Adobe 25520388 - Premiere Pro - PC Using Manual Download Page 345

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USING ADOBE PREMIERE PRO

Effects and transitions

Last updated 1/16/2012

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Camera Blur effect (Windows only)

” on page 347

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Channel Blur effect

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Compound Blur effect

” on page 347

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Directional Blur effect

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Fast Blur effect

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Gaussian Blur effect

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Ghosting effect (Windows only)

” on page 349

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Sharpen effect

” on page 349

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Unsharp Mask effect

” on page 349

Channel effects

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Arithmetic effect

” on page 349

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Blend effect

” on page 350

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Calculations effect

” on page 350

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Compound Arithmetic effect

” on page 351

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Invert (video) effect

” on page 351

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Set Matte effect

” on page 352

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Solid Composite effect

” on page 352

Color correction effects

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Brightness & Contrast effect

” on page 353

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Broadcast Colors effect

” on page 353

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Change Color effect

” on page 353

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Change To Color effect

” on page 354

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Channel Mixer effect

” on page 355

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Color Balance effect

” on page 355

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Color Balance (HLS) effect

” on page 355

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Equalize effect

” on page 356

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Fast Color Corrector effect

” on page 356

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Leave Color effect

” on page 357

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Luma Corrector effect

” on page 358

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Luma Curve effect

” on page 359

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RGB Color Corrector effect

” on page 360

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RGB Curves effect

” on page 361

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Three-Way Color Corrector effect

” on page 363

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Tint effect

” on page 365

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Video Limiter effect

” on page 365

Summary of Contents for 25520388 - Premiere Pro - PC

Page 1: ...Using ADOBE PREMIERE PRO CS5 CS5 5...

Page 2: ...Last updated 1 16 2012 Legal notices Legal notices For legal notices see http help adobe com en_US legalnotices index html...

Page 3: ...rring capturing and digitizing Transferring and importing files 58 Importing assets from tapeless formats 65 Importing still images 67 Importing digital audio 70 Importing sequences clip lists librari...

Page 4: ...Rendering and previewing sequences 204 Correcting mistakes 209 Remove alerts with the Events panel 210 Working with markers 210 Chapter 9 Editing Audio Overview of audio and the Audio Mixer 216 Workin...

Page 5: ...mation and keyframes Adding navigating and setting keyframes 415 Moving and copying keyframes 422 Controlling effect changes using keyframe interpolation 424 Optimize keyframe automation 428 Chapter 1...

Page 6: ...8 Add keyframes directly into the timeline using the Pen or Selection tools without having to first enable keyframing A modifier key is no longer needed to set keyframes as well See Add select and del...

Page 7: ...results instantly when applying multiple color corrections the new Ultra Key Gaussian blurs and blending modes Work with numerous other effects across many video layers Work in real time on complex t...

Page 8: ...shortcuts Control keyframes with greater precision Clean up your sequences quickly with new commands for finding and removing gaps For more information see Log clips with automatic scene detection on...

Page 9: ...etadata along with subtitles and menu button text to make your web DVDs searchable For more information see Help for Encore Using Adobe Encore Dynamic Link is now bidirectional Dynamic Link communicat...

Page 10: ...kspace From Projects Customizing workspaces About workspaces Adobe video and audio applications provide a consistent customizable workspace Although each application has its own set of panels such as...

Page 11: ...project you want to work on choose Window Workspace and select the desired workspace Dock group or float panels You can dock panels together move them into or out of groups and undock them so they flo...

Page 12: ...panels Dropping a panel on a grouping zone stacks it with other panels Dragging panel A onto grouping zone B to group it with existing panels C Dock or group panels 1 If the panel you want to dock or...

Page 13: ...k if it s not visible choose it from the Window menu and then do one of the following Choose Undock Panel or Undock Frame from the panel menu Undock Frame undocks the panel group Hold down Ctrl Window...

Page 14: ...nal group with resize icon B Resized groups Open close and scroll to panels When you close a panel group in the application window the other groups resize to use the newly available space When you clo...

Page 15: ...Pro Encore If a project saved with a custom workspace is opened on another system the application looks for a workspace with a matching name If it can t find a match or the monitor configuration does...

Page 16: ...size choose Window Restore Frame Size You can also press Shift accent to maximize the panel size of a selected panel Press the accent key to toggle the panel size of a panel you are hovering over with...

Page 17: ...ting clips menu items and other objects in the user interface It s generally a good practice to select the Selection Tool as soon as you are done using any of the other more specialized tools For more...

Page 18: ...eyframes or to adjust connector lines in a Timeline Drag a connector line vertically to adjust it Ctrl click Windows or Command click Mac OS on a connector line to set a keyframe Shift click noncontig...

Page 19: ...f tracks in the sequence There is no limit on the number of tracks displayed Similarly when the user switches to a different sequence the Info panel updates to display the correct number of tracks in...

Page 20: ...a Book explains how to set up projects sequences and preferences when getting started with Premiere Pro See Selecting Settings Adjusting Preferences and Managing Assets in Adobe Premiere Pro CS5 Gene...

Page 21: ...this setting Premiere Pro maps each of the source channels to a separate monaural track You can apply the Mono track format to clips containing any number of audio channels Importing a file containing...

Page 22: ...udio input channel for recording on page 232 Specify the default audio device on page 46 Specify ASIO device settings Windows only on page 47 Audio Output Mapping preferences In the Audio Output Mappi...

Page 23: ...end on the editing mode If you re capturing DV footage use the default DV capture settings When DV IEEE 1394 Capture is the selected capture format no options are available because the options are aut...

Page 24: ...preferences In the Memory pane of the Preferences dialog box you can specify the amount of RAM reserved for other applications and for Premiere Pro For example as you reduce the amount of RAM reserve...

Page 25: ...letters Premiere Pro shows in the Titler Style Swatches panel and in the font browser More Help topics Specify the characters in the Title Styles panel on page 272 Change the letters that appear in th...

Page 26: ...orkflow scroll to the bottom of this page Before you begin editing Before you begin editing in Premiere Pro you will need footage to work with You can either shoot your own footage or work with footag...

Page 27: ...Premiere Pro see this video from Video2Brain and Learn by Video presented by Maxim Jago 2 Capture and import video and audio For file based assets using the Media Browser you can import files from co...

Page 28: ...ou can label categorize and group footage into bins to keep a complex project organized You can open multiple bins simultaneously each in its own panel or you can nest bins one inside another Using th...

Page 29: ...nd Adding clips to a sequence on page 172 Refine the sequence by manipulating clips in a Timeline panel with either context sensitive tools or tools in the Tools panel Use the specialized Trim Monitor...

Page 30: ...ng the Effect Controls panel The Effect Controls panel also lets you animate a clip s properties using traditional keyframing techniques As you adjust transitions the Effect Controls panel displays co...

Page 31: ...ents in real time With a supported sound card you can record audio through the sound mixer or mix audio for 5 1 surround sound See Mixing audio tracks and clips on page 217 Audio Mixer 7 Export Delive...

Page 32: ...form if there is an equivalent For example you can create a DV project containing DV capture and device control settings on Windows When you open the project on Mac OS Premiere Pro sets the appropriat...

Page 33: ...replacing files Similarly Premiere Pro sequences placed in other applications such as Adobe After Effects can be opened with the host product s Edit Original command 1 Select a clip in either the Pro...

Page 34: ...import and export still images in many formats For greatest versatility however use the native Photoshop PSD format when transferring individual frames or still image sequences from Photoshop to Prem...

Page 35: ...elect a still image clip in either the Project panel or Timeline panel 2 Choose Edit Edit In Adobe Photoshop The file opens in Photoshop When you save the file changes are available in the Premiere Pr...

Page 36: ...select them determines the order of their track placement in Adobe Premiere Pro Each layer is placed on a separate track and the last selected layer appears on Track 1 For example if you select layers...

Page 37: ...r in the Timeline panel Note To paste the asset at the current time indicator place the current time indicator and press Ctrl Alt V Windows or Command Option V Mac OS Results of pasting into After Eff...

Page 38: ...tions Adobe Flash uses the latest compression technologies to deliver the greatest quality possible at small file sizes Working with Adobe Story Adobe OnLocation and Adobe Premiere Pro You can script...

Page 39: ...n AutoPlay DVD the Encore chapter markers become scene markers When viewing the DVD pressing the Previous button or Next button on the remote control skips backward or forward to the next of these mar...

Page 40: ...Premiere Pro You can import Final Cut Pro project XML files into Premiere Pro For more information see Importing XML project files from Final Cut Pro on page 74 You can export Premiere Pro project fi...

Page 41: ...Encore Changes you make to dynamically linked sequences in AdobePremiere Pro appear immediately in After Effects and Encore You don t have to render or save changes first Online resources about Dynami...

Page 42: ...dit it with Adobe Premiere Pro tools When you add a linked composition that contains both video and audio to a sequence Adobe Premiere Pro inserts linked video and audio clips in the timeline You can...

Page 43: ...osition Actions you perform on the complex source composition require additional processing time After Effects takes time to apply the actions and make the final data available to Adobe Premiere Pro o...

Page 44: ...ynamic Link Import After Effects Composition Choose an After Effects project file aep and then choose one or more compositions In Adobe Premiere Pro or Encore choose an After Effects project file and...

Page 45: ...on based on those clips The composition inherits the sequence settings from Premiere Pro and maintains a dynamic link to After Effects You can edit the composition in Premiere Pro or in After Effects...

Page 46: ...hoose Locate Asset In the Locate Asset dialog box locate the composition you want to link to and then click Select Windows or Open Mac OS Setting up your system For Premiere Pro system requirements se...

Page 47: ...of Adobe Premiere Pro CS5 5 and later most notably the inclusion of all encoders and decoders Now the trial version can import and export the same formats as the full version For more information abo...

Page 48: ...s an external SDI or component device connected to the computer via FireWire Either an internal card or an external device would provide ports usually with BNC connectors capable of receiving SDI or c...

Page 49: ...RCA audio cables 5 Put the camcorder or deck into VTR or Play mode 6 In Premiere Pro select File New Sequence 7 In the Available Presets area of the New Sequence dialog box select the SDI or componen...

Page 50: ...ck and plug for S Video y c I Television monitor With this setup you can capture audio and video from an analog camcorder or VTR You can monitor the video signal on a TV monitor while editing Finally...

Page 51: ...Audio Hardware panel of the Preferences dialog box Premiere Pro opens the Audio Hardware Settings dialog box which contains an Input tab and an Output tab Enable Devices Determines which connected aud...

