Yamaha CS-80 User Manual Download

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Summary of Contents for CS-80

Page 1: ...CS 80 POLYPHONIC SYNTHESIZER INSntUCTION MANUAL YAMAHA ...

Page 2: ...s the VOLUME control 2 The numbers refer to the callouts on the photograph inside the front cover Consult the INDEX on page 1 to find other pages where the same control is discussed Those who are already experienced with synthesizers may wish to review the control functions as outlined in Section IV A more detailed and less technical explana tion is provided in Sections II and III When portions of...

Page 3: ...G MOOULATQR 1 17 FOOT PEDAL SE4 ECT0iH I1A1 PlfCi Ceurtir 111 JifllfcHlltfl CHVlr JkT cm HMMd HM 1 1 H dirty CV k W pwiAiHfe pi Mi OFF EKJ l flilA NCttSf J7 Hi5 UfOf Q l ESI LPFIJiteruEitlf i i ReS l tc f 45 is ILMriiqiilL tll 31 r Ai IAltfid L MI r l A AttK Tlimli 1331 IDfeiiMy r n iM HiRa iiidmTiTww im VCF LEVEL 1 Sm Wp 371 A iAVMM TinB 3tl O CCTtfuy r iuh S ISiEiaIn LtrMll 4 R Rrif tK T fTwH 41...

Page 4: ... 100kg 220 lbs When setting it up or transporting it at least two people should do the lifting 8 While the CS 80 is constructed with an integral case of sturdy plywood and metal reinforced corners we recommend the use of an additional travel case for cartage preferably built to ATA 300 specifications See page 48 The CS 80 is easy to play While it is a high technology musical instrument you don t h...

Page 5: ...INITIAL TOUCH LEVEL AFTER TOUCH BRILLIANCE AFTER TOUCH LEVEL MEMORY PANEL beneath Block Diagram Not Visible in Confer Photo HEADPHONE jack EXTERNAL INPUT jack LEVEL control OUTPUT jacks HIGH LOW level switch FOOT SWITCH PEDAL FOOT CONTROLLER PEDAL 20 35 5 16 20 8 19 35 8 19 35 8 19 35 8 19 35 8 35 23 36 23 36 23 36 23 36 15 23 36 35 3 4 11 12 14 3 4 SECTION I GENERAL INFORMATION SETUP How To Use T...

Page 6: ...HCfi w ff om ifie erwf of Tfie upf r I I9 bracf on ttH Hghi le mbii d Kf s i che TOW wdfl tempofiniy WE SURE TO SAVE THE THUWeSCnew Fiiw slide the right upper bf Dc intfl thp end Off the S fr uppef Icf brac T Iwn uli ih two im uniing Harqe tfiumbecrews DVCT thcv xpckctSi md li t n tN icrQwv pvtiallY 4 Swing TfW ricjhl kywoT irtg liacfi rawr thr pprntiwh rr h WO up i leg bi Ci JGin isJLpnijig She h...

Page 7: ...ep tfie cables oul ol yCKjf wav iliP iHern imo thecllprs on th r ght leg Ai b Lflted in Cannecuont be syie vdm piwg E aeaMM i nio me correct JKkE itie f o r Ehr e circi i phooe plug joti to tht FOOT CON TROLLER iacU iZTo keep th AC or d out ol vov 3Vh IJp t n the dipt on the fc ft lag l 5 i tii thi pcKiwtr cord Irom a iiT c bJ w iliiQVs a good idea siirrDs i1 avroJ hum li 1 il fng4i tbccaxiEf Lsda...

Page 8: ... awHsorv ifantf wmei or line le el diiecL boa cl t co Ih CSrW and ihe i ifun a b J4rc tt line 42 kl nduttcr shi faM 3CLR nkiq tl i Ig thrMiiiHer Plug Iti FOOT CONTRiOLIJER PEPAL mlo tf fOQT CGNT aUtER JKk Th fJOifiTroJIer pl if 3 arcuit piininc plug tipAinq slf veh TTiR FOOT SWITCH and FDDl CONTfipLLER plugs hauid newer be in5 r in f ch fllher f i cks E iA i E L i Inpirt ael The EKte fnal Input ja...

Page 9: ...el of Ifie hi NOTEi It vbu irT h i iif Tt res A 41 1 W xwi m be fed try Hu Ge erai ou cpuL Tci fe d mo e Hun qi A 4n H from ofw CSfiO oucpKjir dwin the A l T5Ht cc tfwr conneci a phofrt io pJionfi Ue frcTfn iht unuE inpiiE jack o ch Ml lSfl bei iq IhI bv Uie CS BO ucn an i ni ui pack on ihe rihSytE A4 1 1 51 3fMl so f Drtfi AiilSWsonirQi A41 1 94i BAnli HHl riDHi pnDcm Af t r Q h iai tphDfiie lack...

