors custom colors patterns and gradients availabl...

Page 392: ...tes to the artwork in the startup file so you can see and refer to them later if necessary 8 Save any graph designs that you want available in your documents 9 Select the options you want as default s...

Page 393: ...options Drawing objects on layers Moving objects between layers Changing the order of layers Deleting layers Locking layers Hiding and showing layers Dimming placed EPS images Choosing a selection co...

Page 394: ...d Creating layers and setting layer options Three rules affect objects and their order on layers Within each layer objects are stacked according to their painting order See stacking objects for more i...

Page 395: ...splayed and printed All new artwork is placed on the layer selected in the Layers palette See also Creating layers and setting layer options Hiding and showing layers Deleting layers To display the La...

Page 396: ...e Layers palette lists the layers in a document starting with the frontmost layer A colored dot to the right of a layer name in the palette indicates that a selected object is on that layer jump to ar...

Page 397: ...T S William Baeck The Layers Palette A Discussion on Euclid s Geometry t he E L E M E N T S A Discussion on Euclid s Geometry the ELEMENTS William Baeck Background Line Art Text The Layers palette ret...

Page 398: ...y Once a layer is created you can then set options for any layer such as whether the layer will display or print and whether to lock all objects on that layer To create a new layer and set options for...

Page 399: ...er printable or non printable Select or deselect the Preview option to display the layer in Preview or Artwork view For more information see Displaying layers in Artwork view Select or deselect the Di...

Page 400: ...ng objects on layers Any new object created in a document is placed on the layer selected in the Layers palette To select a layer on which to work Click the name of the layer you want on the Layers pa...

Page 401: ...layers With the Paste commands if objects are cut or copied from different layers they are pasted together onto the selected layer by default With the Paste Remembers Layers option you can retain the...

Page 402: ...yer to which you want to move the cut object or select the layer name in the Layers palette 4 Choose one of the following options Choose Edit Paste to paste the object into the center of the artwork a...

Page 403: ...tion becomes part of the group Once the object is pasted you can move it and use the commands in the Arrange menu to change the stacking order of the object on its new layer To move an object to a dif...

Page 404: ...2 Drag the colored dot to the layer to which you want to move the object Blue dot on palette moved from Layer 2 to Layer 3 Result...

Page 405: ...ranging the layers on the Layers palette you can change the order of layers in your document To change the order of layers In the Layers palette drag the layer you want to move to its new location Lay...

Page 406: ...Result...

Page 407: ...leting a layer deletes all objects on that layer from your document Tip Before deleting a layer hide all the other layers first This lets you check what s on the remaining layer To delete a layer 1 Se...

Page 408: ...om the Arrange menu locked layers cannot be selected or edited in any way To lock or unlock a layer Click the dot beneath the pencil icon to the left of the layer name This turns on the Lock option in...

Page 409: ...te 1 Select the layer or layers you want to edit 2 Choose one of two options Choose Lock Others from the Layers palette pop up menu Click the pencil icon Dot under pencil icon indicates art can be edi...

Page 410: ...No dot under pencil icon indicates art cannot be edited To unlock all layers Choose Unlock All from the Layers palette pop up menu A Discussion on Euclid s Geometry The ELEMENTS...

Page 411: ...viewed or edited To hide or display a layer Click the dot beneath the eye icon to the left of the layer name This turns off the Show option in the Layer Options dialog box Click again to turn the opt...

Page 412: ...llow dot under eye layer art in Preview view Empty eye column and pencil with red slash Layer is uneditable A Discussion on Euclid s Geometry the ELEMENTS A Discussion on Euclid s Geometry the ELEMENT...

Page 413: ...in the palette 1 Select the layer or layers you want to view 2 Choose one of two options Choose Hide Others from the Layers palette pop up menu Click the eye icon To display all layers Choose Show Al...

Page 414: ...a design tool with placed images for laying out art work on top of them or using them as a template you can trace over For infor mation about tracing over a dimmed placed image see Tracing over an EP...

Page 415: ...ree different layers you can leave the first layer light blue and set the next two layers to indicate selected objects with different colors To specify a selection color for a layer 1 In the Layers pa...

Page 416: ...e one of two options Option click the dot beneath the eye icon to the left of the layer name Option click again to turn the option back on and redisplay the layer in Preview view Deselect the Preview...

Page 417: ...hat you need to proof For example you could put all type in a document onto a single layer and then print only that layer for proofing To make a layer temporarily nonprintable 1 In the Layers palette...

Page 418: ...Setting type attributes Using keyboard shortcuts to change type attributes Painting type Transforming type Modifying letterforms as graphic objects Working with columns of text Formatting columns and...

Page 419: ...e by Entering type at a point Entering type in a rectangle Entering type in an object Entering type along a path Importing text files You can also export type to another application See also Selecting...

Page 420: ...ter changes to an I beam within a dotted box The small horizontal line near the bot tom of the I beam marks the position of the type baseline The baseline is the line on which the type rests 2 Click w...

Page 421: ...3 Enter the type you want Press Return to begin a new line of type The default font is 12 point Helvetica To change the font see Setting type attributes...

Page 422: ...or in a type container use the selection tool on the path or type con tainer as described in Selecting objects See also Editing text To select characters and words 1 Select any type tool 2 Choose one...

Page 423: ...e for use as display type for titles or headlines manipulating type as graphic objects flowing type along and within a path and wrapping type in columns of body text Click on any callout to jump to in...

Page 424: ...any type tool 2 Choose any of the following options Drag to select the type you want to change Shift drag to extend or reduce your selection Position the I beam pointer in a paragraph and triple clic...

Page 425: ...rag Shift drag to reduce or extend Double click to Triple click to select select a word an entire paragraph In the heart of the the large island of Niphon and in a In the heart of the the large island...

Page 426: ...You can also cre ate a rectangle with the rectangle tool and then use the type tool to convert it to a text rectangle The text rectangle you create is unpainted neither filled nor stroked It is not vi...

Page 427: ...diagonally to define the text rectangle When you release the mouse button the pointer reverts to an I beam In Artwork view a rectangle appears with an in sertion point at the top left corner of the t...

Page 428: ...gn is positioned at the end of the baseline of the last visible line of type Type within its Type that overflows container its container In the heart of the large island of Niphon and in a mountainous...

Page 429: ...ed click outside the rectangle to deselect it 3 Position the pointer on the edge of the text rectangle you want to adjust Do not select any type baselines 4 Click to select an edge or corner of the te...

Page 430: ...view Changing shape of text rectangle In the heart of the large island of Niphon and in a moun tainous and In the heart of the large island of Niphon and in a mountainous and wooded region fifty leag...

Page 431: ...u enter type the type is selected and any changes to the paint settings affect only the type not the path You can paint the path after you enter type by selecting the path with the direct selection to...

Page 432: ...nter type in an object 1 Select the type tool or the area type tool if the object is a filled open path 2 Position the pointer on the path and click the mouse button An insertion point appears 3 Enter...

Page 433: ...es you to enter text As with text rectangles if you enter more type than can fit within the area in Artwork view a small box with a plus sign appears near the bottom of the area Resting on the descend...

Page 434: ...if you want without affecting the paint attributes of the type You can have only one string of type that is without a carriage return on a path See also Painting type Moving type along a path Flipping...

Page 435: ...or the path type tool 2 Position the pointer on the path and click the mouse button An insertion point appears on the path 3 Enter the type you want Type appears along the path Set the insertion Then...

Page 436: ...ected 2 Position the pointer on the I beam at the beginning of the line of type Position pointer Then drag to move on I beam type 3 Press the mouse button and begin dragging the I beam in the directio...

Page 437: ...e type along a path 1 Select the selection tool 2 Position the pointer on the I beam 3 Choose one of the following options Press the mouse button and drag the I beam across the path Double click the I...

Page 438: ...tte For example if you have created type that runs from left to right across the top of a circle you can enter a negative number in the Baseline Shift text box to drop the type so that it flows inside...

Page 439: ...s from your artwork thus making your artwork more efficient and easier to print You can create empty type paths for exam ple by inadvertently clicking the type tool in the artwork area and then choos...

Page 440: ...ected See Choosing a font family Choosing a type size Finding and replacing fonts Specifying leading Specifying kerning and tracking Specifying baseline shift Adjusting horizontal scale You change the...

Page 441: ...the Character and Paragraph palettes To apply a value in a text box to the selected type and remain in the same text box in the palette press the Enter key To apply a value in a text box to the select...

Page 442: ...choose a font from the Font pop up menu or from the Character palette Note Special characters such as the infinity symbol may display correctly but not print To print symbols you may have to select th...

Page 443: ...choose a font from the Font menu 1 Select any type container or type path using a selection tool or set an insertion point or select a range of text using the type tool 2 Open the Font menu A check ma...

Page 444: ...ch When you change the type size the Info palette displays the new type size To choose a type size in the Character palette 1 Select any type container or type path using a selection tool or set an in...

Page 445: ...r type path using a selection tool or set an insertion point or select a block of type using the type tool 2 Choose Type Size The Size sub menu appears A check mark appears next to the current type si...

Page 446: ...the file To find and replace fonts in your document 1 Choose Type Find Font 2 Choose from the following options Select the Multiple Master Standard Courier Helvetica Symbol and Times Type 1 or TrueTyp...

Page 447: ...your document 4 Choose one of the following options Click Find Next to find the next instance of that font Click Skip to go to the next name in the font list and search for that font 5 Select the fon...

Page 448: ...e instances of a font in your document that font name is removed from the list of fonts to find 6 To save a list of all fonts found in the document click Save and then enter a filename and location fo...

Page 449: ...directly from the keyboard The default Auto Leading option sets the leading at 120 of the type size For example 10 point type would have a leading value of 12 points 120 of 10 points In the heart of t...

Page 450: ...ress the Enter key or Tab key To change the leading value from the Type menu 1 Select any type container or type path using a selection tool or select a block of type using the type tool 2 Choose Type...

Page 451: ...g before Leading before paragraph 6 points paragraph 14 points In the heart of the large island of Niphon and in a mountainous and wooded region fifty leagues from Yokohama lies hidden the ancient cit...

Page 452: ...s built in kerning Tracking inserts uniform spac ing between more than two characters in selected type Use tracking to adjust the spacing of a word or of an entire block of type The Character palette...

Page 453: ...sured in units that are 1 1000 of an em space The width of an em space is relative to the current type size In a 1 point font 1 em corresponds to 1 point in a 10 point font 1 em cor responds to 10 poi...

Page 454: ...using the type tool 2 Choose one of the following options Press Option Left Arrow to move characters closer together or Option Right Arrow to move characters farther apart The distance moved is equal...

Page 455: ...ative value in the Tracking Kerning text box and press the Enter key or Tab key To view the kerning value between two characters 1 Set an insertion point between two characters whose kerning value you...

Page 456: ...fault because using the feature slows the program s performance When Auto Kerning is selected in the General Preferences dia log box auto kerning is applied to new type you create in any document When...