Page 52: ...lect either of these commands 1 Select Edit Preferences General Windows or Premiere Pro Preferences General Mac OS 2 Select or deselect Render Audio When Rendering Video 3 Click OK Specify the duratio...

Page 53: ...ng the project for them specify the folder containing the video files for Captured Video Captured Audio Audio files that you create using File Capture or by recording through the Audio Mixer as when r...

Page 54: ...wever partioning doesn t improve performance because the single drive mechanism becomes a bottleneck For best results set up scratch disk volumes that are physically separate drives You can capture au...

Page 55: ...ated is not connected the associated files in the media cache is removed This removal results in the need to reconform or reindex the footage when you attempt to use the footage later Cleaning the dat...

Page 56: ...s a storage area for all clips used in the project You can organize a project s media and sequences using bins in the Project panel A project may contain multiple sequences and the sequences within a...

Page 57: ...d video in the folder where you store the project Moving a project file later may require moving its associated files as well 4 Do one of the following Select a preset or customize settings for the fi...

Page 58: ...sers must make in the Welcome screen and the New Project and New Sequence dialog boxes after opening Premiere Pro Open a project Premiere Pro for Windows can open project files created with earlier ve...

Page 59: ...e source files while you are using them as clips in a Premiere Pro project unless they were captured using device control and you plan to recapture them After you deliver the final movie you can delet...

Page 60: ...ly portions of source footage used in sequences However you can specify the number of extra frames or handles the new footage includes so that you can still make minor edits in the trimmed project The...

Page 61: ...ior click Override Clip Settings in the Batch Capture dialog box and specify the settings that you want for all captured clips However this option is rarely necessary for capturing DV footage Include...

Page 62: ...exists with a name identical to the project you are trimming Project Manager appends a number to the name For example identically named successive projects may have appendages of _001 _002 _003 _004...

Page 63: ...ically with Premiere Pro Some filename extensions such as MOV AVI MXF FLV and F4V denote container file formats rather than denoting a specific audio video or image data format Container files can con...

Page 64: ...ovie Panasonic Op Atom variant of MXF with video in DV DVCPRO DVCPRO 50 DVCPRO HD AVC Intra XDCAM HD Movie Sony XDCAM HD 50 4 2 2 Avid MXF Movie and native Canon XF new in Premiere Pro CS5 5 and later...

Page 65: ...device To render a Type 1 AVI clip add it to a sequence in a DV project and preview it Supported audio file formats AAC AC3 including 5 1 surround AIFF AIF ASND Adobe Sound Document AVI Video for Win...

Page 66: ...er all the assets associated with the project files Keep the project files and their associated assets on the destination computer in folders that have names and folder structures identical with those...

Page 67: ...h disk settings The folder structure for AVCHD assets The folder structure for DVCPRO HD assets The folder structure for XDCAM EX assets The folder structure for DVD video assets More Help topics Spec...

Page 68: ...l UAC is activated Windows disables drag and drop from Windows Explorer or any program to any program running in Administrator mode You run Premiere Pro in Administrator mode for plugin activation spe...

Page 69: ...sfer clips from these media to a hard disk Then import them from the hard disk For more information about transferring files see About transferring files on page 61 Choose File Import You can select m...

Page 70: ...ading the data from the recording media and converting it to a format that can be used in a project is instead called ingest Premiere Pro ingests files in any of these file based formats from any of t...

Page 71: ...og solutions com img_upload PDF MOG_SOLUTIONS_operational_patterns_NAB2007 pdf Import assets from file based sources with Media Browser You can import assets into Premiere Pro directly from tapeless m...

Page 72: ...relevant XML is present When one or more spanned clips are missing from a shot Premiere Pro will import one or more of them depending on where the missing clips fall within the shot To import a group...

Page 73: ...flicker as a result of interlacing If you must use thin lines add a slight blur so that the lines appear in both video fields See Interlaced video noninterlaced video and progressive scanning on page...

Page 74: ...in Premiere Pro to 30 frames in Preferences The options you select in the Import Layered File dialog box determine how the layers in the video or animation are interpreted on import into Premiere Pro...

Page 75: ...ges in the Preferences dialog box does not affect the duration of numbered stills imported into a video clip Each still becomes one frame when imported in this way More Help topics Media preferences o...

Page 76: ...files You can determine where to save these audio preview files by specifying a Scratch Disk location for Audio Previews in the Project Settings dialog box You can work with audio files even applying...

Page 77: ...into a project It uses these PEK files for drawing the audio waveforms in Timeline panels Premiere Pro stores PEK files in the location specified for Media Cache Files through the Media pane of the Pr...

Page 78: ...oosing File Import Import selected sequences from Premiere Pro projects You can import one or more sequences of your choosing from another Premiere Pro project To make the assets for a sequence easy t...

Page 79: ...roduction Premium only on page 40 Import After Effects compositions 1 Do one of the following Select File Import and browse to the desired AEP file Production Premium only Select File Adobe Dynamic Li...

Page 80: ...s which features several improvements to Final Cut Pro XML export Robbie Carman explains the process of exporting a Final Cut Pro project and then importing it into Premiere Pro in this video tutorial...

Page 81: ...nal Cut Pro is Alpha RGB Gaussian Blur Luma Key Luma Key Three Way Color Corrector Three Way Color Corrector Final Cut Pro transition Premiere Pro transition Dip To White Dip To White Dip to color Dip...

Page 82: ...ith as many as four inputs to Multi camera sequences Premiere Pro converts collapsed Multiclips to individual clips Note Premiere Pro issues a warning when you try to import a Multiclip with more than...

Page 83: ...itizing card or device is installed in the computer Premiere Pro saves digitized footage to disk as files and imports the files into projects as clips For a video tutorial on capturing and importing a...

Page 84: ...review which displays video being captured and controls for recording with or without device control The Capture panel also contains a Settings pane for editing your capture settings and a Logging pan...

Page 85: ...click the panel menu 3 Select Record Video Record Audio or Record Audio and Video depending on the option desired Capture from stereo sources to mono tracks You can capture from sources containing ste...

Page 86: ...timecode recorded on the tape with the controller s timecode Click OK 3 If you want to save captured clips to a specific bin in a project first open the project Before capturing make sure that the bi...

Page 87: ...the following statuses Offline Premiere Pro does not see your device Check all your connections and settings Detected Premiere Pro sees your device but cannot control the tape possibly because there...

Page 88: ...VTR And Port Control section select a protocol and port for your device 5 In the Time Control section select a time source and timebase for your device Device controls in the Capture panel You can use...

Page 89: ...a QuickTime Capture Settings dialog box opens choose video and audio settings appropriate to your project These settings are preserved for the project but you can set them again for each new project...

Page 90: ...the portion you want to capture 7 To create a separate file Windows or a subclip Mac OS for each new scene on the tape select Scene Detect in the Capture area 8 You can capture frames that extend bey...

Page 91: ...atus Log clips with automatic scene detection Scene Detect can greatly speed up the process of logging clips As you capture video Scene Detect logs a clip wherever there is a break in a tape Time Date...

Page 92: ...ou determine and always plays at that quality on an NTSC or PAL monitor On slower systems Premiere Pro may lower the quality of the capture preview in order to ensure that sufficient CPU resources are...

Page 93: ...age in the Capture window during capture Instead the word Capturing appears in this window during HDV capture Important You can transfer and import DVCPRO HD assets XDCAM HD and XDCAM EX assets and AV...

Page 94: ...ion Editing the low resolution clips allows standard computers to edit excessively large assets such as HDV or HD footage without losing performance speed It also lets editors use laptop computers to...

Page 95: ...ignal types including component video composite video and S Video Some third party digitizers provide device control They connect to your source device through RS 232 or RS 422 ports enabling you to c...

Page 96: ...get television standard and format and click OK To open an existing project using an external device such as a camcorder or deck to digitize select an existing project that was set up with the correct...

Page 97: ...d click the Log Clip button You can also log frame numbers using a separate logging or spreadsheet program and then import the spreadsheet into Premiere Pro as a list of offline clips You can also log...

Page 98: ...ven as the tape plays Repeat as necessary 4 When you are satisfied with the In and Out points click Log Clip verify the clip data and click OK You can make slight timecode adjustments by using the plu...

Page 99: ...eholder clips in the Project panel or in a bin You can capture any number of logged offline clips by selecting them and choosing File Batch Capture When you begin capture Premiere Pro automatically re...

Page 100: ...u can override clip capture settings by choosing the Override Capture Settings option in the Batch Capture dialog box More Help topics Specify capture settings on page 80 Determine whether an offline...

Page 101: ...view If a clip is not offline select it in the Project panel and choose Project Unlink Media If you select multiple clips and some are online Premiere Pro captures the offline clips only Tape Name Me...

Page 102: ...oject and choose Project Import Batch List Locate and select the file and click Open To export a batch list timecode log select the files that you want to log Then choose Project Export Batch List Spe...

Page 103: ...ast 5 seconds of extra video past the end of the action in any shot If you review a clip in the camera be sure to rewind the tape back into that 5 second margin before recording again Your camcorder r...

Page 104: ...t two are available only if you select Show Audio Time Units in the panel menu Drop frame timecode Non drop frame timecode Frames Feet Frames 16 mm Feet Frames 35 mm Audio Samples Milliseconds The tim...

Page 105: ...ble such as IEEE 1394 or SDI This will make a full quality copy 5 Connect the recording device to a television monitor 6 Set both devices to VTR mode 7 Make sure that the recording device is set to re...

Page 106: ...of the clip by applying the Timecode effect to that clip You can display timecode within the video preview of any part of a sequence by applying the Timecode effect to a transparent video clip then tr...

Page 107: ...for clips in a sequence as you edit If you trim a clip the clip s source timecode is displayed If you perform a slide edit the new source media In and Out points for the adjacent clips are displayed...

Page 108: ...l views A List view B Icon view To change from one view to another click the List View button or the Icon View button at the bottom of the panel Alternatively select View List or View Icon from the Pr...

Page 109: ...the property so that you cannot change it For example you can delete properties you added but not the properties built in to the Adobe Premiere Pro project metadata 2 Click OK Rearrange columns In th...

Page 110: ...pe as entered when the clip was logged or captured Description Optional description of the asset entered when the clip was logged or captured Comment Optional comment entered when the asset was logged...

Page 111: ...ive COW website To add a bin click the New Bin button at the bottom of the Project panel To delete one or more bins select the bins and click the Delete icon at the bottom of the Project panel If you...