Page 10: ...C BO controls are ciHw eo d Diriferui Dpipr tffWiit sui ett d f ef AI l lMd d1 luhGliDm M fiJkiMw GREEN cie to M Hlfr iatacteffifltici WHITE p ici GRiY dume YELUPW smaSn BLACK Dth fundi on B l n Eh is sectiesn hiwe in eai i conifoJ knct Mterfi in piirenEhsw Bwi a GtfOR for dl p flMt PdfCChg do noE ICriqfty foJIgvv thccol COdin sc NrfTi i C AJI llid Dqnirol nd Egv fi on tfie CS 30 niGW in a fOiw rd...

Page 11: ...ow cnay n t Idc elfct umultanc DLKJ Y The MIX control 4 then sf the n l live amount ni aund frnnu each raw Fe nioi Informflnon about th projrimninbl C PANELS 9fic MEMCl Y SOI ti4 n III Al HX I II the C BDwilUimullMKOAsJv P dLme turn i ndcfEnidcfit icHjndx I 11 whchpmer yciu pJay TM3Et Ttee tpundi se f hI Ep the Mi K l l I 4 tii4 tf rri9 ti g o flff i n u F Sourt I rt4 Qund II patch by EquiJung tfi...

Page 12: ...it a l ci ky UFik oi ncu p xEring Lduncb Etc Whe Ih kv r J1 centfa ii nnd II is njned cicacdir iUs iht irtEAiT I llrtlwtflti FKTI sli d C i o5 gi M t F O Tf l 1III ill llllll III c III 1 ill llll ill llll CD I GAPCDiEFIiABCOEFGABCDePE ABCDEFGABC IDI ia i kj rmnia v u haa hIvhb If r s a T r 7 BH I LLIAPiC tfri Q R I LLlAN CE sJk you to iiicrn a5e or dscrn Mr IKk aVI furtl 6 haTflon k QwertDfi ar an...

Page 13: ...1 a i KEY BOARD COI TROL LEVEL LOW HlGli iGrsyJ ThesK iMrers Dpera in a fnvin iimilar ta the ddpcent BRILLIANCE LdW and HIGH cariErDl HCiwnH rathitfl t h adjultin ilM bri nes tcM du lower and uppifi p ciiDr i itu k vb xardl theH lev i bBlJfK Ehe v lunu lisw l accoe n SUB OSCILLATO R 31CTIOW This twtion tan to kfi I lo ofiate eNeci i uch a vibrata w W tremolo and otfief thinxjjyi riKxiuiatiofTD r t...

Page 14: ...ator Section 10 as indicated They also are pressure sensitive as indicated by the term After The PITCHBEND tever is independent of the Sub Oscillator and is velocity sensitive as indicated by the term Initial Initial means that the amount of effect is determined by how fast and hard you initially strike the key After means that the amount of effect is determined by how hard you press a key after i...

Page 15: ... i wnlh lh SUSTAIN SLIDiR JHo ii er nipleBsing tf pedal llilli imiF di Mly id sny ag t iii siHXf or Iwi Thi tout iwitd m fv i C t LJwd tg eentl Pori inflnt Gli ndo rfie tJ si the cywmq qfimon pariiflraph 14 C SUSTAIN FOQT SWTCH A IQMER Wh n viKh lJ 1 1 ON Fietfg i fM5 s ufliin unLpi th FOOT SWITCH PEDAL ii alio h id wn If if i kj wrsn TO UVaiW tNs fUit in Wilh your hand Si pl r K k m ALIGNER SWITC...

Page 16: ...ays ON If you prefer not to use a FOOT SWITCH and you want to switch P G ON and OFF do it by moving the P G SLIDER up and down or insert an unwired standard phone plug in the rear panel foot switch jack to activate the ASSIGNER switch C FOOT SWITCH PEDAL Stepping on the FOOT SWITCH PEDAL turns ON the P G effect only when the P G FOOT SWITCH ASSIGNER is also ON The amount of effect is set with the ...