Page 457: ...so Specifying kerning and tracking To apply auto kerning to existing type in a file 1 Choose Edit Select All 2 Select the Auto Kerning option in the Character palette 3 Deselect the type deselect the...

Page 458: ...the direction of the type flow For example using the path type tool on a circle positions type above the cir cle Using the Baseline Shift option then moves the type inside the circle without changing...

Page 459: ...of the following options Press Option Shift Up Arrow to increase the baseline shift or Option Shift Down Arrow to decrease the baseline shift The move is equal to the Baseline Shift value set in the G...

Page 460: ...eight If you have scaled characters nonuni formly using a transformation tool the characters horizontal scale value reflects the change you can return them to their original proportions by setting the...

Page 461: ...t any type container or type path using a selection tool or select a range of text using the type tool 2 Choose Type Character 3 Enter a percentage in the Horizontal Scale text box 4 Press the Enter k...

Page 462: ...To change the type point size from the keyboard Choose one of the following options Press Command Shift to increase the point size Press Command Shift to decrease the point size The point size changes...

Page 463: ...Press Option Down Arrow to increase the leading The leading changes by the increment set in the Size Leading text box in the General Preferences dialog box To change the alignment of a selected paragr...

Page 464: ...increment values are 2 points for size leading 2 points for baseline shift and 20 1000 of an em space for kern ing tracking The Keyboard Increments option con trols the following keyboard shortcuts C...

Page 465: ...ift Down Arrow decreases the baseline shift The type units preference determines the units for point size leading kern ing tracking and baseline shift To change keyboard increments 1 Choose File Prefe...

Page 466: ...oose one of the following options To paint the type use the selection tool to select the type To paint a type container or type path use either the direct selection tool or the group selection tool an...

Page 467: ...dobe Illustrator Tutorial and Beyond the Basics To transform type including its path 1 Choose one of two options To transform all of the type use the selection tool to select the type path or type con...

Page 468: ...tated type container container and type Scaled type Scaled type container container and type In the heart of the island of Niphon and in a moun tainous region fifty In the heart of the island of Nipho...

Page 469: ...or TrueType font outlines for that type face installed on your system The Create Outlines command retains all formatting of the selected type It also retains the paint attributes of the type for examp...

Page 470: ...e Object Compound Paths Release you can use the outlines as type areas To convert type to path outlines 1 Using a selection tool select the type you want to convert Note To convert type to outlines yo...

Page 471: ...To use several outlined letters as a mask 1 Select all of the letters 2 Choose Object Compound Paths Make 3 Make a mask as described in Working with masks...

Page 472: ...hat make it easy to create and work with columns or blocks of type See Importing text files Exporting text files Displaying overflow text Linking type containers Creating rows and columns Wrapping typ...

Page 473: ...d processor and page layout applications You can import text from any document type for which an XTND translator has been installed Note You can also paste in text that has been cut from another appli...

Page 474: ...The text from the document you selected flows into the type container Most of the styles you used in typing the original document are retained If the original text is word wrapped and you import it as...

Page 475: ...utility as installed if you used the Easy Install option when copying the Adobe Illustra tor program onto your hard disk drive See File formats supported in Adobe Illustrator and Exporting artwork for...

Page 476: ...st the type container so that all of the text is visible To display all text Choose one of the following options Adjust the size of the type container Link the type container to another type container...

Page 477: ...rst into the backmost object in the stacking order and continues to the next object in the stacking order The most recently created object is frontmost Unlinked type containers In the heart of Niphon...

Page 478: ...phon in a mountainous and wooded region fifty leagues from Yokohama is hidden the ancient city of the dead the necropolis of Japanese Emperors Resting on the slope of the Holy Mountain of Nikko under...

Page 479: ...can change the order in which type flows by changing the stacking order of type containers using the Send to Front and Send to Back commands You can adjust the stacking order before or after linking t...

Page 480: ...rk 2 Select the direct selection tool and position the pointer on the type con tainer Make sure the baselines aren t selected 3 Hold down the Option key and drag the copy of the container to where you...

Page 481: ...in of Nikko under a cover of dense for est and in the midst of cas In the heart of Niphon in a mountainous and wooded region fifty leagues from Yokohama is hidden the ancient city of the dead the necr...

Page 482: ...e container with out deleting the type within it copy and paste the text elsewhere and then delete the container To unlink linked type containers 1 Select the selection tool 2 Drag to surround the typ...

Page 483: ...linked object in the stacking order 4 To add a new type container create or select the type container then hold down the Shift key and use the group selection tool to click the old type con tainer to...

Page 484: ...olumns You can also use the Rows Columns dialog box to change the way in which text flows from left to right or up and down by clicking the Text Flow icon Text flow options Note You can also create ro...

Page 485: ...box and the number of rows you want in the Rows text box You can either enter the num ber in the text boxes or use the control buttons on the sides of the text boxes to increase or decrease the value...

Page 486: ...change the direction of the text flow from left to right or from top to bottom click the Text Flow icon To preview the effect select the Preview option To add path guides along the row and column edge...

Page 487: ...mber of objects To wrap type around a graphic object 1 Make sure that the object or objects around which you want to wrap type are in front of the type If necessary use the Bring to Front or Paste in...

Page 488: ...ry for the image 3 Using the selection tool select the type containers that you want to wrap and the graphic object around which to wrap them 4 Choose Type Make Wrap The type wraps around the graphic...

Page 489: ...r graphic object 2 Choose Type Release Wrap In the heart of the large island of Niphon in a mountainous area fifty leagues from Yokohama is is hidden the ancient city of the dead the necropolis of Jap...

Page 490: ...that act as place holders in the artwork Greeking type affects only artwork displayed on screen not the printed image In addition if you reduce the document view so that type on screen falls below the...

Page 491: ...ly useful for working with larger groups of type such as type laid out within columns See Specifying paragraph indentation Specifying alignment options Specifying hanging punctuation Specifying spacin...

Page 492: ...the right side of the path and you can choose additional indentation for the first line of a paragraph Negative indentation moves the type outside the margin Hanging punctuation controls whether punct...

Page 493: ...nd in a mountainous and wooded region fifty leagues from Yokohama lies hidden the ancient city of the dead the necropolis of Japanese Em perors In the heart of the large island of Niphon and in a moun...

Page 494: ...e path using a selection tool or set an insertion point or select a block of type using the type tool 2 Choose Type Paragraph 3 Select the indentation text box you want to change right left or first l...

Page 495: ...left edge Centered alignment centers each line of type between margins Justified alignment adjusts type to extend to both the left and right margins by adding space to the line of type Point type and...

Page 496: ...on and in a mountainous region fifty leagues from Yokohama lies the ancient city of the dead the necropolis of Japanese Emperors In the heart of the island of Niphon and in a mountainous region fifty...

Page 497: ...the alignment style you want To change alignment options from the Type menu 1 Select any type container or type path using a selection tool or set an insertion point or select a block of type using th...

Page 498: ...g punctuation is turned on the following characters appear outside the margins periods commas single quotation marks dou ble quotation marks apostrophes hyphens em dashes en dashes colons and semicolo...

Page 499: ...ng punctuation 1 Select any type container or type path using a selection tool or set an insertion point or select a block of type using the type tool 2 Choose Type Paragraph 3 Select the Hanging Punc...

Page 500: ...ptions are always applied to an entire paragraph To adjust the spac ing in only a few characters use the Tracking option see Specifying kerning and tracking for more information To change spacing in t...

Page 501: ...he default values for word spacing are 100 minimum 100 desired and 200 maximum At 100 no additional space is added between words To change the amount of space between letters in a line of text enter a...

Page 502: ...of the large island of Niphon and in mountainous and wooded region fifty leagues from Yokohama lies hidden the ancient city of the dead the In the heart of the large island of Niphon and in a mountai...

Page 503: ...units of measure for the tab ruler are defined by the units of measure specified in the Document Setup dialog box To set tabs in text 1 Select any type container or type path using a selection tool or...

Page 504: ...t the tab to appear The tab position rela tive to the left margin of the selected text appears in the top center of the palette 5 Choose the type tool and click to set an insertion point in the text t...

Page 505: ...numbers 2 Choose any of the following options To move a tab drag it to a new posi tion As you drag a line indicates where the tab is moving in the text To remove default tabs drag to the right To repl...

Page 506: ...Extend tab ruler button Tab position Snap option Decimal tab Right tab Center tab Left tab Tab Ruler palette return to text...

Page 507: ...alue See also Specifying kerning and tracking If you change the tracking value or the type be sure to reapply the Fit Headline command Fit Headline before and after THE JADE PALACE In the heart of the...

Page 508: ...To fit headline type across a specified area 1 Enter type in a type container using the type tool or area type tool 2 Select the type using any type tool 3 Choose Type Fit Headline...

Page 509: ...e allowing a hyphen to be inserted You can also limit the number of consecutive hyphenated lines You can enter a discretionary hyphen to hyphenate a word manually Adobe Illustrator always breaks a wor...

Page 510: ...agraph 2 Select the Auto Hyphenate option If the Hyphenation options are not visible click the display control in the Para graph palette 3 In the Hyphenation text boxes enter the minimum number of let...

Page 511: ...nated in Adobe Illustrator 1 Choose File Preferences Hyphen ation Options 2 If desired choose the language in which the hyphenation rules apply from the Languages pop up menu When you select a differe...

Page 512: ...e word with no hyphens Adobe Illustrator never hyphenates the word If you enter the word with one or more hyphens inserted Adobe Illus trator hyphenates the word only at those places 4 Click Add 5 To...

Page 513: ...d to apply hyphenation rules to the selected text Various languages such as U S English U K English French German and Italian are available To specify the hyphenation language 1 Choose Type Character...

Page 514: ...he text along or within the path 2 Choose any of the following options Type over the text Choose Edit Cut to remove the text Choose Edit Copy to copy the text Choose Edit Paste to paste cut or copied...

Page 515: ...o the dictionary list These new words are then added to the custom file AI User Dictionary in the Plug ins folder You can edit this list of words as well To check the spelling in your document 1 Choos...

Page 516: ...rect spelling in the Suggested Corrections text box or type the corrected spelling in the Change text box To change the first instance of the misspelled word in the document click Change or double cli...

Page 517: ...st select a word in the list retype it in the text box and then click Change To add a new word type it in the text box and then click Add To remove a word select the word and then click Remove 6 When...

Page 518: ...d and if desired the text string with which you want to replace it 3 Choose any of the following options Select the Whole Word option to search only for entire words that match the text in the Find te...

Page 519: ...llowing options Select the Find Next option to search for the next instance of the text string without replacing it Select the Replace then Find option to replace the text string and then search for t...

Page 520: ...case that is each word begin ning with an uppercase letter Lowercase mixed case and uppercase text To change the capitalization of selected text 1 Select a type tool and select the text to be changed...

Page 521: ...the Smart Punctuation option and then click OK To replace standard keyboard characters with publishing characters 1 Choose Type Smart Punctuation 2 Choose one or more of the Smart Punctuation options...