Page 112: ...ect panel Label colors mark assets in the Project panel s Label column and in a Timeline panel To assign a label to an asset select a clip in the Project panel choose Edit Label and choose a color To...

Page 113: ...on page 117 1 In the Project panel select the clip 2 Do one of the following In the Project panel choose Clip Rename type the new name and press Enter Windows or Return Mac OS In the Project panel cl...

Page 114: ...ommand F Mac OS 2 In the Find dialog box select the name of the columns to search from the menus under Column 3 Select the appropriate operators from the menus under Operator 4 Type in the characters...

Page 115: ...ts you don t need from the Project panel without removing them from your hard disk Remove an asset from the Project panel Select the item and press the Delete key The file remains on the hard disk Not...

Page 116: ...ft Tab To save the new data and to highlight the same cell in the next clip press Enter Windows or Return Mac OS To save the new data and to highlight the same cell in the previous clip press Shift En...

Page 117: ...ht click the desired clip 2 Select Modify Interpret Footage and do one of the following Select Use Frame Rate From File Select Assume This Frame Rate and type the number of frames per second 3 Click O...

Page 118: ...and XMP file metadata for a selected asset Fields under the Clip heading show clip instance metadata information about a clip selected in the Project panel or in a sequence Clip instance metadata is s...

Page 119: ...ender Queue Files Displays properties for source files you select in the Project panel If you select a proxy properties for the actual file appear ForAfter Effects both Project and File properties are...

Page 120: ...hes for all items the matching entry appears If a property differs Multiple Values appears To apply matching values click the text box and type Search XMP metadata 1 Select the files or clips you want...

Page 121: ...e options menu for the Metadata panel select Metadata Display 2 Click New Schema and enter a name 3 In the list click Add Property to the right of the schema name 4 Enter a property name and select on...

Page 122: ...link button for any linked field Working with aspect ratios About aspect ratios An aspect ratio specifies the ratio of width to height Video and still picture frames have a frame aspect ratio and the...

Page 123: ...n fill the 4 3 frame vertically with the entire height of the 16 9 frame Then you pan the horizontal position of the 16 9 frame within the narrower 4 3 frame so that important action always remains in...

Page 124: ...the distortion of an individual clip by manually specifying the source clip pixel aspect ratio in the Interpret Footage dialog box You can correct similar misinterpretations of groups of same size fi...

Page 125: ...iew thumbnail and in the Video Info column of the Project panel You can also find this data in the asset Properties dialog box the Interpret Footage dialog box and the Info panel More Help topics Add...

Page 126: ...red from film or for customized projects D1 DV NTSC 0 91 Footage has a 720x486 or 720x480 frame size and the desired result is a 4 3 frame aspect ratio This setting can also be appropriate for footage...

Page 127: ...edia Below Full resolution these formats have error correction turned off and artifacts are common during playback These artifacts however do not show up in exported media Providing separate playback...

Page 128: ...le area of a monitor use the monitor s scroll bars to change the visible area of the video image Scroll bars appear when the current size of the monitor can t contain the entire image Open or clear a...

Page 129: ...dialog box opens 2 In the second drop down menu select Panels and click the triangle next to Source Monitor Panel to reveal the keyboard shortcuts for that panel 3 Set keyboard shortcuts for any of th...

Page 130: ...point and the Out point for the clip or sequence When no In point is set the starting time of the clip or of the sequence is substituted When no Out point is set the Source Monitor uses the ending ti...

Page 131: ...nitor or Program Monitor click the Output button or click the panel menu and choose a display mode setting Composite Video Displays the normal video Alpha Displays transparency as a grayscale image Al...

Page 132: ...again to deselect it and prevent looping To play from the In point to the Out point repeatedly click the Loop button and then click the Play In To Out button Click the Loop button again to deselect i...

Page 133: ...To jump back five frames Shift click the Step Back button or press Shift the Left Arrow key To jump to the next marker click the Go To Next Marker button in the Source Monitor To jump to the previous...

Page 134: ...line panel you can find the source frame for any frame in a sequence clip and display it in the Source Monitor Also you can find the source frame for any frame in a nested sequence display it in the S...

Page 135: ...ents in Adobe Premire Pro in this video on the video2brain website More Help topics Vectorscope on Premiere Pro Wikia View a scope You can view a vectorscope YC waveform YCbCr Parade and an RGB Parade...

Page 136: ...se with video input containing 100 intensity bars More Help topics Color Correction effects on page 352 YC Waveform The YC Waveform displays a graph showing the signal intensity in the video clip The...

Page 137: ...ays both chrominance in addition to luminance information Deselecting this option displays only the luminance More Help topics Reading a waveform monitor YCbCr Parade The YCbCr Parade scope displays w...

Page 138: ...erence Monitor acts like a secondary Program Monitor You can use a Reference Monitor to compare different frames of a sequence side by side or to view the same frame of a sequence using different view...

Page 139: ...nitor in this video on the Creative Cow website Open a Reference Monitor In the Window menu choose Reference Monitor The Reference Monitor opens in a separate panel If you want you can drag the Refere...

Page 140: ...the type of audio channels supported by each audio track and decide how they are sent to a Master audio track To achieve even greater control over the mixing process you can create submix tracks Andr...

Page 141: ...More Help topics Audio tracks in a sequence on page 216 Play video in the Source Monitor and Program Monitor on page 127 Open additional Timeline panels You can open more than one Timeline panel if yo...

Page 142: ...left or right You can change the display between timecode and the simple frame count by Ctrl clicking Windows or command clicking Mac OS the current time in either a monitor or a Timeline panel Viewi...

Page 143: ...to 00 00 48 13 in a PAL project You can also position the Selection tool over the timecode value and drag to the left or right The farther you drag the more quickly the timecode changes Snap to clip...

Page 144: ...ou can add a track as you add a clip to the sequence See Add a track while adding a clip on page 176 Andrew Devis shows how to add and remove tracks in this video tutorial on the Creative Cow website...

Page 145: ...clips cannot be added to the track until you unlock it and target it again You can lock a track to prevent it from shifting when you perform insert edits Click in the Toggle Track Lock box to display...

Page 146: ...the triangle next to the track name 2 Click the Set Display Style button at the left corner below the track name and choose an option from the menu Show Head Only Displays a thumbnail image at the beg...

Page 147: ...clude the correct settings for common types of assets For example if you have footage mostly in DV format use a DV sequence preset If you plan to specify lower quality settings for output such as stre...

Page 148: ...an customize a group of settings and save the group in a custom sequence settings preset If you want full control over almost all the sequence parameters start a new sequence and customize its setting...

Page 149: ...Custom DV video and audio use standardized settings that are specified automatically when you select either DV editing mode When you use a DV editing mode avoid changing the Timebase Frame Size Pixel...

Page 150: ...mes separating units with colons It assumes a rate of 30 fps and does not drop frame numbers Use for output to computer displays via the web or CD ROM 24 fps Timecode Reports time in hours minutes sec...

Page 151: ...iting mode for the web or for some presentation software If your project contains high bit depth assets generated by programs such as Adobe Photoshop or by high definition camcorders select Maximum Bi...

Page 152: ...le 29 97 fps or 23 976 fps fields for example progressive or interlaced audio sample rate for example 32 Hz or 48 Hz video codec audio codec You can use the Properties panel to discover many of these...

Page 153: ...ings You can choose the video preview format and resolution in the Sequence Settings dialog box Choose a resolution lower than the sequence frame size to play back previews in real time that the compu...

Page 154: ...mes helpful to render HD footage when you first place it into a sequence 1 Select File New Sequence To edit DVCPROHD 720p footage shot at 25fps e g 25pN native mode footage from PAL versions of the Pa...

Page 155: ...the New Sequence dialog box click the General tab 3 From the Editing Mode menu choose Desktop 4 In the Timebase menu choose the desired frame rate such as 24 25 or 29 97 frames second 5 In the Video s...

Page 156: ...you to export the movie to a file in a 24p format You would use this method for example to export your movie to a DVD for playback on DVD players and TV monitors that support 24p formats You can use t...

Page 157: ...er of frames you have to change Premiere Pro also supports Panasonic DVX100 24p DV camera pulldown called 24p Advance 24pA This format is used by some cameras to capture 23 976 progressive scan imager...

Page 158: ...ose attention to lighting and during shooting use tripods and do slow pans to create the appearance of using a heavy film camera Attention to these details gives your project more of a film look Displ...

Page 159: ...ltiple sequences A single project can contain multiple sequences Different sequences within the same project can have different settings You select settings for each sequence when you create it but yo...

Page 160: ...in references to many clips and Premiere Pro applies the actions to all of its component clips A nested sequence always represents the current state of its source Changing the content of the source se...

Page 161: ...nested sequence that you want to reveal in its original sequence 3 Press Shift T to open the source sequence in the Timeline panel with the current time indicator at the frame you specified in the nes...

Page 162: ...ng to maintain synchronization After you capture the footage in Premiere Pro use the following workflow to edit the footage 1 Add clips from multiple cameras to a sequence Stack the clips from each ca...

Page 163: ...ng footage from various cameras and from still images You assemble the media into a sequence of up to four video and four audio tracks You can add more than one clip to a track to accommodate the use...

Page 164: ...udio 1 to open the Select Audio Track menu Select the audio track containing the multi camera nested sequence More Help topics Multi camera editing tutorials on wikia Record multi camera edits You rec...

Page 165: ...rack containing the clips in the multicamera target sequence and then select Window Multi Camera Monitor 2 Do one of the following Use the playback controls in the Multi Camera Monitor Use the playbac...

Page 166: ...the clip to a five minute duration the 30 minute source file remains on your hard disk but the clip refers only to a five minute section of it Premiere Pro stores information about clips in clip meta...

Page 167: ...master clip or take it offline and keep its media on disk the subclip and its instance remain online If you take the original media off disk the subclip and its instances go offline If you relink a m...

Page 168: ...ommand drag Mac OS a clip instance from a sequence into an open bin in a Project panel Type a name for the subclip and click OK Right click a clip instance in a sequence and select Make Subclip Type a...

Page 169: ...e In this video Jason Levine shows how to use the Merge Clips command as well as demonstrating a few other improvements in Adobe Premiere Pro CS5 5 and later For details about merged clips and dual sy...

Page 170: ...Timeline are synchronized from Clip Start for each component clip To merge clips based on Clip End Timecode or Numbered Marker use the synchronize function prior to merging the clips Synchronize clips...

Page 171: ...nds of other component when snapping is on Normal trimming rules apply a merged clip can only be trimmed to the point where there is at least one frame remaining in any of the component clips Merged c...