Page 17: ...vc Si E beiowl D SPEED iblsekJ Th control Jpi 5t5 fifl spwd gff JuldEi wi for Chdi iilhf rux tyr tr nL 1p Cthc JTMlian ix pva bET withi treifnfila hMsx i mum sixed itiat fu l drathwise rot im E OErrH U kl Th c wu MKiu is ih Th i rYiydul Liifrij lJ c ar lDurit oF e MtfLL Mdi imurn eri i lis ai loll dfichu ie rr uudn 16 fUMGliODULATdHSlCTIDN Htng nfeodul I ari ii IM 11 w lrEfL ut nci4 t bothi highiM...

Page 18: ...rt i dCtwl tlte FOOT PEDAL mm an fine niiiiHt pedil Ejlitf lilt gl dal forwramd Iciwcra the M0 Ulrt i ll e EXP WAH buiian ii dmvrx nd yoiJ roc tlV FOOT PEDAL jc simuliafKQUSlv v i thc voi ume lflxp i sionl an f ceaief a WBh Viih 11 3 PiTCI CWITROL tSaackl Thii is a c i iDCfitriE tfintnoi The Oul fir riilg is j poi ne AdjiBEmeiTl thil niii the cntlr I Vb ird up Of down in pitch Th fyll rvM c 0 adjt...

Page 19: ...CTfsing IHh es 231 PULSE WIDTH Tbt UqL ry wAi had a pprlii utir is yjiid Ihd mighE U dnCribed aL Tiolluw HanigMf ycxj ciiih vdf y IJk sciund dI he S udr vi1le wi the dpKEnt PW i lider 22 ThU ilnd i a ectS Dfily tht sourtd tH me iQuif a and has no effect o Ehe SA oodv sii lye or norse Wih ttw square waw ON play a note and wfry sraduall v pu the iW slider up to 9 This tigngps the Piili WVidlh f tfie...

Page 20: ... hgrmT Jcs witbcul tht funOimeniai m j wick ran gf frMpwiriQies defWMJihg pn horn yoy set Tti HPf jnd LPF sJidflr NOTE Thank of dit HPF and LPF fJfcdfffSis apwr of curiaii fi chM l t vdu hstj tht mufkJL Ceiuin seiiinqi of rhealideri frht cuminsT can iwr sw ifw iband pa5i window tp nothing no ffequenC H can fkMf IfirfM Chu PilH ra If yop srif adjUE Tsng ih e sliders and Ttw gbund Qts iiw5V rnow H F...

Page 21: ...H i Niex m JJ HPF wide open LPF completely closed i R Lq O Some fundamental may stiti be heard HIGH HIGH HIGK LtN LOW LOW U HF RES LPf RtS HPF wide open with no resonance LPF partially closed with maximum resonance i f M t w LPF Resonance Resor ance emphasizes the frequency at cutoff HPF partially closed LPF completely closed i b J No sound gets through no bandpass HII I HISh Pf RES LPf S HPF part...

Page 22: ... iJn VOD id mijdili d With tt VOF 41 1 1 tEViL SraK Plav a noTe arNd mov ih VCA LEVEL bd r twtwg n 1 Q Emaxifiwmh and 4 minimum Notice flJut tfws Js flxacd ie ianis as ac tir thrfi CS SO s l in VOLUME C ncrol 2 13 J4DI VCA ENVELOPE GEMERATOfl We xp ained Eh l Eb VCA if pi arrkpilbfiif if i uxq ii Cicallvchangpi the YglLuni h Envtlcfipa GtTi raTOf CEO i fhc iniEjiit tliat cgntr F d e VCA e voium Ca...

Page 23: ...of the VCA j A D S R levers affect the sound Play these examples and listen to the effect of ach lever The examples are not intended to sound like any particular instruments NOTE Upper line represents the notes played Lower line represents what you hear Z MNC pP wI Hm XfK ilM H IIIIII il III 1 IS p Il tlH UVhat play H What yCKU hear i i ft What yoLJ play Vyhat Vou h ar i y What i i3y What vFf P yo...

Page 24: ...nan Ihe Dluniie Alwp iiut pj d1 AMR lJidfl Ti ihE VCF ttivelapt tiB I NITIAL LEVE t ATTACK LEVE L atta k Time decay time nd relea e TIME filidBTS 4lL AL A D H i In essence ne VCF fmiop wtoniaticsiY mowers ih e HPF Mid LPf li fai di ti v v yc m pliy a ftiM hy chufi ng die lilior eui Ff nd the amoi l Kf hafHHfliCd dr d cii rundancnlji Fr ipiv y rOLJ hi flr The en E iflfect of IIhj enycl ipc p9fii en...