Page 522: ...obe Expert font installed on your system Ligatures before and after Smart Quotes Changes straight keyboard quote marks and into printer s quote marks and Smart Spaces Replaces multiple spaces after a...

Page 523: ...e character equivalents To change to expert fractions you must have the appropriate Adobe Expert font installed on your system Expert fractions before and after 3 Choose one of two options Select the...

Page 524: ...4 Click the Report Results option to see a list of the number of symbols replaced 5 Click OK to search for and replace selected characters...

Page 525: ...ng a graph Adjusting graphs Selecting graph options Changing graph styles Combining different graph styles Customizing a graph Selecting parts of a graph About graph designs Creating a graph design Ap...

Page 526: ...iables over time or shows the relationship of parts to the total The values for each cate gory are stacked one on top of another instead of side by side as they are in a grouped column graph Line This...

Page 527: ...points as paired sets of coordinates along the x and y axes Scatter graphs are useful for identifying patterns or trends in data They also can indicate whether vari ables affect one another Grouped c...

Page 528: ...Area Scatter...

Page 529: ...elect options for the selected graph style as described in Selecting graph options 4 Click OK 5 Select the graph tool The pointer changes to a cross when you move it to the active window 6 Choose one...

Page 530: ...e most recently drawn rectangle oval or graph Dimen sions are determined by the ruler units set in the Document Setup dialog box A graph of the shape and dimensions you designate appears along with th...

Page 531: ...r from another graph See also Editing existing data Adjusting graphs Note the following about graph data You must select an entire graph before you can change its data You can enter data in up to 32 7...

Page 532: ...If the Graph Data dialog box is not already open choose Object Graphs Data At the top of the worksheet is the entry line for entering data You enter labels and then data that correspond to the labels...

Page 533: ...gends appear as boxes that you can place above or to the right of a graph Labels and legends 3 Enter labels and data for the particu lar style See Entering labels and data for particular graph styles...

Page 534: ...skip the first cell of the column To create legend labels for the vertical y axis enter the labels in the first row If you also are entering category labels skip the first cell of the row To create l...

Page 535: ...rs or numbers that you type appear simultaneously in the entry line and in the cell 4 Continue entering data in the work sheet choosing one of the following methods to move to another cell Press the T...

Page 536: ...the x and y axes in scatter graphs 6 To adjust the cell column width to dis play more or fewer digits click Cell Style and enter a new value in the Cell Style dialog box See Adjusting cell col umn wid...

Page 537: ...For grouped and stacked column graphs enter numbers along the vertical y axis enter labels for the data along the horizontal x axis For grouped and stacked column graphs the height of the column corr...

Page 538: ...ional rows of data a separate pie graph is created for each additional row You cannot combine positive and negative values The size of the individual pie graphs is proportional to the total of each gr...

Page 539: ...fers from the other kinds of graphs because both axes measure values there are no cate gories If the first column contains labels it is ignored and the second column produces values for the y coordina...

Page 540: ...turn You can also cut and paste data from a spreadsheet application such as Lotus 1 2 3 using the Cut and Paste commands The data must not contain any commas otherwise the data is not plotted For exam...

Page 541: ...3 Click to select the cell that will be the top left cell of the data that you import 4 Click Import 5 Open the file that you want to import The data is imported and entered into the worksheet in the...

Page 542: ...u want to copy and choose Edit Copy to copy the data to the Clipboard 2 Open the Adobe Illustrator program 3 Create a new graph Make sure that the graph is selected 4 If the Graph Data dialog box is n...

Page 543: ...set of cells The Delete key functions as both a Delete and Backspace key for a single cell To edit existing data 1 Click to select the cell you want to edit The cell is highlighted and the cell s dat...

Page 544: ...Use the Cut Copy Paste or Clear command in the Edit menu to edit the data You can cut and paste any cell or group of cells to another selected cell or group of cells 3 Click OK...

Page 545: ...ng graphs You can adjust graphs using the Graph Data dialog box by Transposing rows and columns of data Transposing the x and y axes in scatter graphs Adjusting cell column width Adjusting decimal pre...

Page 546: ...at is in rows instead of col umns or vice versa you can use the Transpose command to switch the col umns and rows of data The Transpose command reverses the categories and legends and reenters all the...

Page 547: ...hat were listed across the top row are now listed along the left column Default column Data transposed graph 1980 45 00 1990 62 00 A 66 00 72 00 B A 45 00 B 62 00 1980 66 00 72 00 1990 1990 1980 75 50...

Page 548: ...g the Switch XY option This option is available only for scatter graphs because only scatter graphs plot values on both axes You do not need to reen ter data the Switch XY option does this automatical...

Page 549: ...ange the default column width by dragging the column boundary to make one col umn wider or narrower or by entering a new value in the Cell Style dialog box To adjust a cell s column width manually 1 I...

Page 550: ...th set in the Cell Style dialog box To change the width of columns you have not previously changed manually 1 Click Cell Style in the Graph Data dialog box 2 Enter a value between 3 and 20 in the Colu...

Page 551: ...g box as 4 00 if you enter the number 1 55823 with the Number of Decimals text box set to 2 the cell dis plays 1 56 The program keeps the original data in memory so if you reset the Number of Decimals...

Page 552: ...ge an existing graph select the entire graph 2 Choose Object Graphs Style or double click the graph tool 3 To choose options for the selected graph style see Selecting grouped column and stacked colum...

Page 553: ...Adding a drop shadow to a graph Displaying legends across the top of a graph Displaying overlapping columns of data...

Page 554: ...th of all columns in a cluster The default cluster width is 80 If you are using stacked column graphs exclu sively it is recommended that you set the cluster width to 100 and use only the Column Width...

Page 555: ...Column and Stacked column cluster widths graph 1990 1980 75 50 25 0 Column Cluster 1990 1980 90 60 30 0 A B 120 150...

Page 556: ...able when you select the Connect Data Points option The Fill Lines option creates a wider line according to the value you enter and fills the line with paint according to the specifications for that...

Page 557: ...The Edge to Edge Lines option draws lines that extend across the graph from left to right along the horizontal x axis Line graph 50 25 75 B A 25 50 75 100...

Page 558: ...lumn labels outside the graph this option is the default When you combine pie graphs with other kinds of graphs select the Standard Legends option The Legends in Wedges option inserts labels in the co...

Page 559: ...lt If a pie wedge with a dark background obscures a legend repaint the dark background Use the group selection tool to select the dark pie wedges and paint the wedge using the Paint Style palette See...

Page 560: ...scatter graph options is the same as for selecting line graph options except that the Edge to Edge option is not available The default options for scatter graphs are Mark Data Points and Connect Data...

Page 561: ...Left Axis You must select the entire graph to use the Same Axis Both Sides option See Combining different graph styles for more information on changing axis attributes when a graph has more than one g...

Page 562: ...Graph with left axis Graph with same axis both sides 1990 1980 75 50 25 0 A B 1990 1980 75 50 25 0 75 50 25 0 A B...

Page 563: ...mation to labels including units of measurement such as Tick marks with labels Tick marks are the lines placed perpen dicular to the axes to show the units of measurement They can be used either horiz...

Page 564: ...n one graph type To set horizontal tick mark and label options for either the left or right y axis 1 In the Graph Style dialog box click the Use Left Axis option or Use Right Axis option To apply the...

Page 565: ...maximum value and the value between labels To prevent numbers from appearing on an axis enter 0 in the Value Between Labels text box To have the axes start with a higher num ber and end with a lower...

Page 566: ...marks on the x axis 1 In the Graph Style dialog box click Bottom if you selected a scatter graph if you selected another style graph click Category 2 Choose one or more of the following options To ad...

Page 567: ...Enter a value in the Draw Tick Marks Per Tick Line text box to specify how many tick lines to draw 3 Click OK and then click OK again Vertical tick lines added to graph 1990 1980 75 50 25 0 A B...

Page 568: ...ive a graph a three dimensional effect This option may not be appropriate for some graph styles such as a line or scatter graph Drop shadows To add a drop shadow 1 In the Graph Style dialog box select...

Page 569: ...ph You can choose to display them horizontally across the top of the graph Default legends Legends across top To display legends across the top of a graph 1 In the Graph Style dialog box select the Le...

Page 570: ...rder in which columns of data overlap First Column in Front option selected To specify the order in which columns overlap 1 Choose one of two options in the Graph Style dialog box Select the First Row...

Page 571: ...First Column in Front option the default to place the first column of data in the worksheet front most in the graph Always select this option for an area graph to prevent some areas from being hidden...

Page 572: ...data series Be sure to include the legend in the selection See also Combining different graph styles and Customizing a graph Note Once graph objects are painted with gradients changing graph styles c...

Page 573: ...type of graph you want 4 Click OK 5 Click to select the desired graph style type The options for the particular type of graph you have selected appear to the right of the graph type The area graph do...

Page 574: ...combine different graph types in the same graph you select parts of the graph using the group selection tool You can select a data series by clicking one element of the series such as the legend box a...

Page 575: ...other graph styles be sure to use the same axis for all data series repre sented by the stacked column graph to avoid overlapping columns or mislead ing column heights To combine different graph styl...

Page 576: ...le that contains the graph designs you use most frequently The graph designs con tained in the startup file then appear in the graph design list in the Graph Design dialog box and are available in eve...

Page 577: ...rs of shading Changing the typeface and type style Moving reflecting shearing rotating or scaling any or all of the graph Applying graph designs to a graph Importing graph designs from other documents...

Page 578: ...ntire graph with its legends is one group All the data series are a subgroup of the graph in turn each data series with its legend box is a subgroup of all the data series Each value is a subgroup of...

Page 579: ...umns lines pie wedges or series and move them to the front or back Do not however select and send individual category labels individual legend labels individ ual axis tick lines individual axis tick l...

Page 580: ...ects Second click adds a legend columns to selection 3 Without moving the group selection tool pointer from the legend click the mouse button All of the columns grouped with the legend are selected Yo...

Page 581: ...tool or the group selection tool and position the tool on the object you want to dese lect 2 Hold down the Shift key and click to deselect the object To change part of the type in a graph 1 Select th...

Page 582: ...e Gallery folder included with the Adobe Illustra tor program Graph designs are suitable for a grouped or stacked column graph or for replac ing markers in a line or scatter graph Graph designs are sc...

Page 583: ...See Creating a graph design Importing graph designs from other documents Applying graph designs to a graph Reusing a graph design...

Page 584: ...dth does not change A uniformly scaled graph design is scaled both vertically and horizontally The horizontal spacing of the designs is not adjusted for the different widths Vertically scaled Uniforml...

Page 585: ...ign in the Each Design Represents text box You also choose whether to chop or scale designs that represent fractions The Chop option cuts off a fraction of the top design as necessary the Scale option...

Page 586: ...might stretch or compress only the wooden part of the pencil but not the point and the eraser Using the Vertically Scaled option would scale the entire pencil Sliding graph design You can also rotate...

Page 587: ...ace an existing design in front of the rectangle 3 Use the pen tool to draw a horizontal line to define where the design will be stretched or compressed 4 Select all parts of the design includ ing the...