Page 172: ...n situations such as the following Clips are logged but not yet captured Because offline clips behave like captured clips you can organize the logged offline clips in the Project panel You can even la...

Page 173: ...ou can assign a keyboard shortcut to the Clip Edit Offline command The Edit Offline File dialog box opens 2 Edit settings as needed and then click OK Note You cannot edit contains or audio format for...

Page 174: ...d to link to the desired tracks while leaving others offline Convert an online clip to an offline clip 1 In the Project panel select one or more online files 2 Choose Project Make Offline 3 Select one...

Page 175: ...for the horizontal and vertical lines Target Color Specifies a color for the double circles around the numeral Numeral Color Specifies a color for the countdown numeral Cue Blip On Out Displays a smal...

Page 176: ...nel and choose Color Matte 2 In the New Synthetic dialog box set Width Height Timebase and Pixel Aspect Ratio to match these settings for the sequence in which you will use the color matte Click OK 3...

Page 177: ...ns in the Source Monitor to add clips to a Timeline panel Or use the keyboard shortcuts associated with those buttons Automatically assemble a sequence from the Project panel In Premiere Pro CS5 5 and...

Page 178: ...nsert or overwrite edit you can map the tracks of a clip loaded in the Source Monitor to one or more tracks of a sequence by dragging the source track indicator representing each of the source clip s...

Page 179: ...p the clip goes into the targeted tracks and clips in any unlocked tracks where the source clip lands shift to accommodate the insertion You can specify other tracks to also shift by enabling Sync Loc...

Page 180: ...l in the Project panel 2 To make clip edges align when you drag them make sure that the Snap button is active in a Timeline panel 3 Do one of the following To drag the video and audio portions of a cl...

Page 181: ...g area of the Source Monitor you automatically add both types of tracks If you want to add only one type of track add it from the Source Monitor 1 Double click a clip in a Project panel or Timeline pa...

Page 182: ...current time indicator Clips to the right of its location on its own track and tracks with Sync Lock enabled will shift to the right by the length of the inserted clip Need help understanding how to...

Page 183: ...int and four point edits The Source and Program Monitors provide controls to perform three point and four point edits standard techniques in traditional video editing In a three point edit you mark ei...

Page 184: ...on when prompted Change Clip Speed Fit to Fill Maintains the source clip s In and Out points but changes the clip s speed so that its duration matches the duration determined by the sequence In and Ou...

Page 185: ...ion of the transition and how much to adjust the clips In and Out points to compensate for it when Apply Default Audio Transition or Apply Default Video Transition is selected For example a value of 3...

Page 186: ...pplying the In point from the original clip will start the new clip from the same point in the action In a Timeline clip position and effects are preserved and any effects that were applied to the ori...

Page 187: ...useful when replacing or removing clips in the sequence using three and four point editing methods See Make three point and four point edits on page 178 Remove sequence In and Out points 1 Make sure...

Page 188: ...n clips in a sequence You can trim clips in the Speech Analysis pane of the Metadata panel setting In points and Out points on selected spoken words Similarly you can set sequence In and Out points in...

Page 189: ...clip in the Source Monitor do one of the following Double click the clip in the Project panel Double click the clip in a Timeline panel Select a clip to view in the Source Monitor You can open more t...

Page 190: ...he Source Monitor from a sequence 1 Set the In and Out points 2 Drag the In Out Grip textured area at the center of the shaded span between the In and Out points Cue to an In point or Out point You us...

Page 191: ...nce you initiate the trim To ripple trim a clip press Ctrl Windows or Command Mac OS while dragging Trimming a clip Trimming in this way affects only a single clip edge and doesn t affect adjacent cli...

Page 192: ...o set the word as an Out point click Set Out Mark Out in Premiere Pro CS5 5 and later Premiere Pro sets In points at the beginnings of words and Out points at the ends of words Premiere Pro highlights...

Page 193: ...e program duration Ripple edit A ripple edit trims a clip and shifts subsequent clips in the track by the amount you trim Shortening a clip by ripple editing shifts all clips after the cut back in tim...

Page 194: ...negative number to trim both clips left or type a positive number to trim both clips right and press Enter Windows or Return Mac OS Click the button that corresponds with the number of frames you want...

Page 195: ...time indicator press the keyboard command you assigned to Roll Previous Edit to CTI in Premiere Pro CS5 For Premiere Pro CS5 5 and later choose Sequence Extend Previous Edit to Playhead or press E To...

Page 196: ...t the corresponding clip Click the left clip s timecode display for the left clip s Out point or the right clip s timecode display for the right clip s In point type a valid timecode number to trim th...

Page 197: ...arlier in the clip Premiere Pro updates the source In and Out points for the clip displaying the result in the Program Monitor and maintaining the clip and sequence duration Make a slide edit A slide...

Page 198: ...ith keyboard commands in Adobe Premiere Pro in this blog post For more information about trimming clips in the Trim Monitor see this excerpt from An Editor s Guide to Premiere Pro by Richard Harringto...

Page 199: ...the thumbnail for the clip click the Clip Usage triangle on the Movie line next to the pixel aspect ratio A popup menu will show the timecode location for the clip for any sequence in which it is used...

Page 200: ...hows an alternative method involving Soundbooth to accomplish a similar result For more information see the video tutorial Using Speech Search to Speed Editing For a video demonstrating the use of scr...

Page 201: ...imilar to the dialog recorded in your assets There are two types of reference scripts A script that contains similar dialog but was not necessarily written for the current project For example a series...

Page 202: ...n t perform editing operations in it To attach an Adobe Story script to a clip or clips 1 Match the scene number of the clips to the scene numbers in the Adobe Story script Adobe Premiere Pro needs th...

Page 203: ...k Windows or Option click Mac OS using the Track Select tool Enable or disable a clip You can disable a clip while you try out a different editing idea or to shorten processing time when working on a...

Page 204: ...lly into another track it will snap to its original time location in the new track Snapping also helps to ensure you don t inadvertently perform an insert or overwrite edit when dragging As you drag c...

Page 205: ...ll remain in Video 1 while the audio portion will land in the audio track where you drop it To move the audio portion of a clip to Audio 1 and move the video portion to a different video track drag th...

Page 206: ...ull versions of the original clip but with different In and Out points Do any of the following To split a single clip or linked clip select the Razor tool and click the point in the sequence where you...

Page 207: ...paste the extracted frames anywhere in a sequence 1 Use the controls in the Program Monitor to specify sequence In and Out points 2 In the Timeline click the headers of the tracks from which you want...

Page 208: ...tracks are targeted you can also choose one of the following options Next in Track Finds the next gap to the right of the CTI on the selected tracks Previous in Track Finds the next gap to the left o...

Page 209: ...s Premiere Pro marks unrendered sections of a sequence with colored render bars A red render bar appearing in the time ruler of a sequence indicates an unrendered section that probably must be rendere...

Page 210: ...either end of the work area bar to specify the beginning and end of the work area Dragging the work area markers to expand the work area Position the current time indicator and press Alt Windows or Op...

Page 211: ...ive cannot sustain the flow when mixing multiple channels of audio and audio in a complex sequence You can change this default so that Premiere Pro automatically renders audio previews whenever it ren...

Page 212: ...to automatically scroll a sequence when it is wider than the visible area in its Timeline panel 1 Choose Edit Preferences General Windows or Premiere Pro Preferences General Mac OS Type the desired l...

Page 213: ...ow pixel aspect ratio is converted for DV projects Desktop Audio Sets audio playback to the computer External Device Audio Sets audio playback to a connected external audio device Export External Devi...

Page 214: ...Reset button for the effect in the Effect Controls panel More Help topics Change sequence settings on page 148 Open a project on page 53 History panel Use the History panel to jump to any state of the...

Page 215: ...and click Details To clear the events list click Clear All Working with markers Add markers Markers indicate important points in time and help you position and arrange clips You could use a marker to...

Page 216: ...ps in this video from Peachpit TV for Video More Help topics Metadata and markers Add comments chapters and links to sequence markers on page 213 Working with markers and cue points Add an unnumbered...

Page 217: ...he place where you want to create a marker 2 Right click Windows or Control click Mac OS in the timeline ruler choose Set Sequence Marker and then choose the type of marker you want to set Find move a...

Page 218: ...double click a sequence marker or Encore chapter marker to open the Marker dialog box You can open the Marker dialog box when you set the marker by double clicking the Set Encore Chapter Marker button...

Page 219: ...e Units option is selected the tool tips show marker location and duration in audio time units instead of timecode units Sharing markers with After Effects Encore and Flash You can share markers betwe...

Page 220: ...rlier versions of Premiere Pro replace sequence markers with Encore chapter markers if you want to retain those chapter points in discs made from the project 1 In a Timeline panel move the current tim...

Page 221: ...ation of the following audio tracks Mono monophonic Contains one audio channel Stereo Contains two audio channels left and right 5 1 Contains three front audio channels left center and right two rear...

Page 222: ...ew audio data on page 218 Break a stereo track into mono tracks on page 224 Mapping source and output audio channels on page 221 Mixing audio tracks and clips Mixing is blending and adjusting the audi...

Page 223: ...tments of any kind determine whether the change should be applied to the entire track or to individual clips Audio tracks and clips are edited in different ways Use the Show Hide Tracks command in the...

Page 224: ...Mixer Program Monitor Source Monitor or Timeline panel choose Show Audio Time Units from the panel menu To see more volume detail when viewing an audio waveform in a Timeline panel increase the track...

Page 225: ...eters not track levels in Premiere Pro choose Meter Input or inputs Only If this option is chosen you can still monitor audio in Premiere Pro for all tracks that aren t being recorded To display time...

Page 226: ...apping In Premiere Pro CS3 on the Creative COW website Karl Soule shows how to map audio channels in Premiere Pro in this video tutorial This video is for editors dealing with footage using split mono...

Page 227: ...channel 3 To preview the audio in a channel select the source channel and click the Playback button or use the slider 4 Click OK In Premiere Pro CS5 5 and later you cannot modify audio channels of a...

Page 228: ...nly on page 46 To map sequence channels for a hardware device you first select the device in the Map Output For menu The list below the Map Output For menu shows the hardware channels supported by the...

Page 229: ...clip is created and replaces the selected audio clip The master clip either audio clip or video clip containing audio in the Project panel is untouched Break a stereo track into mono tracks The Break...

Page 230: ...en click OK Important You can apply the Modify Clip command to a mono clip only in the Project panel before the clip appears in a Timeline panel You can t convert a clip instance to stereo when it s u...