Page 25: ...Hon Equivalent to IL Equivalent to AL Steady HPF LPF Attack time Decay time tff LAW tow iM m KS Iff MS First hit key After attack After decay holding key 34 RELEASE TIME Yellow The R slider adjusts how long it takes for the filter to return to the IL setting after you let go of the key or keys If the IL slider is set at down then R sets how long it takes for the filter to return to the steady sett...

Page 26: ... sawtooth wave when playing the examples NOTE In these illustrations hairpins represent changes in filter response not level The VGA envelope settings are shown below the VCF settings to save space llillTiii TUiTiT m m 5m iHiTTitiiUm TiHTiTi TiilH nilTTJ iTllllHTTl Tiii iI uiiTiT ii iTTTti ll i i TT UTITi Tltj T T fm Continued ...

Page 27: ...hus you would keep these sliders at minimum to simulate realistic playing Other instru ments change more in level than in tone when you play harder such as a piano Still other instruments change as much in tone as in level si as wind instruments To simulate tightening the embouchure on a reed you might use AFTER BRILLIANCE 46 MEMORI ES The memories are beneath a hinged cover which bears a simplifi...

Page 28: ...patches you ll instinctively know how to set all the controls Remember that the overall BRIL LIANCE control 7 and RESONANCE control 8 may be used to further change a patch once it has been set NOTE The patches shown for Strings Harpsichord Flute and other sounds which also appear as Preset Patches are non identical to the presets There are many different ways to get a sound and the pro gramming ex...

Page 29: ... Q HHBBHBI laHiiii illllffi nLLiMO It Id SOLO VIOLIN B liiiilii iMIII LiVtL MUIAKE LiWi MliJMia t W mw HnH VI MrtiauAtiw a KMSLiiw fn i M momm JHJO co vc NUiMa ina mu ifj 1 p T p p TT J LX TT T r h L L fT U h TTTTT i T TT 3z _ i J t TtxT y I TJff Oboe Turn off the sawtooth wave and switch to the square wave 23 Use 90 pulse width 22 which eliminates specific harmonics as would be the case with a do...

Page 30: ...ve the pulse width 22 back to 50 and fully engage the Ring Modulator 16 Speed and Modula tion controls If desired add sub oscillator 11 modu lation of the VCA and or Chorus 15 with Chorus use only moderate Depth For bells the Feet selector 5 should be set at a higher pitch 4 or above 8 or below is useful for gong sounds Brilliance 7 should also be adjusted for gongs NOTE In the last four patches t...

Page 31: ...tire VGA envelope is different since the head resonates long after the mallet is gone The addition of sub oscillator VGA modulation 11 to the pulse width modulation on Panel II emulates the reverberant sound of the drum body This 2 voice effect could be simulated with just one channel 27 11 o o far KOU UATMi PCCTAMCIaTCl 0 Ti TD GBBHPB TIMPANI MALLET iUBBT l U 0 BjtTM mnAMim TIMPANI DRUM HBaj W fS...

Page 32: ...he patches using the middle of the key board FEET selector 5 at 8 This allows you to hear the fullest spectrum of overtones for more accurate adjustments 2 If the setting involves adjustment of Pulse Width 22 first adjust that control for the closest sound match 3 Adjust the filter settings 26 29 LPF HPF RESI and RESh Press the keys slowly and lightly so that any Touch Response effects do not com ...

Page 33: ...WM r T NOISC m KE D S Lnc tnuiMCE kfWL HuiNia um LM UIK mm fTBi iBimi VCf L V i nniBBi H r a MS n ES KilUCl Litt tlMHQ liffi rw r wia liliBlli W L VEL HLLLUC IfKl PliJMKI liVB IWTW fIW iltBBiiilgii EIII lOix JW ir fi mLLUMci u vuiwQ lEm MTTUU liiiB iiiirfe mjot awiHt i iBBt Hl LtuCl LEVEI MlllUCC Lf e lltaBi itiiiiilXiMii MTiAl r TH wuuuta um wtiMiia ItBBiiitiliiilliMII ...

Page 34: ... iltMUii liiMi iiii LJE 41 MU IAKI LEva HUlAKt LiW Il lli w f fl Ltm HuiMa iE MnUK liw iiiiBi iliiimi L niiiuct Lim iau WiCI liW HkLiAJKi ii i mmiitMi Li G i Bi tt Lmi iPi Li jKr iim mtiMa jve IliiBii t ttlMHI iFi 11 HKiuuiti LEvfi nuiMa L ve il iBi i TW T10U iKByu MliUUW IfW ...