Page 588: ...ou can unlock the guides Move the design around to make sure that the guide moves with the design 10 Choose Object Graphs Design 11 Click New A small preview of the selected design is displayed 12 Typ...

Page 589: ...design in another document by Opening the document in which you created the design Importing the design by Importing styles from other documents Reusing a graph design To create a graph design 1 Sele...

Page 590: ...roke it with None so that it is invisible 5 Create the design using any of the drawing tools or position an existing design in front of the rectangle 6 To include column totals with the graph design s...

Page 591: ...Only the portion of the design that fits inside the backmost rectangle appears but the whole design appears when used in the graph 11 Name the design and click OK 12 Apply the design to a graph...

Page 592: ...in Creating a graph design 2 Select the type tool Position the pointer at a point where you want the value to appear near or in the rectangle that defines the design For example you can place the valu...

Page 593: ...aces necessary for the value The second digit determines how many places appear after the decimal point Zeros are added as necessary and values are rounded up or down as necessary You can vary these n...

Page 594: ...the entire design including the rectangle and any type 7 Choose Arrange Group to group the design 8 Choose Object Graphs Design 9 Click New A preview of the selected design appears 10 Name the design...

Page 595: ...also Reusing a graph design Creating a graph design Importing graph designs from other documents To use a graph design in a column graph 1 Use the group selection tool to select the graph column or c...

Page 596: ...to chop or scale any fractions of the design 4 Select the design you want to use a preview of the selected design appears 5 Click OK To use a graph design as a marker in a line or scatter graph 1 Use...

Page 597: ...e design is scaled so that the back most rectangle in the design is the same size as the default square marker on the line or scatter graph Line graph with marker designs 10 5 300 250 200 150 20 15 B...

Page 598: ...have the original artwork defined as a graph design you can retrieve the original artwork by pasting the graph design into your artwork document To paste an existing graph design into your artwork 1...

Page 599: ...ted in Adobe Illustrator Using the Clipboard to import and export artwork Using the drag and drop feature to import and export artwork Opening and placing artwork Exporting artwork Using the Publish a...

Page 600: ...ed by an Adobe Photoshop compatible file format plug in filter including GIF PhotoCD PIXAR Scitex CT and many more See File formats supported in Adobe Illustrator About graphic file formats Using the...

Page 601: ...se PICT Open Place Clipboard Option copy to Clipboard to copy artwork as PICT objects Photoshop 2 5 and later Open Drag and drop Copying via the Clipboard or dragging into a Photoshop document rasteri...

Page 602: ...Illustrator and most word processing and page layout applications Copy selected paths between Adobe Illustrator and Adobe Photoshop Adobe Streamline Adobe Dimensions or Adobe Premiere Paths are copied...

Page 603: ...To copy artwork as bitmap PICT images to the Clipboard 1 Select the object or objects you want to copy 2 Hold down the Option key and choose Edit Copy...

Page 604: ...ions of artwork between Illustrator documents You can drag and drop selections of artwork between Adobe Illustrator and the desktop Selections are copied to the desktop as picture clippings which can...

Page 605: ...want to copy 2 Open the document into which you want to copy the selection 3 Begin dragging the selection then hold down the Shift key and continue dragging to the document window To drag and drop Ill...

Page 606: ...other applications See Opening files created by other applications Placing EPS files Placing non EPS files created by other applications See also Using the Publish and Subscribe commands Using the Cli...

Page 607: ...ing transformation tools such as scale and rotate and using image filters such as the Gallery Effects GE filters in the Illustrator Filter menu See also About vector graphics and bit map images To ope...

Page 608: ...3 Click Open Note If you open an EPS file that contains fonts not installed on your system Courier is used for the missing fonts when you print...

Page 609: ...e Illustrator document just as if the file had been opened in Illustrator Vector artwork is converted to Illustra tor paths bitmap images can be modi fied using transformation tools and image filters...

Page 610: ...file has been saved in a format that Illustrator cannot read See the Read Me file installed with Adobe Illustrator for a complete list of all the file formats you can import 4 Click Place The artwork...

Page 611: ...ion or you can break the link and include the EPS file as an ele ment in the Illustrator file You can posi tion the placed EPS image anywhere on the page and you can apply transforma tion attributes s...

Page 612: ...EPS file 2 Choose File Place EPS 3 Locate and select the file to place and click Place An outlined box containing two diago nal lines appears This box defines the artwork s dimensions The box is place...

Page 613: ...urn on and off the display of EPS preview images in Artwork view 1 Choose File Document Setup 2 Click the Show Placed EPS Images option and click OK Artwork view Artwork view with preview on Preview v...

Page 614: ...other image any transformation attributes such as scaling rotating or shearing are applied to the new place image To edit a placed EPS image 1 Start the application that created the placed EPS file a...

Page 615: ...determine the location of a placed file 1 Select the placed artwork 2 Choose Object Attributes 3 Use the Location of Placed Art pop up menu to display the location of the placed image To determine the...

Page 616: ...EPS files Note When you move an Illustrator document that contains placed EPS files you must either move the original files or find the placed files the next time you open the Illustrator document If...

Page 617: ...break the link between the placed file and its original application To include placed EPS files in an Illustrator document 1 Open the Illustrator document containing placed EPS files 2 Choose File Sa...

Page 618: ...EPS often results in a loss of quality See About graphic file formats for more information Important When saving an Illustrator file in a format other than Illustrator 6 or EPS change the filename suf...

Page 619: ...ame the file or change the file suffix to reflect the new file format Changing the filename ensures that your original artwork is preserved on disk 3 Choose a file format from the Format pop up menu 4...

Page 620: ...current version of the Illustrator file format If you want to use the Windows version of the Illustrator program to change a document for example you must save the document in Illustrator 4 file forma...

Page 621: ...Illustrator Illustrator documents saved as EPS files remain Illustrator documents You can double click an Illustrator EPS file to start Illustrator and open the document Most applications cannot disp...

Page 622: ...that certain features such as gradients and layers are not supported by earlier versions of the Illustrator file format If the Illustrator document contains placed EPS files and you do not want the fi...

Page 623: ...you ve pasted published material into a document the material can be updated automatically whenever the original file is modified For a detailed description of Publish and Subscribe see your Macintos...

Page 624: ...do not want updates to be sent automatically you can send them manually using the options in the Publisher Options dialog box To publish artwork 1 Using a selection tool select the objects to be publi...

Page 625: ...and EPS If the subscribing application is not EPS compatible save the file as PICT only 5 Type in a name for your artwork in the Name of New Edition text box Click Publish To update published artwork...

Page 626: ...ion either PICT only or PICT and EPS 5 Click OK To subscribe to published artwork 1 Choose Edit Publishing Subscribe To 2 Select the edition to which you want to subscribe A preview of the artwork is...

Page 627: ...ent objects mathe matically as straight lines arcs and other geometric shapes Because vector graphics are represented mathemati cally software can perform such opera tions as scaling and rotating with...

Page 628: ...each line is a row of dots called pixels picture elements Raster devices can be characterized by their resolution in dots per inch dpi Many Macintosh monitors for example display information at 72 dpi...

Page 629: ...that appears rough and jagged on a 72 dpi monitor for example appears smooth when printed on a 600 dpi printer Vector artwork that is rasterized by scanning or by importing into a bitmap image program...

Page 630: ...Bitmap artwork See also Resolution and bit depth File size and image compression...

Page 631: ...ns the same thing as ppi Scanning paint and image editing soft ware determine the resolution of bitmap images With scanning software you select the resolution before scanning the image Paint programs...

Page 632: ...her 0 or 1 which correspond to black and white Grayscale images can have bit depths of either 4 or 8 A 4 bit grayscale image has 16 shades of gray an 8 bit image has 256 shades of gray 1 bit black and...

Page 633: ...or table that defines a 24 bit color for each of 256 values that can be represented by an 8 bit value An 8 bit image can thus use colors usually available only for 24 bit images How ever the indexed c...

Page 634: ...o much storage many techniques have been developed for compressing image data to reduce storage requirements Compression techniques are distin guished by whether they remove detail from the image Loss...

Page 635: ...G is a lossy compression technique supported by the PDF and PostScript language file formats CCITT encoding is a family of lossless compression techniques for black and white images that is supported...

Page 636: ...ain only vector drawings or only bit map images but many can include both in the same file For more information see File formats supported in Adobe Illustrator and the Read Me file See TIFF file forma...

Page 637: ...duce TIFF images Early versions of the TIFF format supported only uncompressed black and white images but the most recent version supports up to 24 bit RGB CMYK and YCbCr color images and both the LZW...

Page 638: ...single page but typically they represent entire documents The first version of the PostScript file format PostScript Level 1 represents both grayscale vector graphics and grayscale bitmap images The...

Page 639: ...JPEG methods Illustrator does not save PostScript files directly but if you are using a PostScript printer you can use the Print to File option in the Print dialog box to create a PostScript file Not...

Page 640: ...ics Like PostScript language files early versions of EPS files contain only grayscale vector bitmap graphics whereas later versions support color graphics and compressed bitmap images In addition to t...

Page 641: ...splays a box with an X to represent the EPS artwork When you place an EPS file with a TIFF or Windows Metafile preview image Illus trator also displays a box with an X for the EPS artwork For more inf...

Page 642: ...on on Adobe Acrobat Based on the PostScript Level 2 lan guage PDF can represent both vector and bitmap graphics in both color and grayscale For the purposes of repre senting pages PDF pages are identi...

Page 643: ...make changes to individual PDF pages To modify a page within a PDF file open the PDF file select the page to modify make changes and save the modified PDF file The modified page is restored to its or...

Page 644: ...irst version of the PICT format PICT 1 represents black and white vector and bitmap images but bitmap images have a fixed resolution of 72 dpi which is the resolu tion of most Macintosh monitors The s...

Page 645: ...bitmap image file format that is supported by many Windows applica tions PCX supports the RLE compres sion method Images can have a bit depth of 1 4 8 or 24 Version 5 PCX files support a custom color...

Page 646: ...Windows bitmap file format BMP BMP is a bitmap image file format that is supported by many Windows applica tions BMP supports the RLE compres sion method Images can have a bit depth of 1 4 8 or 24...

Page 647: ...Format GIF The CompuServe GIF format is a bitmap image file format that is used exten sively on both the CompuServe network and the World Wide Web GIF images can have a bit depth from 1 to 8 The GIF...

Page 648: ...inting an overview Resolution and screen frequency basics Printing artwork Printing composites Printing gradients and color blends Improving printer performance Compiling information about the documen...

Page 649: ...such as a page of text use only one color in one level of gray A more complex image is one whose color tones vary within the image This type of image is known as a continuous tone image A placed image...

Page 650: ...rt work on separate master plates one for each color This process is called color separation Image printed as composite on color laser printer and as four color separation on imagesetter See Resolutio...

Page 651: ...g information about the document Annotating objects Aligning the artboard with the printed page About separations See also the Adobe Print Publishing Guide included in your Adobe Illustra tor software...