Page 231: ...ce Monitor If the linked clips contain markers the Source Monitor timeline displays markers only for the displayed track If the Source Monitor displays a multi clip link from the Project panel you can...

Page 232: ...double click a linked clip 2 Choose a track from the Track menu to display a specific channel 3 Optional Specify the In and Out points for a track Specifying the In and Out points for a specific trac...

Page 233: ...area bar in the time ruler of the Source Monitor or Timeline panel Trim audio in sample view in a Timeline panel 1 In a Timeline panel menu choose Show Audio Time Units The time rulers in a Timeline...

Page 234: ...cannot link a video clip to another video clip You can link a video clip to multiple audio clips or multiple audio clips together Here is a video tutorial from Andrew Devis on unlinking audio video t...

Page 235: ...en if it s a linked clip a clip containing video and audio tracks In and Out points apply to both tracks of the clip Set in a sequence the audio and video of the standard clip appear at the same time...

Page 236: ...liminary settings you can use the Audio Mixer in Premiere Pro to record audio Use controls in the Audio Mixer to adjust the monitoring levels An audio clip is created from the recording and is added t...

Page 237: ...g a mono microphone into a stereo jack or a stereo microphone into a mono jack 3 If recording from a microphone turn off your computer speakers to prevent feedback and echo 4 Optional If necessary add...

Page 238: ...r up louder or down quieter as you record to maintain the monitor level you want The red indicators at the top of the VU meters light up if the audio is clipped Make sure that the audio level isn t lo...

Page 239: ...the Timeline Monitor volume level while capturing You can monitor audio levels while capturing DV or HDV footage 1 If the Audio Master Meters panel is not open select Window Audio Master Meters 2 Capt...

Page 240: ...n use the clip volume rubberbands on the component clips You can adjust the master volume control for an entire sequence with the Normalize Master Track command Normalize one or more clips 1 Do one of...

Page 241: ...specified value For example a single clip with a peak amplitude of 6 dB will have its gain adjusted by 6 dB if Normalize All Peaks To is set to 0 0 dB For a multiple clip selection each clip in the se...

Page 242: ...ne Hide the keyframes or collapse the track to move audio clips 4 Use either the Selection tool or the Pen tool to move the Volume level line up increase volume or down decrease volume Changing volume...

Page 243: ...ning of the clip s timeline in the Effect Controls panel 4 Optional To change the Volume effect over time move the current time indicator and adjust the volume level graph in the Effect Controls panel...

Page 244: ...ack click the Show Keyframes button Then choose Show Track Keyframes or Show Track Volume from the drop down menu 5 Toward the bottom left of the Audio Mixer panel click the Play button to play the se...

Page 245: ...Play button 8 To view the keyframes you created do the following a Click the Show Keyframes button at the head of the audio track you changed and select Show Track Keyframes b Click the clip header t...

Page 246: ...he initial property settings are from the previous adjustment Touch Identical to Write except that automation doesn t start until you begin adjusting a property When you stop adjusting a property its...

Page 247: ...s differs between an input track and its output track you determine how much each of the channels in the input track feeds each of the channels in its output track For example you can send 80 percent...

Page 248: ...k channels A square tray appears when a mono or stereo track outputs to a 5 1 surround track The tray depicts the two dimensional audio field created by 5 1 surround audio You slide a puck within the...

Page 249: ...e sliders for each track in the Audio Mixer Click each of these buttons to assign each track channel to a destination channel in the master track Note One Direct Output Assignment button appears in ea...

Page 250: ...the master track Submixes are useful if you want to work with a number of audio tracks in the same way For example you can use a submix to apply identical audio and effect settings to three tracks of...

Page 251: ...x volume affects the wet signal and the send track s volume affects the dry signal A send can be applied pre fader or post fader and the outcome is that the track audio is sent either before or after...

Page 252: ...the Effects And Sends panel click the Send Assignment Selection triangle and choose a send from the menu 3 Optional Choose the send property you want to edit from the Selected Parameter menu below th...

Page 253: ...to stereo or mono 1 Choose Edit Preferences Audio Windows or Premiere Pro Preferences Audio Mac OS 2 Choose a 5 1 Mixdown Type from the menu and click OK Note To preserve the integrity of left right...

Page 254: ...lect Edit Edit In Adobe Soundbooth and choose one of the following Edit Source file lets Soundbooth record changes to the source file on which the master clip is based and any sub clips and clip insta...

Page 255: ...with Audition CS5 5 see this blog post on the Premiere Pro work area Here is an excellent collection of tutorials on how to use Adobe Audition Here is a video tutorial by Andrew Devis on the Creative...

Page 256: ...cts from Adobe Premiere Pro to the exported clip Select this option if you are confident that effect settings are final For maximum flexibility deselect it and apply effects in Adobe Audition Send Cli...

Page 257: ...for video in this article on the Creative COW website For additional tips see Best practices for text and vector graphics for video in After Effects Help Maxim Jago explains and demonstrates how to c...

Page 258: ...e and click Save About safe margins in the Titler The title safe and action safe margins in the drawing area of the Titler designate the safe zones These margins are enabled by default Safe zones are...

Page 259: ...ave title templates in this video tutorial on the Creative COW website Load a template for a new title 1 Choose Title New Title Based On Template 2 Click the triangle next to a category name to expand...

Page 260: ...es the current time indicator in the Program Monitor and Timeline panel Moving the current time indicator in the Program Monitor or Timeline panel changes the frame displayed in the Titler If you want...

Page 261: ...rial on the Creative COW website that demonstrates formatting and styling text in the Titler More Help topics Transform objects in titles on page 266 Format text in titles on page 257 Type text withou...

Page 262: ...at an entire text or graphic object click the object and then modify its properties Format text in titles Some object properties such as fill color and shadow are common to all objects you create in t...

Page 263: ...amount of space between lines of type For roman type leading is measured from the baseline of one line of type to the baseline of the next line For vertical text leading is measured from the center o...

Page 264: ...Reflow paragraph text Select a paragraph text object Drag any handle of the paragraph text s bounding box to resize the box Create tab stops in titles You can apply tabs in a text box in much the same...

Page 265: ...is video on the Creative Cow website Titler tools panel A Pen Tool B Rectangle C Clipped Corner Rectangle D Wedge E Ellipse F Rounded Corner Rectangle G Rounded Rectangle H Arc I Line Select a shape t...

Page 266: ...all objects or select a different tool in the Tools panel Draw curves with Pen Tool Draw curved segments by dragging the object anchor points with Pen Tool When you use the Selection tool to select an...

Page 267: ...position Pen Tool over the first object anchor point Click or drag to close the path To leave the path open Ctrl click anywhere away from all objects or select the Selection tool Adjust object anchor...

Page 268: ...t anchor point and press the Alt key Windows or the Option key Mac OS Change the curve of a segment 1 Select the path you want to modify 2 Select Pen Tool and drag a segment to change its curve Note D...

Page 269: ...t on page 268 Place a logo in a title 1 Choose Title Logo Insert Logo 2 Drag the logo to where you want it If necessary you can adjust the size opacity rotation and scale of the logo Note Insert a log...

Page 270: ...cted object along the bottom edge of the title safe margin To center an object both horizontally and vertically within the drawing area click both centering buttons Align objects in titles An alignmen...

Page 271: ...press Shift arrow key to nudge the object in 5 pixel increments Choose Title Position and choose an option to center the selected object or align its bottom edge with the bottom of the title safe marg...

Page 272: ...elect the box next to the Fill category to set an option Some options include Fill Type Specifies whether and how color is applied within the contours of text or graphic object Color Determines the co...

Page 273: ...u can adjust a sheen s color size angle opacity and position 1 Select the object 2 Select Sheen in the Title Properties panel 3 Click the triangle next to Sheen and set its options Note If the object...

Page 274: ...ifies the horizontal and vertical offsets in pixels for the texture from the calculated application point This application point is calculated based on the Object X Y and Rule X Y settings The range i...

Page 275: ...ose Move Up to move up the selected stroke one level in the list or choose Move Down to move the selected stroke one level down in the list Delete strokes from an object or text 1 Select an object con...

Page 276: ...nt Modify the style swatch display The Title Styles panel displays the default style library as well as style swatches you create or load The display defaults to show large swatches of sample text wit...

Page 277: ...the Title Styles panel menu Type a new name up to 32 characters in the Rename Style dialog box and click OK Manage style libraries After you create a style you can save it in a collection or style li...

Page 278: ...direction for crawling titles only Andrew Devis has this video tutorial on creating rolling titles Phil Hawkins goes step by step to show how to create and work with rolling credits in this Premiere...

Page 279: ...fect in the Program Monitor see Adjust position scale and rotation on page 293 and Animate motion in the Program Monitor on page 295 Opacity Lets you reduce the opacity of a clip for use in such effec...

Page 280: ...ts can be applied to either clips or to tracks To apply track based effects use the Audio Mixer If you add keyframes to the effect you can then adjust the effect either in the Audio Mixer or a Timelin...

Page 281: ...work area blog The CUDA processing features of the Mercury Playback Engine also speed up and improve some things other than effects including scaling See this page on Todd Kopriva s Premiere Pro work...

Page 282: ...RGB Curves RGB Color Corrector Sharpen Three way Color Corrector Timecode Tint Track Matte Key Ultra Keyer Video Limiter Vertical Flip Cross Dissolve Dip to Black Dip to White List of GPU accelerated...

Page 283: ...les on the Adobe website What is YUV Understanding color processing 8 bit 10 bit 32 bit and more Applying removing finding and organizing effects Find and group effects Standard effects are listed in...

Page 284: ...the clip and drag the effect icon to the Effect Controls panel You can apply the same effect multiple times using different settings each time You can apply Standard effects to more than one clip at a...

Page 285: ...clip keyframes are pasted beyond the target clip Out point To view these keyframes move the clip Out point to a time later than the location of the keyframe or deselect the Pin To Clip option Note Yo...

Page 286: ...fects in a clip Select one or more effects in the Effect Controls panel and do one of the following Click the Effect button to disable effects Click an empty Effect button box to enable effects Desele...

Page 287: ...nt and Out point You can view the timeline beyond the clip In point and Out point by deselecting Pin To Clip in the Effect Controls panel menu The Effect Controls panel also includes controls for play...

Page 288: ...e between the clip s In and Out points appear To play audio in the selected clip click the Play Audio button This control is only available if the selected clip contains audio View keyframes for an ef...

Page 289: ...or a list and descriptions of the available audio effects see Audio effects on page 404 Details tutorials and resources about changes regarding unified audio effects in Premiere Pro CS5 5 and later ar...

Page 290: ...in the Audio Mixer click the Show Hide Effects And Sends triangle at the left of the Audio Mixer 2 In the track that you want to apply an effect click the Effect Selection triangle and choose an effe...

Page 291: ...ost Fader Remove or bypass a track effect in the Audio Mixer In the effects list in the Audio Mixer do one of the following To remove a track effect click the triangle to the right of the effect you w...

Page 292: ...something like this location Program Files Steinberg VstPlugins Note When you use a VST effect not provided by Adobe the specific control layout and results of the plug in are the responsibility of t...

Page 293: ...in the Effects panel 2 Choose Set Selected As Default Transition from the context menu Set the default duration for audio transitions 1 Choose Edit Preferences General Windows or Premiere Pro Prefere...

Page 294: ...ific purpose rather than configuring an effect yourself For example if you want a clip to blur in quickly you could apply the Fast Blur effect and set keyframes for it manually You save time however b...

Page 295: ...om the clip Out point to the last effect keyframe If the last keyframe is 1 sec from the Out point of the source clip this option adds the keyframe at 1 sec from the Out point of the target clip This...

Page 296: ...bin To nest a new custom or presets bin select the bin into which you want to place the new bin and then create a custom or presets bin To rename a bin select the bin then click the bin name and then...

Page 297: ...on AdobeTV Zoom and pan a still image The technique of zooming and panning still images has also come to be known as the Ken Burns effect since documentarian Ken Burns has made extensive use of it Fo...

Page 298: ...applied as a fixed effect You can view and adjust the Motion effect properties in the Effect Controls panel by clicking the triangle next to the Motion name Motion properties can be directly manipula...

Page 299: ...g the Motion effect to scale a clip scaling images over 100 can make them look blocky or pixelated To rotate a clip or effect position the pointer slightly outside any of the handles so that the point...

Page 300: ...g a clip s position and scale in the Program Monitor you reveal clips in the tracks below it and can create interesting compositions When you animate a clip s position the clip s motion is represented...

Page 301: ...ct Controls panel expand the Motion effect and click the Toggle Animation button next to each property you want to define at that point in time A Keyframe icon appears at the current time indicator fo...

Page 302: ...Controls panel 4 Click the Toggle Animation button next to the Position control to set the first keyframe 5 Drag the current time indicator in either a Timeline panel or the Effect Controls panel to t...

Page 303: ...the location of the clip anchor point at the selected frame 8 Optional To set the rate of the change in the anchor point location drag the handles in the anchor point Velocity graph Eliminate flicker...

Page 304: ...g the default duration of still images does not affect the duration of still images that are already part of a sequence or that have already been imported You will have to re import the images after y...

Page 305: ...uch as Sequences and offline clips in the bin 2 Choose Clip Speed Duration 3 Do any of the following To change the duration without changing the speed of the selected clips click the gang button so th...

Page 306: ...emonstrating time remapping on the Layers Magazine website Vary changes to speed or direction with Time Remapping You can speed up slow down play backward or freeze video portions of a clip using the...

Page 307: ...ps Slowing any portion of a clip makes the duration of that clip longer If a second clip immediately follows the lengthened clip in the video track the lengthened clip is automatically trimmed where t...

Page 308: ...nning and end of a speed change transition Adjustment handles also appear on the rubber band in the middle of the speed change transition Moving a speed keyframe up or down Note its separable halves A...

Page 309: ...yframe In a Timeline Alt click Windows or Option click Mac OS the unsplit speed keyframe and drag it into its new position Move a split speed keyframe In the white control track area of the clip drag...

Page 310: ...from the second to the third keyframe Finally it returns to the frame at which the backward motion began This effect is called a palindrome reverse You can create a segment that plays in reverse and d...

Page 311: ...eed of a clip or output to a different frame rate Turn frame blending on to create new interpolated frames that smooth the motion Frame blending operates only when there is a mismatch between sequence...

Page 312: ...the speed control track to indicate the segment of the clip that is playing freeze frames Squared speed keyframes and vertical tic marks indicating the freeze frame section of a clip 4 Optional To cre...

Page 313: ...elect Hold On and select the frame you want to hold from the menu 5 Specify the following options as necessary and then click OK Hold Filters Prevents keyframed effect settings if any are present from...

Page 314: ...in full resolution All of the analog television standards use interlacing Digital television standards include both interlaced and noninterlaced varieties Typically interlaced signals are generated f...

Page 315: ...ions 2 Select Reverse Field Dominance to change the order in which the clip fields play back 3 For Processing Options select one of the following choices None Doesn t apply any of the Processing Optio...

Page 316: ...ve Hoeg software engineer for Adobe Premiere Pro explains how colors are processed within Premiere Pro including how and when colors are converted between RGB and YUV color models in this forum post J...

Page 317: ...a separate Reference Monitor that s ganged to the Program Monitor so that you can check your video levels as you make adjustments For information about scopes see Using the Waveform monitors and vect...

Page 318: ...blue channels in a clip This graph is best for comparing the relationship between the three channels All Scopes Displays all scopes in one monitor Vect YC Wave YCbCr Parade Displays the Vectorscope Y...

Page 319: ...on page 358 and RGB Color Corrector effect on page 360 To adjust luminance or color using numeric controls use the controls in the Luma Corrector or RGB Color Corrector effect Use keyframing to anima...

Page 320: ...tic controls for making quick adjustments to the luminance in a clip For a video on correcting color and luminance with the Fast Color Corrector see the Adobe website 1 Select the clip in a Timeline p...

Page 321: ...the colors toward green Moving the outer ring to the right rotates the colors toward red Balance Magnitude Controls the intensity of the color introduced into the video Moving the circle out from the...

Page 322: ...o adjust the relative proportion of the before and after views 5 Optional for the Three way Color Corrector only Do any of the following To restrict your color correction to a specific tonal range cho...

Page 323: ...Fast Color Corrector and the Three way Color Corrector effects let you adjust the entire tonal range or just a selected range of colors in a video clip But unlike Levels which has only three adjustmen...

Page 324: ...ip and bowing the curve downward darkens the clip The steeper sections of the curve represent portions of the image with greater contrast To adjust both the color and luminance using the RGB Curves ef...

Page 325: ...the clip in one monitor select the Show Split View option You can specify whether the split view is horizontal or vertical by choosing from the Layout menu You can also adjust the relative proportion...

Page 326: ...t black slider is set to 0 where the pixels are completely black If you ve adjusted the Black Output to 7 5 IRE or higher the darkest shadow will be mapped to that level Gray Input Level slider Contro...

Page 327: ...ration at the bottom B in the HSB section Displays all hues in the color spectrum with their maximum saturation at the top of the color spectrum decreasing to their minimum saturation at the bottom Th...

Page 328: ...the clip you want to correct in a Timeline panel and apply either the Luma Corrector RGB Color Corrector or Three way Color Corrector effect 2 In the Effect Controls panel click the triangle to expan...

Page 329: ...or Luma Curve RGB Color Corrector RGB Curves or Three way Color Corrector effect 3 Click the triangle to expand the Secondary Color Correction controls 4 Select the Eyedropper tool and click the color...

Page 330: ...of the image Edge Thinning Thins or spreads the edge of the selected area generated by the Secondary Color Correction controls The range is from 100 thin sharply defined edges to 100 spread diffused...

Page 331: ...mparison of your adjustment in the Program Monitor You can specify whether the split view is horizontal or vertical by choosing from the Layout menu You can also adjust the relative proportion of the...

Page 332: ...ffect to a clip 2 In the Effect Controls panel click the Setup icon for the Color Pass effect 3 In the Color Pass Settings dialog box do one of the following to select the color that you want to prese...

Page 333: ...next to Scale and type the value by which to divide the sum of the brightness values of the pixels included in the calculation 8 Click the number next to Offset and type the value to be added to the r...

Page 334: ...tor Major Radius Adjusts the length of an Omni light or Spotlight You can also drag one of the handles in the Program Monitor Projected Radius Adjusts the proximity of a Directional light s source to...

Page 335: ...ghting effect 1 Add the clip you want to use as a bump layer texture to a separate track in your sequence 2 Click the Toggle Track Output icon to hide the track containing the bump layer clip 3 Add th...

Page 336: ...on making transitions see the Adobe website Franklin McMahon provides a video tutorial on the Layers Magazine website that shows how to apply transitions and set the default transition Phil Hawkins h...

Page 337: ...p before the cut has a handle at its tail and the clip after the cut has a handle at its head For more information see Applying transitions on page 333 Using single sided transitions you have more con...

Page 338: ...rames for the transition and does not repeat frames from the second clip If only the second clip contains trimmed frames then the transition snaps to the Out point of the first clip The transition use...

Page 339: ...set it as the default When you change the default transition setting you change the default for all projects Changing the default transition doesn t affect transitions already applied to sequences If...

Page 340: ...of the same type video transitions to video tracks and audio transitions to audio tracks 1 Select a transition in a sequence 2 Select Edit Copy 3 Move the current time indicator to the cut line where...

Page 341: ...cator in the Effect Controls panel s time ruler to the desired frame Note Keyframes cannot be used with transitions For transitions the Timeline View in the Effect Controls panel is used for adjusting...

Page 342: ...ick the transition and select End At Cut To place all of the transition in the clip following the edit point drag the transition to the right to align its beginning to the edit point Alternatively in...

Page 343: ...f the following In the Effect Controls time ruler position the pointer over the transition until the Trim In icon or the Trim Out icon appears then drag If the Effect Controls time ruler is not visibl...

Page 344: ...Border Width Adjusts the width of the optional border on the transition The default Border is None Some transitions do not have borders Border Color Specifies the color of the transition s border Dou...

Page 345: ...on page 351 Invert video effect on page 351 Set Matte effect on page 352 Solid Composite effect on page 352 Color correction effects Brightness Contrast effect on page 353 Broadcast Colors effect on...

Page 346: ...age 370 Cell Pattern effect on page 371 Checkerboard effect on page 372 Circle effect on page 372 Ellipse effect on page 373 Eyedropper Fill effect on page 373 Grid effect on page 374 Lens Flare effec...

Page 347: ...cratches effect on page 389 Median effect on page 389 Noise effect on page 390 Noise Alpha effect on page 390 Noise HLS and Noise HLS Auto effects on page 391 Perspective effects Basic 3D effect on pa...

Page 348: ...al Hold effect Windows only on page 400 Transition effects Block Dissolve effect on page 400 Gradient Wipe effect on page 400 Linear Wipe effect on page 401 Radial Wipe effect on page 402 Venetian Bli...