Page 652: ...reproduce art work and images Computer based graphics display images as groups of dots called pixels The resolution of vec tor graphics such as Illustrator line art depends on the device used to disp...

Page 653: ...of output devices mon itors usually have the lowest resolu tion typically in the range of 70 dpi to 96dpi The typical Macintosh monitor for example has a resolution of 72 dpi a typical PC compatible...

Page 654: ...u tion printed output and usually print in the range of 180 dpi to 360 dpi Laser printers occupy the middle range usu ally with a resolution of 300 dpi to 600 dpi At the top of the range are image set...

Page 655: ...efers to the spac ing of pixels in the raster image and is measured in pixels per inch ppi See Bitmap images and About vector graphics and bitmap images Note The Document Info dialog box enables you t...

Page 656: ...to pixels in a raster image For example a pixel with a bit resolution of 1 has 21 or two possible values on and off A pixel with a bit resolution of 8 has 28 or 256 possible values Common bit resoluti...

Page 657: ...these rows of dots is described in lines per inch or lpi A low lpi setting e g 65 lpi creates a coarse screen that produces large well separated dots This is useful for print ing newspapers for examp...

Page 658: ...ing crop marks Setting trim marks See also Printing composites Printing gradients and color blends Improving printer performance To select printing options 1 Choose File Page Setup This dialog box var...

Page 659: ...ions to choose from another group of printer settings that are avail able on the selected printer See your Macintosh documentation for informa tion on these options Choose the options you want then cl...

Page 660: ...icking the From option and entering the beginning and ending page numbers to be printed in the appropriate text boxes 3 If your printer driver and printer sup ports PostScript Level 2 you can select t...

Page 661: ...setup before printing final and costly separations When Illustrator prints a composite it prints all of the colors used in the file regardless of whether any are selected with all of the printer s ma...

Page 662: ...To create a composite 1 Choose File Print 2 Choose Normal from the Output pop up menu 3 Choose any other printing options See Printing artwork for more information 4 Click Print...

Page 663: ...Make Cropmarks command to place them directly into the artwork or from the Separation Setup dialog box to place them in separations Only one set of crop marks can appear in a document If you need mul...

Page 664: ...around the image to be separated To set crop marks directly in artwork 1 Draw a rectangle to define the bound aries of where you want the crop marks to appear 2 Select the rectangle 3 Choose Object Cr...

Page 665: ...ake Crop marks command without first creating and selecting a rectangle to define the boundaries of the crop marks The crop marks are set at the outer corners of the page To eliminate crop marks Choos...

Page 666: ...ou cannot create more than one set of crop marks in a file however you can create multiple trim marks inside your artwork using the Trim Marks filter The Trim Marks filter creates trim marks based on...

Page 667: ...work Trim marks are useful therefore when you want to create several sets of crop marks around objects on a page for example when you are creating a sheet of business cards to be printed Trim marks cr...

Page 668: ...othly without discrete bands of color or at all Banding in a blend Follow these general guidelines to help avoid banding Use an appropriate line screen that retains 256 levels of gray see Ensuring you...

Page 669: ...ength based on the color change Use lighter colors or make dark blends short Banding is most likely to occur between very dark colors and white See also Printing gradients with Adobe Photoshop Adobe D...

Page 670: ...f your printer when combined with the chosen line screen allows fewer than 256 levels of gray A higher screen frequency decreases the levels of gray available to the printer For example if you are pri...

Page 671: ...can use with a printer to maintain all 256 levels of gray 300 400 600 900 1000 1270 1446 1524 1693 2000 2400 2540 3000 3252 3600 4000 Final Imagesetter Resolution 19 25 38 56 63 79 90 95 106 125 150 1...

Page 672: ...banding occurs The gradient s number of steps and maximum length assume that you are printing the document with a line screen and resolution that produce 256 levels of gray To determine the maximum b...

Page 673: ...8 change in color When blending process colors use the largest change between the colors For instance a blend from 20 cyan 30 magenta 80 yellow and 60 black to 20 cyan 90 magenta 70 yellow and 40 blac...

Page 674: ...45 6 367 2 388 8 410 4 432 0 453 6 475 2 496 8 518 4 540 0 553 0 3 6 9 1 2 1 5 1 8 2 1 2 4 2 7 3 0 3 3 3 6 3 9 4 2 4 5 4 8 5 1 5 4 5 7 6 0 6 3 6 6 6 9 7 2 7 5 7 7 762 1 524 2 286 3 048 3 810 4 572 5 3...

Page 675: ...5 0 5 5 and 6 0 If you want to use gradi ents in Photoshop or in an earlier ver sion of Illustrator save the file in Illus trator 3 0 format Saving documents in previous versions of Adobe Illustrator...

Page 676: ...int such files at all The Compatible Gradient Printing option enables such imagesetters to print your files Note Use this option only with files that contain gradients and that will be printed on imag...

Page 677: ...rinting to low resolution printers 600 dpi and less that support fewer than 256 gray levels However you may want to use the printer s default screen if your low resolution printer uses special screeni...

Page 678: ...re that the paths contain only the nec essary anchor points You can simplify paths by Drawing with the pen tool instead of the freehand tool when possible Draw ings made with the pen tool typically co...

Page 679: ...creasing the flatness of curves See Creating a printer override Riders file for more information See also Additional tips for efficient printing The ReadMe file installed in the Adobe Illustrator fold...

Page 680: ...paths using the Split Long Paths option in the Document Setup dialog box When the Split Long Paths option is selected the Adobe Illustrator program checks whether the path is too long to print whenev...

Page 681: ...ginal unsplit document to work with if needed Keep in mind that Illustrator treats split paths in the artwork as separate objects To change your artwork once paths have been split you must either work...

Page 682: ...troked path Split the path with the scissors tool To split a compound path 1 Choose Object Compound Paths Release to remove the compound path 2 Break the path into pieces using the scissors tool 3 Red...

Page 683: ...Long Paths option by selecting the lines and pressing the Delete key 2 Select all of the split paths that made up the original object 3 Choose Filter Pathfinder Unite The path is rejoined with anchor...

Page 684: ...n result and the curve won t print The output resolution determines the flatness of the curve a lower output res olution results in greater flatness and thus longer and fewer line segments This create...

Page 685: ...over ride Riders file for more information To change the output resolution for an object 1 Select the object for which you want to adjust the output resolution 2 Choose Object Attributes 3 Enter the...

Page 686: ...ur artwork If your image takes a long time to print consider simplifying its shape Other tips that will help you print more effi ciently include the following Limit the complexity of patterns masks an...

Page 687: ...sks Working with compound paths Creating and working with patterns Deleting patterns If the artwork contains ink pen effects gradients or patterns that are too complex to print on the current printer...

Page 688: ...tain 6 0 printing and text enhance ments when your service bureau does not have version 6 0 use Adobe Illustra tor 6 0 to save a copy of the 6 0 docu ment in EPS format so that it can be placed in an...

Page 689: ...s files from your system A Riders file is used to set the screen frequency angle spot function and flatness for all documents or to add an annotation or an error handler message to all documents A Rid...

Page 690: ...ers file 1 Choose Filters Other Make Riders 2 Select options from the six pop up menus Choose a screen frequency or line screen to designate the number of rows of halftone dots per inch when printing...

Page 691: ...Spot Function Template file in the Utilities Riders folder Choose a flatness setting to deter mine how accurately the PostScript interpreter draws curves The Riders Flatness setting must be between 0...

Page 692: ...ize from the pop up menus and type the annotation The annotation will appear at the bottom left corner of the printed page Choose the Error Handler option to print error information on the page if a P...

Page 693: ...To delete a Riders file 1 Choose Filter Other Delete Rider 2 Select the Riders file you want to delete This file is called Adobe Illustra tor EPSF Riders 3 Click Delete...

Page 694: ...To view document information using the Document Info command 1 Select an object with a selection tool or if you want information on all objects deselect all objects by choosing Edit Select None If you...

Page 695: ...patterns gradients fonts and placed art contained in the selected artwork Custom Colors lists the names of any custom colors in the selected artwork Patterns lists the names of any patterns in the se...

Page 696: ...can help service bureaus or other professionals trying to trouble shoot printing problems To annotate an object 1 Select the object you want to annotate 2 Choose Object Attributes 3 In the Note text...

Page 697: ...4 Click OK The annotation is associ ated with the object When you save the artwork the object is annotated in the PostScript language program with your annotation preceded by the text string AI3_Note...

Page 698: ...monitor Step 2 Check colors in your artwork Step 3 Select overprint options for colors you want to appear transparent Step 4 Create a trap to compensate for misregistration on press Step 5 Place crop...

Page 699: ...ate artwork that contains process colors each color is separated into from one to four plates depending on the mixture of cyan magenta yellow and black portions in the image You can also convert custo...

Page 700: ...h the print shop that will produce your separations consulting its experts before beginning each job and during the process Producing a color separation in Adobe Illustrator requires five basic and tw...

Page 701: ...Step 7 Print and save separations See also The Adobe Print Publishing Guide for more information on the basics of print ing including line screens resolution process colors and spot colors...

Page 702: ...ated into CMYK output when you re preparing an image to be printed using the process colors cyan C magenta M yellow Y and black K The letter K is used for black to avoid confusion because B might also...

Page 703: ...artwork For example instead of using the four process colors to reproduce artwork consisting of black text and bluish green line drawings you could use two spot colors one of black and one repre senti...

Page 704: ...r 1 Select the Custom color selection option at the top of the Paint Style palette 2 Double click the spot color whose process color equivalent you want to view 3 The CMYK values for the spot color ap...

Page 705: ...ustom color is con verted to process color equivalent and printed as part of process color plates Process plus custom color Custom color is printed on a separate plate Options set in Color Separation...

Page 706: ...he four basic ink colors or pro cess colors of cyan magenta yellow and black CMYK Because RGB devices can produce colors not reproducible using CMYK inks color in your printed artwork may look very di...

Page 707: ...ors RGB Devices that project light such as a computer monitor represent the range of colors in the visible spectrum by controlling the intensities of the primary colors red green and blue RGB Adding t...

Page 708: ...le spectrum In theory adding the primary colors cyan magenta and yellow together produces black and subtracting them leaves white However because all printing inks contain some impurities combining th...

Page 709: ...visible to the human eye The RGB gamut and CMYK gamut are subsets of the visible spectrum As shown in the following illustration the CMYK gamut is smaller than the RGB gamut This means that some colo...

Page 710: ...spec trum of color Before you calibrate your color monitor get a sample progressive color bar from your print shop A color bar displays the process colors and combinations of color including a four co...

Page 711: ...d to produce quality separa tions using SWOP standard web offset proofing inks on coated paper These inks differ slightly from those used in Europe as well as from the pigments used in color wax trans...

Page 712: ...to convert images between RGB and CMYK modes The CIE color models are international color definition standards that are device independent and are supported by PostScript Level 2 4 Compare the on scr...