Page 349: ...at is the first 0 1 of either extreme is ignored when the darkest and lightest pixels in the image are identified those pixels are then mapped to output black and output white This clipping ensures th...

Page 350: ...a Correction Brightness Contrast and Invert effects This effect functions much the same as the Levels effect in After Effects The Levels Settings dialog box displays a histogram of the current frame W...

Page 351: ...e effect result composited on top The higher you set this value the less the effect affects the clip For example if you set this value to 100 the effect has no visible result on the clip if you set th...

Page 352: ...The Camera Blur effect simulates an image leaving the focal range of the camera blurring the clip For example by setting keyframes for the blur you can simulate a subject coming into or going out of...

Page 353: ...r effect The Directional Blur effect gives a clip the illusion of motion Original left and with effect applied right Direction The direction of the blur The blur is applied equally on either side of a...

Page 354: ...he Arithmetic effect performs various simple mathematical operations on an image s red green and blue channels Operator The operation to perform between the value you specify for each channel and the...

Page 355: ...visible result on the clip If you set this value to 0 the original image does not show through If Layer Sizes Differ Specifies how to position the control layer Calculations effect The Calculations e...

Page 356: ...source s current size aligned with the upper left corner of the source clip Blend With Original The effect s transparency The result of the effect is blended with the original image with the effect r...

Page 357: ...for the matte Invert Matte Inverts the transparency values of the matte Stretch Matte To Fit Scales the selected clip to match the size of the current clip If Stretch Matte to Fit is deselected the cl...

Page 358: ...duce signal amplitude Reduce Luminance Reduces a pixel s brightness by moving it toward black This setting is the default Reduce Saturation Moves the pixel s color toward a gray of similar brightness...

Page 359: ...Sengstack explains how to use the Change to Color effect in this lynda com video from his tutorial Premiere Pro Color Correction and Enhancement Original image left with saturation removed in the pla...

Page 360: ...g 100 red Monochrome Uses the value of the red output channel for the red green and blue output channels creating a grayscale image Removing all Red input from the Red channel and adding 50 of the Gre...

Page 361: ...y Charlie White In this tutorial Andrew Devis from Creative Cow demonstrates how to use the Fast Color Corrector for primary color correction Jeff Sengstack explains how to work with the Fast Color Co...

Page 362: ...o the settings of the Output sliders The middle Input slider adjusts the gamma in the image It moves the midtone and changes the intensity values of the middle range of gray tones without dramatically...

Page 363: ...tones and highlights fall Tonal Range Show Split View Displays the left or upper part of the image as the corrected view and the right or lower part of the image as the uncorrected view Layout Determi...

Page 364: ...Color Corrects all colors except for the color range that you specified with the Secondary Color Correction settings More Help topics Adjust color and luminance using curves on page 318 Luma Curve eff...

Page 365: ...Curves effects in this lynda com video from his tutorial Premiere Pro Color Correction and Enhancement For more information about using the RGB Color Corrector effect see the video tutorial Tips Trick...

Page 366: ...al color in the range that you re specifying Select the Eyedropper tool and click anywhere on your screen to specify a color which is displayed in the color swatch Use the Eyedropper tool to extend th...

Page 367: ...djust up to a maximum of 16 points on the curve To delete a point drag it off the graph Secondary Color Correction Specifies the color range to be corrected by the effect You can define the color by h...

Page 368: ...nes and shadows as you adjust the Tonal Range Definition controls Shadow Threshold Shadow Softness Highlight Threshold Highlight Softness Determine the threshold and softness of the shadows midtones a...

Page 369: ...s The outer two Input Levels sliders map the black point and white point to the settings of the Output sliders The middle Input slider adjusts the gamma in the image It moves the midtone and changes t...

Page 370: ...ideo2brain website Andrew Devis demonstrates how to use the Secondary Color Correction option in this video tutorial More Help topics Using the Three Way Color Corrector in Premiere Pro Apply the Colo...

Page 371: ...Bend effect Windows only The Bend effect distorts a clip by producing the appearance of a wave traveling both vertically and horizontally through the clip You can produce a number of different wave s...

Page 372: ...ect enlarges all or part of an image This effect can act like a magnifying glass placed over an area of the image or you can use it to scale the entire image far beyond 100 while maintaining resolutio...

Page 373: ...set effect The Offset effect pans the image within a clip Visual information pushed off one side of the image appears on the opposite side Shift Center To The new position of the original image s cent...

Page 374: ...finitely at each new value Use the Cycle Evolution option to return the Evolution setting to its original state at each revolution Evolution Options Evolution Options provide controls that render the...

Page 375: ...right to lower left Wave Speed The speed in cycles per second at which the waves travel A negative value reverses the wave direction and a value of 0 produces no movement To vary wave speed over time...

Page 376: ...ch of the image falls outside the range 0 255 higher contrast amounts result in a mostly black or white image with less gray Therefore less subtle cellular detail appears at higher contrast settings S...

Page 377: ...From How the dimensions of the rectangles are determined Corner Point Each rectangle s dimensions are those of the rectangle with opposite corners defined by the Anchor and Corner points Width Slider...

Page 378: ...sampled area Average Pixel Color Which color values are sampled Skip Empty Samples the average RGB color values excluding those of transparent pixels All Samples the average of all RGB color values in...

Page 379: ...The anti aliasing of the grid borders may cause the visible thickness to vary Feather The softness of the grid Invert Grid Inverts the transparent and opaque areas of the grid Color The color of the...

Page 380: ...his control isn t selected the end of the bolt undulates around the end point Width Width Variation The width of the main lightning bolt and how much the width of different segments can vary Width cha...

Page 381: ...nnel Specifies that the effect fills either the opaque or transparent areas in the whole image depending upon the alpha channel value at the point you set the fill point Tolerance How far a pixel s co...

Page 382: ...how to use the Write on effect see the video tutorial Using the Write On Effect to Create Handwritten Text in Premiere Pro CS3 and The Write on Video Effect In Premiere Pro CS3 on the Digital Media N...

Page 383: ...effect you can isolate only colors not objects within the clip More Help topics Isolate a single color using Color Pass on page 327 Color Replace effect Windows only The Color Replace effect replaces...

Page 384: ...sing This option is useful when you want to preserve sharp lines such as those in titles Choose Low or High to produce different amounts of smoothing Mask Only Displays only the clip s alpha channel B...

Page 385: ...ws you how to use the Ultra Key effect in this tutorial The Ultra Key effect is GPU accelerated for improved playback and rendering performance in computers with a supported nVIDIA card 1 Apply Ultra...

Page 386: ...through 50 0 does not affect the image The default value is 25 Range Controls the amount of spill that is corrected Values range from 0 through 100 0 does not affect the image The default value is 50...

Page 387: ...the camera nor anything in the background should move The following Difference Matte settings are adjusted in the Effect Controls panel View Specifies whether the Program Monitor shows the Final Outp...

Page 388: ...t objects with garbage mattes Sometimes the subject of a scene is properly keyed except for undesired objects Use a garbage matte to mask out those objects Depending on the shape of the mask you can u...

Page 389: ...the sequence To use a moving image as the matte use the Track Matte Key effect instead Define transparent areas with Image Matte Key The Image Matte Key determines transparent areas based on a matte...

Page 390: ...appears in the Effect Controls timeline when you change the settings Repeat this step as needed You can also adjust the interpolation between keyframes by editing the keyframe graph More Help topics A...

Page 391: ...es such as those in titles Choose Low or High to produce different amounts of smoothing Mask Only Displays only the clip s alpha channel Black represents transparent areas white represents opaque area...

Page 392: ...ndicator either in the Effect Controls panel or a Timeline panel and then change the Matte Type setting in the Effect Controls panel A new keyframe appears in the Effect Controls timeline when you mov...

Page 393: ...obe Illustrator or Adobe Photoshop to create a grayscale image and import it into Premiere Pro 1 Add the background clip to a track in a Timeline panel 2 Add the clip you want to superimpose to any tr...

Page 394: ...0 Noise Grain effects Dust Scratches effect The Dust Scratches effect reduces noise and defects by changing dissimilar pixels within a specified radius to be more like their neighboring pixels To achi...

Page 395: ...annel Overflow How the effect remaps values that fall outside the grayscale range of 0 255 Clip Values above 255 are mapped to 255 Values below 0 are mapped to 0 Wrap Back Values above 255 or below 0...

Page 396: ...nly for the Grain type of noise Noise Phase Noise HLS only An input value to the random number generator for the noise When you set keyframes for Noise Phase the effect cycles through the phases to cr...

Page 397: ...you finish manipulating the wireframe image Bevel Alpha effect The Bevel Alpha effect adds a beveled edge and lights to the alpha boundaries of an image often giving 2D elements a 3D appearance If the...

Page 398: ...tion of the point light source Copy and paste position keyframes from another effect for example Lens Flare to quickly create a shadow that matches the other effect s light source Projection Distance...

Page 399: ...he colors fade out or stay solid Brush Strokes effect The Brush Strokes effect applies a rough painted look to an image You can also use this effect to achieve a pointillist style by setting the lengt...

Page 400: ...this value to 100 the effect has no visible result on the clip if you set this value to 0 the original image doesn t show through Find Edges effect The Find Edges effect identifies the areas of the im...

Page 401: ...n longer rendering times Reduce the Scale value rather than increasing Complexity to achieve similar results Evolution Animating this setting results in changes of the roughness over time Note Althoug...

Page 402: ...ecs How long in seconds each strobe lasts Strobe Period Secs The time in seconds between the start of subsequent strobes Random Strobe Probability The probability that the strobe operation will apply...

Page 403: ...of three frames the current time the current time Echo Time and the current time 2 x Echo Time Starting Intensity The opacity of the first image in the echo sequence Decay The ratio of the opacity of...

Page 404: ...he camera thus appearing to rotate the clip Focal length Changes the focal length of the camera lens Shorter lengths provide wider views whereas longer focal lengths provide narrower but closer views...

Page 405: ...effect makes a clip disappear in random blocks The width and height of the blocks in pixels can be set independently Original image left and with effect applied center and right Gradient Wipe effect...

Page 406: ...n use a grayscale image as a gradient wipe In a gradient wipe image B fills the black area of the grayscale image and then shows through each level of gray as the transition progresses until the white...

Page 407: ...r Set keyframes to adjust for changes in tone over time use keyframe interpolation and ease handles to precisely match the most irregular lighting changes or leave the file in its default state and us...

Page 408: ...y of the black box behind the timecode Field Symbol Makes the interlaced field symbol visible or invisible to the right of the timecode Format Specifies whether timecode is displayed in the SMPTE form...

Page 409: ...ansition Dither Dissolve fades clip A to clip B using a dithering algorithm You can specify any of the following options Border Width increases the size o the dithering The default is zero Border Colo...

Page 410: ...11 Multitap Delay effect on page 411 Notch effect on page 412 Parametric EQ effect on page 412 Phaser effect on page 412 PitchShifter effect on page 412 Reverb effect on page 413 Spectral Noise Reduct...

Page 411: ...effect making each voice or layer sound distinct from the original by slightly varying timing intonation and vibrato The Feedback setting adds extra detail to the result To achieve the best results w...

Page 412: ...f the signal will be affected This control ranges from 0 to 100 DePlop Determines the extent of the reduction of low frequency clicks These sometimes sound more like a plop than a click This control r...

Page 413: ...ffect adds an echo of the audio clip s sound that plays after a specified amount of time This effect is available for 5 1 stereo or mono clip Delay Specifies the amount of time before the echo plays T...

Page 414: ...essor takes to respond to a signal that exceeds the threshold Release Specifies the time between 10 and 500 milliseconds it takes for the gain to return to the original level when the signal falls bel...

Page 415: ...right channel information and places it in the left channel discarding the existing left channel information Apply to stereo audio clips only Think of Fill Left as fill from the left and think of Fill...

Page 416: ...Plays the active band only MakeUp Adjusts the levels in decibels BandSelect Selects a band In the graphical control click a band to select it Crossover Frequency Increases the range of frequencies for...

Page 417: ...al shifts the phase by a varying degree and mixes it back to the original signal The result is a partial cancellation of the frequency spectrum giving the phaser its distinctive sound well known as th...

Page 418: ...events the reverb from rumbling or sounding muddy Hi Damp Specifies the amount of dampening of high frequencies in decibels Low settings make the reverb sound softer Mix Controls the amount of reverb...

Page 419: ...udio crossfade transitions See also Working with audio transitions on page 288 Constant Gain transition The Constant Gain crossfade changes audio at a constant rate in and out as it transitions betwee...

Page 420: ...ols panel The graphs in the Timeline and Effect Controls panels display the values of each keyframe and the interpolated values between keyframes When the graph of an effect property is level the valu...

Page 421: ...a different property However you can display the keyframes for only one property at a time within an individual clip or track Track keyframe controls in Timeline panel A Collapse Expand Track triangle...

Page 422: ...fect you want to view Show Clip Volume Displays the graph and keyframes of the Volume effect for each clips in the track Show Track Keyframes Displays the graph and keyframes of any audio effect appli...

Page 423: ...al Windows or Premiere Pro Preferences General Mac OS 2 Click the triangle in the New Timeline Audio Tracks field to open the menu and select one of the options 3 Click the triangle in the New Timelin...

Page 424: ...me 4 Do one of the following to display the effect property s graph Effect Controls panel Click the triangle to expand the effect property and display its Value and Velocity graphs Timeline panel Choo...

Page 425: ...t all keyframes for a property in the Effect Controls panel click the layer property name For example click Position to select all the Position keyframes for a layer Delete keyframes If you no longer...

Page 426: ...graphs appear as flat lines 4 Optional To better view a graph hover the Selection or Pen tool over the boundary line below a graph When the pointer turns into a segment pointer drag to increase the h...

Page 427: ...Note In the Effect Controls panel a vertical black line extends above and below a selected keyframe You can use the line to align the keyframe with places on the time ruler or with other objects If k...

Page 428: ...hat displays the same property as the copied keyframes Also Premiere Pro can paste keyframes at the current time indicator on only one clip or track at a time Because the current time indicator can sp...

Page 429: ...e Spatial Interpolation for example to determine whether corners should be rounded or angular You can apply spatial interpolation to the keyframes of many effects in Premiere Pro For a video tutorial...

Page 430: ...y value without gradual transition sudden effect changes The graph following a keyframe with the Hold interpolation applied appears as a horizontal straight line Ease In Slows down the value changes e...

Page 431: ...ge it to Auto Bezier If you drag the handles the keyframe changes to Continuous Bezier If the keyframe uses Auto Bezier interpolation Ctrl click Windows or Command click Mac OS the keyframe and drag o...

Page 432: ...erate or decelerate entering the keyframe only Ctrl click Windows or Command click Mac OS the incoming direction handle and drag it up or down To accelerate or decelerate leaving the keyframe only Ctr...

Page 433: ...the Automation Keyframe Optimization area select one or both of the following options and then click OK Linear Keyframe Thinning Creates keyframes only at points that do not have a linear relationshi...

Page 434: ...on all visible tracks Areas where all tracks are empty or transparent appear black Rendering order affects how opacity interacts with visual effects The Video Effects list is rendered first then geome...

Page 435: ...of transparency Some software lets you specify the background color with which the channels are premultiplied otherwise the background color is usually black or white Straight channels retain more ac...

Page 436: ...and another a few seconds later Drag the first down to the bottom of the clip at 0 opacity Drag the second up to 100 For information about adjusting opacity in the Effect Controls tab in the Source pa...

Page 437: ...dobe applications see the PDF reference material on the Adobe website The Blend Mode menu is subdivided into six categories based on similarities between the results of the blend modes The category na...

Page 438: ...to reflect the underlying color Pure white produces no change Darker Color Each result pixel is the color of darker of the source color value and the corresponding underlying color value Darker Color...

Page 439: ...eneath a mask on the source layer The mask size determines the contrasted area the inverted source layer determines the center of the contrasted area Difference For each color channel subtracts the da...

Page 440: ...ing systems that edit MXF Premiere Pro supports both direct export and Adobe Media Encoder export Direct export generates new files directly from Premiere Pro Adobe Media Encoder export sends files to...

Page 441: ...or exporting video and audio files 1 Do one of the following In a Timeline panel or Program Monitor select a sequence In a Project panel Source Monitor or bin select a clip 2 Do one of the following C...

Page 442: ...ps and sequences FAQ What are the best export settings More Help topics Encoding and exporting Formats exported directly from Premiere Pro In addition to the file formats exported by Adobe Media Encod...

Page 443: ...exported clip s metadata XML file The UserClipName value appears in the Name column of the Project panel when the clip is imported back into Premiere Pro If you do not specify a name the filename app...

Page 444: ...s audio for the entirety of each clip used in the sequence no matter how many times the clip is used nor how many parts of the clip are used Trim Audio Files With this setting Premiere Pro exports onl...

Page 445: ...Premiere Pro hard pans the Left channel to the left and the Right channel to the right on export to OMF Stereo Balance Premiere Pro applies clip balance to the Clip Gain effect for the clip Premiere...

Page 446: ...h of the exported frame to the color bit depth of the source clip or sequence Exporting to DVD or Blu ray Disc You can export sequences or portions of sequences in files formatted for authoring and bu...

Page 447: ...lick OK Premiere Pro starts Encore The Encore Project panel contains the dynamically linked Premiere Pro project and sequence 10 Finish authoring and exporting in Encore For more information about usi...

Page 448: ...t least the same length as both transitions combined When naming clips and sequences in Premiere Pro avoid using special characters accented characters or characters that affect the parsing of an XML...

Page 449: ...quence and clip markers The plug in converts all sequence markers except the sequence In and Out markers to locators on the timecode TC1 track in Avid Media Composer The Chapter URL and Frame Target f...

Page 450: ...to analog devices you must have a device controller installed also Many video capture cards include compatible plug in software that provides a menu command for recording to videotape If the options y...

Page 451: ...bar over the section of the sequence you want to export To place the work area bar over the whole section of the sequence that is visible in the Timeline panel double click in the space just under th...

Page 452: ...pe is cued to the point where you want to start recording 4 Position the current time indicator at the beginning of the sequence or work area as needed 5 Press the Record or Pause button on the device...

Page 453: ...ring the change Hard cuts compress better than dissolves Know your audience data rate When you deliver video over the Internet produce files at lower data rates Users with fast Internet connections ca...

Page 454: ...lip is 30 seconds long and it takes 1 minute to download give your clip a 33 second buffer The applied formula is 60 seconds 30 seconds 3 seconds 33 seconds Remove noise and interlacing For the best e...

Page 455: ...ips Grayscale view is helpful to compare values Use the presets available in Adobe Media Encoder Several presets are designed for export to 3GPP mobile devices in Adobe Media Encoder 3GPP presets come...

Page 456: ...information about changes to the keyboard shortcut dialog in Premiere Pro CS5 5 see this video from Video2Brain For more details about improved keyboard shortcut customization in Adobe Premiere Pro C...

Page 457: ...nd click Save Note The operating system reserves some commands You cannot reassign those commands to Premiere Pro Also you cannot assign the plus and minus keys on the numeric keypad because they are...

Page 458: ...ing tools keyboard shortcuts Viewing panels keyboard shortcuts Result Windows and Mac OS Selection tool V Track Select tool A Ripple Edit tool B Rolling Edit tool N Rate Stretch tool X Razor tool C Sl...

Page 459: ...e the mouse pointer is Adobe Premiere Pro CS5 5 Shift accent US English keyboards or the key to the left of the numeral 1 key non US English keyboards or the key on Japanese keyboards Result Windows a...

Page 460: ...ion right Right Arrow Right Arrow Move selection up Up Arrow Up Arrow Next thumbnail size Shift Shift Previous thumbnail size Shift Shift Open Bin Click disclosure triangle or select the bin and press...

Page 461: ...of frames and then press Return Nudge clip selection 5 frames to the left Alt Shift Option Shift Nudge clip selection one frame to the left Alt Option Nudge clip selection 5 frames to the right Alt S...

Page 462: ...the left Alt Shift Left Arrow Option Shift Left Arrow Slide clip selection one frame to the left Alt Left Arrow Option Left Arrow Slide clip selection 5 frames to the right Alt Shift Right Arrow Opti...

Page 463: ...e points Ctrl Alt Shift Right Arrow Command Option Shift Rig ht Arrow Increase text size by 1 point Ctrl Alt Right Arrow Command Option Right Arrow Insert copyright symbol Ctrl Alt Shift C Command Opt...

Page 464: ...n Incoming side Alt 3 Option 3 Focus on Outgoing side Alt 2 Option 2 Trim backward by large trim offset Alt Shift Left Arrow Option Shift Left Arrow Trim backward by one frame Alt Left Arrow Option Le...

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Summary of Contents for 25520388 - Premiere Pro - PC

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Summary of Contents for 25520388 - Premiere Pro - PC

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