Page 713: ...al percentages in these fields You can also scroll through nondecimal percentages by clicking the scroll arrows to the right of the entry field 7 When the color in the New swatch matches the printed s...

Page 714: ...your printed sample 2 Adjust the screen color in one of the following ways Enter new values in the Hue Satura tion and Brightness text boxes or in the Red Green and Blue text boxes you can also type d...

Page 715: ...3 When the screen color matches the printed sample click OK 4 Repeat this procedure for each of the colors in the Color Matching dialog box that does not match your printed sample...

Page 716: ...t because they more closely match the printed output For example an object that looked red on the screen before may now look orange At this point you need to correct any color problems in the artwork...

Page 717: ...combination of both See Creating a process color Selecting colors using other color systems Creating custom colors Setting paint attributes Every ink color whether process or cus tom is printed as an...

Page 718: ...tint of the color Note If you create a gradient between two custom colors make sure that the colors are assigned different screen angles in the Color Separation Setup dialog box See Specifying the hal...

Page 719: ...the Paint Style palette to make overlapping printing inks appear transparent Note The degree of transparency depends on the ink paper and printing method used Consult your print shop to determine how...

Page 720: ...ou to set black fill or black stroked lines to overprint or alternatively to remove overprinting commands from black fill or black stroked lines You may want to overprint in the follow ing situations...

Page 721: ...p or overlaid ink effects When overprinting process color mixes or custom colors that do not share common ink colors the overprint color is added to the background color For example if you print a fil...

Page 722: ...ection options select the Fill Overprint option If you use the Overprint option on a 100 black stroke or fill the black ink may not be opaque enough to prevent the underlying ink colors from showing t...

Page 723: ...for process colors that include black 2 Choose Filter Colors Overprint Black 3 In the dialog box select Add to add overprinting select Remove to remove overprinting commands 4 Enter the percentage of...

Page 724: ...inted with cyan magenta or yellow if the path also contains black at the specified percentage Select the Include Custom Blacks option to apply overprinting to custom colors that include black at the s...

Page 725: ...hops use a technique called trapping to create a small area of overlap called a trap between two adjoining colors See About traps Illustrator traps artwork two ways The first method the Trap filter au...

Page 726: ...al objects stroke with the Paint Style palette s Overprint option You can also create trap using a dedi cated trapping program such as Adobe TrapWise See Trapping with tints Trapping type Using the Tr...

Page 727: ...their CMYK values any gap between them is covered by the cyan content of the object underneath There are two types of trap a spread in which a lighter object overlaps a darker background and seems to...

Page 728: ...its final size before adding a trap Once you create a trap for an object the amount of trapping will increase or decrease if you scale the object For example if you create a graphic that has a 0 5 po...

Page 729: ...w object into a light blue object a bright green border is visible where the trap is created To prevent the trap line from showing through you can specify a tint of the trapping color in this example...

Page 730: ...y overprinting the type onto the background may be enough To trap type you can put a copy of the text behind the original and create the trap line as a stroke set to overprint You can also trap type b...

Page 731: ...he lighter artwork whether it s the object or the background and overprints traps it into the darker artwork Function of Trap filter See also Trapping by overprinting Step 4 Create a trap to compensat...

Page 732: ...actory you can use the Reverse Trap option to switch the way in which the Trap filter traps the two objects Light object dark Dark object light background Trap background Trap filter makes spread filt...

Page 733: ...h Contact your print shop for help in determining this value The default value of 100 results in the same trap width on horizontal lines and on vertical lines To increase the trap thickness on horizon...

Page 734: ...lue reduces the values of the lighter color being trapped the darker color values remain at 100 The Tint Reduction value also affects the values of custom colors Tint reduction 100 Tint Reduction 50 T...

Page 735: ...and overprints it By converting the trap to a process color you prevent another custom color and separation from being created just for the trap Select Reverse Traps to trap darker colors into lighter...

Page 736: ...trap by stroking an object and setting the stroke to over print When stroking an overprinting a line you can trap just part of an object or trap a line See also Using the Trap filter To create a spre...

Page 737: ...e color as the object s fill Object stroked with 1 point stroke of fill color To create a choke enter the same color values for the Stroke as appear in the lighter background the Stroke and Fill value...

Page 738: ...f 2 0 points creates a trap of 1 0 point Check with your print shop to determine what value to use 5 In the color selection options select Overprint Stroke In a spread the lighter object traps into ov...

Page 739: ...ose Edit Paste in Front The copy is used to create a trap 4 In the Paint Style palette stroke the copy with the desired color and choose a line weight that is wider than the bottom line 5 Select the O...

Page 740: ...choose Edit Paste in Front to paste the copy directly on top of the original Drop shadow Line drawn where with a trap two shapes intersect creates a trap 2 Choose Object Paint Style 3 Select a color...

Page 741: ...want the artwork to contain bleed a margin added to the image so that it can be trimmed after printing make sure that you extend the artwork past the crop marks to accom modate the bleed If you plan...

Page 742: ...file If you open a file that has never been sepa rated in Illustrator the program returns to the default settings To choose separation options 1 Choose one of the following options Choose File Separa...

Page 743: ...rating custom colors as process colors Specifying the halftone screen ruling Specifying the page size and orien tation Specifying a custom page size Specifying the emulsion Specifying the image type O...

Page 744: ...tput device including its resolu tion available page sizes line screen rulings and screen angles Loading the file displays the different settings for the output device in the Separation Setup dialog b...

Page 745: ...the output device you will use to print your separations using the scroll bar as needed The filenames correspond to the printer or imagesetter name and model and have a ppd file extension 4 Click Ope...

Page 746: ...determine whether to display a preview of the art work in the Separation Setup dialog box or display a bounding box with an X through it To preview the artwork 1 In the Separation Setup dialog box sel...

Page 747: ...ers see Using Layers To specify which layers to separate 1 In the Separation Setup dialog box choose one of the following options from the Layer pop up menu To separate only the printable layers choos...

Page 748: ...on with the color name that Illustrator assigned it If a dot appears next to the color name under the printer icon Illustrator will create a separation for the color A dot under the crossed out printe...

Page 749: ...e color s name under the printer icon A black dot appears To not create a separation click next to the color s name under the crossed out printer icon A black dot appears 2 Under the printer icon in t...

Page 750: ...colors are then printed as CMYK separations rather than on a single plate spot colors are printed as their CMYK equivalent on the process color plates If you save your separations any color conversio...

Page 751: ...s colors To separate individual custom colors as process colors 1 Deselect the Convert to Custom option 2 Under the process color icon in the Separation Setup dialog box click next to the custom color...

Page 752: ...an image closely together to create a finely rendered image on the press a low screen ruling 60 lpi to 85 lpi spaces the dots farther apart to create a coarser image The size of the dots is also dete...

Page 753: ...resolution printers Using a finer screen of 100 lpi for example actually decreases the quality of your image when a low resolution printer is used for final output To specify a halftone screen ruling...

Page 754: ...and frequen cies are determined by the selected PPD file Be sure to check with your print shop for the preferred frequency and angle before creating your own halftone screens 2 Specify another separa...

Page 755: ...Letter and by dimensions in points The dimensions shown in parentheses after the page size are the limits of the imageable area The imageable area is the total page size less any unprintable border us...

Page 756: ...imageable areas differ ently Make sure that your page size is large enough to contain your artwork as well as crop marks registration marks and other necessary printing information To conserve images...

Page 757: ...n option from the Page Size pop up menu 2 Specify another separation option or click OK To specify the orientation of the page 1 In the Separation Setup dialog box choose Portrait or Landscape from th...

Page 758: ...rinter for example does not provide this option The largest custom page size you can specify depends on the maximum imageable area of your imagesetter Consult the documentation on your specific printe...

Page 759: ...may clip your artwork If desired change the placement of the page by entering a value in points in the Offset field Offset off Page moves left with Offset on The Offset value specifies the amount of...

Page 760: ...ea has been rotated Transverse off Page rotated 90 degrees with Transverse on If your imagesetter can accommodate the longest side of your imageable area you can conserve a considerable amount of film...

Page 761: ...verse off Film saved with Transverse on When both the Offset and Transverse options are selected the Offset option controls the amount of space between the separations Film Saved Offset value Offset v...

Page 762: ...layer is facing away from you Normally images printed on paper are printed Up Right Reading whereas images printed on film are often printed Down Right Reading Check with your print shop to determine...

Page 763: ...To specify the emulsion 1 In the Separation Setup dialog box choose Up Right Reading or Down Right Reading from the Layout pop up menu The image flips 2 Specify another separation option or click OK...

Page 764: ...equire negative film in the United States and positive film in Europe and Japan If you are unsure about which image type to use consult your print shop To specify the image type 1 In the Separation Se...

Page 765: ...tions By default Adobe Illustra tor version 3 2 and earlier overprinted black and required you to specify a four color black to knock out black For more information see Step 3 Select overprint options...

Page 766: ...can use Illustrator to specify the extent of the bleed By default Illustrator applies a bleed of 18 points This means that the artwork extends 18 points beyond the crop marks on your film The maximum...

Page 767: ...artwork is cropped If you set crop marks using the Color Separation Setup dialog box changing the bleed moves the crop marks farther from or closer to the image the crop marks still define the same s...

Page 768: ...ers measure the distance from the 0 0 point in the imageable area to the edges of the bounding box When you save a file in Adobe Illustrator the ruler position is saved with the file Illustrator sets...

Page 769: ...fer in how they define the size of an imageable area To specify the bounding box 1 In the Separation Setup dialog box choose one of two options Enter values in the Left Right Top and Bottom text boxes...

Page 770: ...on bars and labels The Color Separation Setup dialog box enables you to add these marks to your separations The Use Default Marks option adds the following marks to the separations Crop marks Illustra...

Page 771: ...tion marks are the most commonly used marks in printing because they are easy to line up accu rately Star targets are harder to align than registration marks but they are extremely accurate Labels Ill...

Page 772: ...To specify printer marks 1 In the Separation Setup dialog box select the Use Default Marks option 2 Specify another separation option or click OK...

Page 773: ...D file don t match an error message will appear and the separations won t print Saving the file saves the separation setup PPD information and any color conversions you have specified in the Separatio...

Page 774: ...log box if it is still open 3 Choose any print options See Print ing artwork for more information 4 Choose Separate from the Output pop up menu 5 Select the PostScript File option as the destination a...

Page 775: ...Separation Setup dialog box Click on any option for information on that option return to text...

Page 776: ...CMY K clownfish ai 177lpi 45o 1 cyan magenta yellow black Progressive color bar Black overprint color bar Specifying printer s marks Gradient tint bar Crop mark Star target Label Registration Marks r...

Page 777: ...be Illustrator package Per forming these steps can solve many problems and often eliminates the need for telephone assistance See the ReadMe file installed with the program for last minute informa tio...

Page 778: ...curely and fully connected to your computer and that device cords are not damaged A bad connection could be the cause of the problem Use a disk tool utility such as Norton Utilities or Disk Doctor to...

Page 779: ...ation file US English Hyphenation Text will not be hyphenated Can t open the Illustration Out of memory or missing resource ID 192 or 43 occasionally 37 38 or 39 Can t save preview but all other infor...

Page 780: ...Limitcheck error Out of Memory Not enough memory to perform the operation requested VM error...

Page 781: ...error by itself generally means that the overall file is too complex You must reduce the number of objects within the file or reduce the complexity of the objects For more information see Improving p...

Page 782: ...itcheck error A document containing several masks or several compound objects for masks may be difficult to print Try to simplify the file lower the print ing resolution or print to a device with more...

Page 783: ...pen the hyphenation file US English Hyphenation Text will not be hyphenated The link to your Plug ins folder is broken For information on linking Illustrator to the Plug ins folder see Using plug in m...

Page 784: ...am can display the cor rect page size and imageable area You specify the output device by selecting it from the Chooser The message Miss ing resource may appear if you have reinstalled Adobe Illustrat...

Page 785: ...ger the image the more RAM is required to create the picture Additionally the program requires more memory to create a color 8 bit preview than a black and white 1 bit preview To allocate more memory...

Page 786: ...3 Try saving the EPS file with the Pre view option set to None The file will appear as a gray box on the screen but will retain all color information and print properly to a PostScript output device...

Page 787: ...you select a compound path and choose Arrange Make Guide once you save and close the document you will not be able to reopen it Type objects that have been converted to outlines using Create Outlines...

Page 788: ...ord processing program or if it opens as a graphic refer to the pro gram s user guide for instructions on how to open foreign file formats as ASCII text The file should open to dis play the PostScript...

Page 789: ...7411 498 5 L 133 7411 498 5 L 126 9725 498 5 L 126 9725 498 5 L 126 9725 550 2005 L 126 9725 550 2005 L 135 2532 550 2005 L 135 2532 550 2005 L 161 1034 508 4369 L 161 1034 508 4369 L 161 2474 508 436...

Page 790: ...art Adobe Illustrator and open the file from within the application If you have several compound paths that have been made into guides you may need to go through this procedure a number of times to ge...

Page 791: ...mation into RAM The amount of RAM that is avail able depends on how much total RAM your computer has your system soft ware configuration and how much RAM has been allocated to Adobe Illustrator To all...

Page 792: ...compound path or a pattern is causing the problem The Clip message usually indicates a problem with a mask Simplify or delete the curve fill or mask See Improving printer perfor mance for more inform...

Page 793: ...efer ences dialog box the more RAM is needed to save the information How ever the program has to duplicate only those objects being edited so you may be able to work on individual objects or smaller g...

Page 794: ...ndo levels choose File Preferences General and decrease the Undo Levels value set in the Edit Behavior option Click OK 4 To allocate more memory to Adobe Illustrator see the instructions in Illus trat...

Page 795: ...try printing the file in sections by copy ing some of the objects in the illustra tion to a new document and printing then add objects and print again Con tinue this procedure until you receive the VM...

Page 796: ...jump to a nearby anchor point Unexpected blank pages appear in printed output Stroked shapes that appear to be aligned do not line up when you preview or print Sharp spikes appear in stroked letters...

Page 797: ...ppears when you attempt to print The document will not print on a QuickDraw printer A streak appears in a filled object when you preview or print it The Make Wrap command under the Type menu doesn t w...

Page 798: ...y An error message states that a pattern exceeds the available memory The object s center point does not appear in the exact center of the object Outline Stroke and Offset Path commands leave overlaps...

Page 799: ...e the amount more by repeating these steps Also see your Macintosh reference guide for more information about allocating memory To change the memory allocation for System 7 0 and 7 0 1 1 Quit Adobe Il...

Page 800: ...it Adobe Illustrator Memory allo cation cannot be changed while the application is running 2 In the Finder select Adobe Illustrator by clicking once on the program icon Make sure that you select the A...

Page 801: ...y Unlock All unlocks only objects on the current layer If you still can t select the anchor point select the path that is on top of the path containing the anchor point you want to select and lock it...

Page 802: ...anchor point within 2 pixels of its position To prevent anchor points from snapping to another anchor point choose File Preferences General then deselect the Snap to Point option Click OK to return t...

Page 803: ...n you are ready to print choose File Print Then click the From button and specify the pages you want to print Another option is to use the page tool to adjust the page grid so that the artwork is fart...

Page 804: ...extend until they meet If the lines form a sharp angle or have a heavy line weight the corner can extend farther than expected To line up corners properly select the path with the jutting corners Cho...

Page 805: ...nt such as a line or a single anchor point and it is caus ing all of the objects in front of it to be masked You may also have unpainted artwork To correct the masking 1 Select the artwork and verify...

Page 806: ...e printed by an imagesetter is 256 If the blend is too long or the num ber of steps too many the image may exhibit bands when printed To prevent banding shorten the length of the blend to less than 7...

Page 807: ...reflected or sheared object disappears You have rotated reflected or sheared the object off the screen To redisplay the object scroll or zoom out to display the object in its new loca tion or choose...

Page 808: ...t axes To reset the axes choose File Prefer ences General The value in the Con strain Angle text box shows the current angle of the x axis You can change this value to 0 delete any rectangles you ve d...

Page 809: ...pat terns or custom colors for the docu ment For information on how to do this see Creating and working with pat terns or Creating custom colors You can also import custom colors and patterns using t...

Page 810: ...a path you are drawing you have exceeded the amount of memory needed to draw the path The PostScript interpreter limits the number of anchor points in a single path based on the amount of memory avail...

Page 811: ...s in the image are too complex to print The inability to print generally occurs with very complex objects such as blends masks compound paths pat terns multiple groupings and so on You can either incr...

Page 812: ...k space when print ing These drivers use the disk space to create and temporarily store a large bit map image of the artwork The image is then sent to the printer An error mes sage appears if there is...

Page 813: ...hen you preview or print it The path is not closed To close the path find the anchor points that are not connected zoom in to mag nify the artwork if necessary and use the Average and Join commands or...

Page 814: ...lect the wrap ping object and choose Arrange Bring to Front The type container is grouped with another object To ungroup the type container use the selection tool to select the type con tainer if othe...

Page 815: ...options in the Graph Style dialog box are not applied to the graph You have not selected the entire graph Use the selection tool to select the entire graph then set the axis style in the Graph Style d...

Page 816: ...Artwork view but only part of the graph previews and prints The area graph does not have the First Column in Front option turned on in the Graph Style dialog box In the Graph Style dialog box select t...

Page 817: ...the entire data series You must select every object in the data series including the legends Using the group selection tool click one of the elements of the data series such as a column or a legend t...

Page 818: ...l axis values to create more than 30 000 tick marks To make values appear on the graph axis enter a positive or negative value in the Value Between Labels text box in the Graph Axis Style dialog box o...

Page 819: ...vailable memory You may receive an error message stat ing that you re running out of memory if you set too many tick marks on a graph axis or if you use an overly complex graph or pattern Set fewer ti...

Page 820: ...int are considered part of the object they can make the bounding box larger than the actual object if they extend beyond the visual edge of the object When a point s direction lines extend beyond the...

Page 821: ...om mands may leave triangular overlaps or extraneous points at corner points of the original object To remove the triangular overlaps use the Pathfinder Unite filter The Unite fil ter separates the tr...

Page 822: ...rinters overscan the edges of shapes by one device pixel to prevent gaps from appearing between objects To correct the problem of overscanning use an output device with higher resolu tion if possible...

Page 823: ...velopers Association ADA 31 Adobe Expert font 521 Adobe Fetch 622 Adobe Gallery Effects User Guide 245 Adobe Illustrator Deluxe CD ROM 245 See also the Adobe Illustrator Getting Started Guide Adobe Ph...

Page 824: ...on 244 Apply Knife command 259 area graph 526 See also graphs Area Select option 97 100 area type 431 area type tool 432 arrow keys moving objects with 158 arrowheads 333 artboard 54 Artwork command 3...

Page 825: ...ients 668 672 troubleshooting 806 base 762 baseline 420 baseline shift 458 bevel join 328 bit depth 632 bit resolution 656 bitmap images 4 5 628 applying special effects to 245 creating a tiled effect...

Page 826: ...monitor 706 710 715 Calligraphic option 123 Calligraphy filter 124 capitalization changing 520 Case Sensitive option 515 CCITT International Telegraph and Telekeyed Consultive Committee 635 center po...

Page 827: ...CMYK colors 287 706 708 coincident endpoints 119 color adding to gradient fills 353 adjusting 290 blending 297 CMYK colors See CMYK colors custom See custom colors desaturating 292 inverting 293 mixin...

Page 828: ...printing 263 reversing paths within 265 Compound Paths command 682 compression 634 CompuServe Graphics Interchange Format GIF 647 conserving paper film 756 760 Constrain Angle option 152 171 continuo...

Page 829: ...ption 158 curved segment 87 curves drawing 90 See also pen tool Custom Color command 341 custom colors 283 299 302 and blended objects 229 creating 341 342 deleting 346 globally changing 345 in gradie...

Page 830: ...ainted objects 323 deselecting objects 104 designs creating in graphs 589 Dim Placed Images option 414 direction lines 87 direction points 87 108 direct selection tool 17 18 96 disappearing objects 80...

Page 831: ...ndpoints 80 coincident 119 joining 119 Entire Document option 523 EPS 640 importing and exporting 601 placing files 611 617 tracing over 145 148 EPSF Riders file 689 erasing paths 83 Error Handler opt...

Page 832: ...for Mask command 273 fill patterns 360 See also patterns filling 277 281 283 film base 762 conserving 756 760 Find Font command 446 finding and replacing text 518 519 finding files See Adobe Fetch Fit...

Page 833: ...orner Radius 129 Cursor Key 153 Freehand Tolerance 83 Greek Type Limit 490 Paste Remembers Layers 178 Ruler Units 47 Scale Line Weight 215 Snap to Point option 152 Tracking 455 Transform Pattern Tiles...

Page 834: ...ing 352 opening files with multicolored 675 printing 668 677 printing as a custom color 349 printing as separations 718 transposing colors in 354 graph axis no values appear 818 graph designs 582 598...

Page 835: ...ntering data 531 531 536 horizontal x axis 534 importing data 540 541 labels 533 537 legends 533 569 options setting 552 567 painted with gradient fills 572 partially previewing and printing 816 pasti...

Page 836: ...325 halftone screen ruling 752 halftoning 649 hand tool 17 18 38 hanging punctuation 492 498 Hard command 295 headline type 507 Hide Edges command 111 Hide Template command 140 hiding and locking obje...

Page 837: ...6 text files 473 475 602 Include Placed EPS files option 622 indentation 492 indexed color bitmaps 633 Info palette 182 Intersect filter 251 Invert Colors command 293 J Join command 119 JPEG 635 justi...

Page 838: ...5 creating 398 399 deleting 407 displaying in Artwork view 416 hiding 411 locking 408 410 moving objects between 401 404 nonprinting 417 selecting 400 separating 747 showing 411 Layers palette 395 lea...

Page 839: ...ocation of Placed Art menu in Attributes dialog box 615 Lock command 196 locking objects 195 lossless compression 634 LZW Lemple Zif Welch 635 M MacPaint 138 magnifying and reducing views 39 41 Make C...

Page 840: ...ration 725 Misspelled Words list 516 miter join 327 miter limit 327 804 miter line problems with 804 monitor resolution 653 mouse pointer 16 Move command 159 Move option Transform Each dialog box 163...

Page 841: ...offset value 759 Open command 8 607 open paths defined 79 ending 86 opening documents 8 607 Outline filter 252 Outline Path filter 257 outlining objects See stroking Output Resolution setting 684 ova...

Page 842: ...selecting process colors 288 paint swatches 284 285 clearing 285 painting type 466 painting order See stacking order PANTONE assigning colors 303 Color Formula Guide 747XR 314 Process Color Simulator...

Page 843: ...0 262 264 curved 90 defined 79 erasing 83 filling 277 freehand 82 open 79 splitting 116 splitting to print complex shapes 680 683 stroking 277 tracing See autotrace tool unable to draw a long path 810...

Page 844: ...42 643 importing and exporting 601 reading See the Adobe Illustrator Getting Started Guide pen tool 17 18 84 95 performance improving See the Adobe Illustrator Getting Started Guide Photoshop See Adob...

Page 845: ...rait vertical orientation 755 positive image 764 PostScript file format 638 importing and exporting 601 Level 1 and Level 2 638 PostScript Printer description file See PPD files PPD files 744 753 and...

Page 846: ...ients 668 677 gradients as separations 718 options in Page Setup dialog box 658 660 separations 773 tiling 61 tips for efficient 678 troubleshooting 811 unexpected blank pages 803 process colors See C...

Page 847: ...cts 208 211 registration marks 771 Release Mask command 805 Release Wrap command 489 Remove Redundant Points option 256 Repeat Transform command 201 Replace Fonts list 447 Report Results option 524 re...

Page 848: ...ng objects 202 207 rotating the x and y axes 168 Roughen filter 231 Roughening objects 231 Round Cap option 326 Round Corners filter 238 Rounded Join option 327 rounded rectangle tool 126 row gutter c...

Page 849: ...12 217 scatter graph 527 560 scissors tool 17 116 scratch area 55 screen angle 690 screen frequency 657 690 screen ruling See line screen Scribble and Tweak filter 233 SCSI devices connecting properly...

Page 850: ...ce between 761 defined 699 printing 773 saving 773 setting options 742 shade stepping See banding in blends and gradients shadows 239 shear tool 17 shearing objects 218 221 Shortcuts palette 25 Show C...

Page 851: ...tor Getting Started Guide spelling checking 515 517 spiral plug in tool 132 Split Long Paths option 680 splitting paths filled and stroked objects 681 with scissors 116 spot colors See custom colors s...

Page 852: ...subtracting values in fields 48 Suggested Corrections list 516 superscripts creating 458 SWOP standard web offset proofing 711 system extensions restarting without 778 System List option 446 T Tab Ru...

Page 853: ...ters 16 toolbox 14 tools See individual tool names TOYO Color Finder 1050 316 tracing artwork 138 tracking 452 Transform Each command 163 206 216 Transform Pattern Tiles option 153 transformation tool...

Page 854: ...nk pages 803 blends 806 center point 820 custom colors 809 drawing paths 810 error messages 779 795 filled object 813 gradient fills 806 graphs 815 letters 804 Make Wrap command 814 object disappears...

Page 855: ...hs 439 entering 420 438 greeking 490 hyphenating 513 importing 469 in a rectangle 425 426 in an object 431 indenting 492 moving along a path 436 painting 466 path type 419 point type 419 selecting 422...

Page 856: ...option 58 V vector graphics 4 7 627 bitmap images 243 converting into 243 vertical shift See baseline shift viewing actual size 41 Artwork 34 custom 42 entire document 41 layers 411 magnified 39 mult...

Page 857: ...A B C D E F G H I J K L M N O P Q R S T U V W X Y Z World Wide Web See Adobe Home Page X x and y axes constraining 168 rotating 168 Z Zigzag filter 331 zoom tools 17 18 39 zooming 39 41...

Page 858: ...w Borders Publishing File and Edit menus Edit Undo Redo Cut Copy Paste Clear Select All Select None Paste In Front Paste In Back Publishing Show Clipboard File New Open Close Save Save As Revert to Sa...

Page 859: ...Selection Hide Template Show Rulers Hide Page Tiling Hide Edges Hide Guides Zoom In Zoom Out Actual Size Fit In Window New View Edit Views View Repeat Transform Move Bring To Front Send To Back Trans...

Page 860: ...Release Lock Guides Make Release Masks Make Release Compound Paths Paint Style Custom Color Pattern Gradient Attributes Join Average Expand Apply Knife Rasterize Guides Masks Compound Paths Cropmarks...

Page 861: ...inion Minion Expert Monaco Myriad MM New York Palatino Symbol Times Zapf Dingbats Type Size Leading Alignment Tracking Spacing Character Paragraph Link Blocks Unlink Blocks Make Wrap Release Wrap Fit...

Page 862: ...ck Blend Horizontally Blend Vertically Invert Colors Overprint Black Saturate Colors Edit Effects Ink Pen Free Distort Punk and Bloat Roughen Scribble and Tweak Twirl Zig Zag Distort Filter menu Filte...

Page 863: ...oints Select Delete Riders Make Riders Other Filter menu continued Objects Add Anchor Points Cleanup Offset Path Outline Path Unite Intersect Exclude Minus Front Minus Back Divide Outline Trim Merge C...

Page 864: ...Window menu Window New Window Hide Toolbox Show Layers Show Info Show Paint Style Show Gradient Show Character Show Paragraph Show Tab Ruler Show Align Show Plug in Tools Show Control Palette...

Page 865: ...ator 6 0 Enhanced image support Integration with other Adobe products New tools and palettes New filters and commands Drag and drop support Built in color separation Unit and value conversion in text...

Page 866: ...ormat supported by an Adobe Photoshop plug in module Photoshop Filters Adobe Photoshop compatible filters can be applied to any imported image or Adobe Illustrator generated artwork that has been rast...

Page 867: ...be instantly rasterized that is turned into pixel based artwork at a specified resolution Colorizing 1 bit Images The black portions of 1 bit images imported into Adobe Illustrator can be colorized u...

Page 868: ...f the Adobe Portable Document Format PDF Adobe PageMaker Double clicking a placed Adobe Illustrator file within the Adobe PageMaker 6 0 program launches or switches to Adobe Illustrator with thatfile...

Page 869: ...hs Third party plug in developers can easily add tools to the plug in tool palette or create palettes of their own The eyedropper tool can precisely sample pixel colors within images from any applicat...

Page 870: ...from the previous versions of Adobe Illus trator The new palette displays various options for aligning and placing objects along the axis you specify The Shortcuts palette displays quick reference inf...

Page 871: ...r example a pattern applied to a path can be painted resized and transformed just as can other Adobe Illustrator artwork The Ink Pen commands let you create and modify special patterns called hatch st...

Page 872: ...ilter accessed now from the Arrange menu This new filter lets you move rotate and scale each object in a selection according to specified or random values The Saturate filter combines the Saturate Sat...

Page 873: ...e document window to another or between a document window and the desktop You can drag and drop objects between Adobe Illustrator and any application that supports Macintosh Drag Manager such asAdobe...

Page 874: ...rint color separations from within Adobe Illustrator The func tionality of Adobe Separator the color separation utility that shipped with previous versions of the program is incorporated into the Sepa...

Page 875: ...e or any arithmetic expression into a numeric text box Version 6 0 automatically calculates the value of arithmetic expressions and converts all units to the preset unit For example if you enter 1 in...

Page 876: ...it The shapes created by the Ink Pen Effects filter are objects and can require significant program memory Thus con sider applying ink pen effects as the last step in creating your artwork lay out the...

Page 877: ...You can also create your own ink pen designs by drawing or selecting an object naming it as a hatch in the Ink Pen Edit dialog box and then applying it to artwork using the Ink Pen Effects dialog box...

Page 878: ...Pen Effects dialog box lets you control the hatch s spacing or number of elements called density its uniformity called dispersion the line thickness or stroke weight the angle at which the hatch is a...

Page 879: ...Hatch concentration and direction Density Dispersion Rotation Scale Thickness Low value High value Original hatch...

Page 880: ...associated with it To import an existing group of hatch settings click Import locate the settings and click Open 4 To adjust the number of hatch ele ments applied to the selection drag the Density sl...

Page 881: ...no range is available Linear increases the effect progres sively Reflect varies the effect from the center of the object outward Symmetric varies the effect propor tionately and evenly for example if...

Page 882: ...hatch elements ranges from 0 to 300 Thickness or stroke weight of the hatch elements ranges from 10 to 1000 This option is dimmed if the selection is unstroked Rotation which sets the angle at which t...

Page 883: ...from the Hatch Color pop up menu Original to retain the current hatch fill or Match Fill to match the hatch fill to the selection s fill Do not choose the Match Fill option if the selec tion is filled...

Page 884: ...To Black to fade the hatch to black or Use Gradient if the object is filled with a gradient and you want that gradient to define the fade s direction and colors If you chose a fade option enter an ang...

Page 885: ...hem for reuse Creating a hatch is similar to creating a tile for a pattern To save hatches you use either the Ink Pen Edit or Ink Pen Effects dialog box You can work with hatches as described in the f...

Page 886: ...tch Click OK 5 To improve the program s perfor mance deselect the Preview option to turn off the preview of the hatch 6 Choose one of these options To save the hatch click OK again To save the hatch f...

Page 887: ...Choose one of two options Choose a hatch from the Hatch pop up menu Click Import locate the hatch you want to modify and click Open 4 Click Paste The hatch is pasted into the document Click OK 5 Edit...

Page 888: ...ions To save the new hatch in the document click OK again To save the hatch for reuse in other documents click Save As Locate the file in which you want to save it as or specify a new filename then sa...

Page 889: ...rom these options To save the settings in the document click New Enter a new name for the settings and click OK To save the settings separately for use in other documents click Save As Locate the file...

Page 890: ...To delete an existing hatch 1 Choose Filter Ink Pen Edit 2 Choose a hatch from the Hatch pop up menu 3 Click Delete Click OK...

Page 891: ...of Adobe Systems Incorporated Adobe the Adobe logo Acrobat Adobe Dimensions Adobe Fetch Adobe Illustrator Adobe Illustrator 88 the Adobe Illustrator logo Adobe Photoshop Adobe Separa tor Adobe Stream...

Page 892: ...o obtain any permission required from such authors Written and designed at Adobe Systems Incorporated 1585 Charleston Road Mountain View CA 94039 7900 USA Adobe Systems Europe Limited Adobe House Edin...

Page 893: ...vious location How to use this guide In the toolbar On the page Parent topic Click to jump to main topic Contents Click to jump to opening screen of this guide Index Page Back Forward Click any Red te...

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