Page 35: ...ip vfffU4Pis the panel thdl i v af i i gmQfDe icri jd tio l wnic s yc j unsh loitDf Thiiif H e H Oiii K w pro nmrfiiC d the panels and iT fimOfte VOL sn wli P from 2g horaically dilfcfcnl loun i iti loucfi 0 i iiwicT ammatrfe panels arid nieniDnes afl botti dijnni k iimyliu Qii lV TIm Pro mrruble l ndi SJnct PAIMCL I and PA MEL 11 I2i 45j are ickinlicpL Wi LEC both in Ehg tdiOWMI CKapnpt S 6v HK v...

Page 36: ...tion to the ri ht indicate the overtone number All notes except pure sine wave notes have overtones which are not heard separately but which give the note its tonal ch r cter The first overtone is the second harmonic of the fundamental i e twice its frequency etc To he r the individuaJ overtone set RESh 27 RESl 2Q and RESOMANCE S at maximum and gradually move LPF 28 down nu Slow PLi Width It ddul ...

Page 37: ... A D R is unique among synthesizers 30 IL Initial Level Lowers the initial filter cut off points of the high pass and low pass filters when a note is first played relative to the steady levels set with the HPF and LPF sliders Moving IL up towarcl 5 is like starting with HPF and LPF lower than their sustained cutoff points and then moving them together to their sustained levels 31 1 AL Attack Level...

Page 38: ...t r ti e key is released With no ILand AL Release Time h s no effect If IL is set at 0 but AL is provided the f elease Time setting may have an eft ct depending on how farst the attack and decay times are and whether you release a key before the filters have already settled into their Sustained cu toffs Note In any event you cannot hear the effect of this Release Time sJider unless the VGA Rel as ...

Page 39: ...is played 39 S Sustain Level Adjusts the fixed level of a note that is steady after attack and decayj so long as a key is beW dowrt 40 R Release Time Adjusts how long it takes for the level To die to silence after yoo relees e a kev The e ffect is like tbe sustain time provided by the controls in 13 Hi LEVEL VCA Level f Sets the highest level attained by the S CA thus affecting the sustai n level ...

Page 40: ...he slider increases the effect 451 AFTER LEVEL Increases the level of any note when you press down on a key after it hits bottom the more pressure you apply the louder the note Raising the slider increases the effect 46 MEMORIES 1 4 Four miniaturized versions of the same controls found in Programmable Panels I II may be used to patch additional sounds or to keep favorite patches protected from acc...

Page 41: ...8 is normal pitch 16 an octave below 5 1 3 a perfect fifth above etc 3 TONE SELECTOR Two rows of momentary pushbutton switches select two voices that sound simultaneously when you play any key tfia MIX con trol lAr ets the balance beiv eerk the two voices Pre set patches rmemory programmed patches or panel programmed patches may be selected The buttons light up to show which voices have been selec...

Page 42: ... harder you press a key after it hits bottom the more effect TOOCH B SPO SE FTTCHKND SPEED TTTT Velocity Sensitive Pressure Sensitive TTIT You Press Key Hard Moving down the after levers Speed VCO or VCF is like moving down the same levers in Sub oscillator when you press hard on a key SUB QSCIllATaH FUNCTION SPEED VCO VCF VCA TITT 2 VOLUME This is the main volume control that sets the level of al...

Page 43: ...tep notes like a chromatic scale G LISSANDO stops when you let go of a key unless you have selected SUSTAIN It mode in which case the effect continues until the note dies away 15 TREMOLO SECTION The ON OFF switch activates whatever effect is preset with the two adjacent switches CHORUS is a slower version of TREMOLO Either effect may be varied in rate using the SPEED control or in amount of modula...

Page 44: ... VCF shapes the tone or emphasizes portions of it Another section the VGA affects the loudness of the notes Either the VCF the VCA or both may be used to turn on and turn off the sound in a controlled pattern forming the notes as you play the keyboard The control that forms the notes is provided by Envelope Generators EG one for the VCA and one for the VCF The synthesizer also houses many other fu...

Page 45: ...equency When an AC control voltage is applied to a VCO the frequency varies up and down producing an effect known as vibrato or FM frequency modula tion Similarly when AC or dc voltages are applied to VCF s voltage controlled filters the filter character istics change the cutoff points move up or down Refer to the programming block diagram on this page which represents the functions of one of the ...

Page 46: ...ay be considered to be a bandpass filter because a defined band of frequencies Is allowed to pass between the two filter cutoff points As the HPF cutoff point Is raised and or the LPF cutoff point is lowered the width of the bandpass Is decreased until there is no bandpass no sound Thus we can speak of the VCF as being a bandpass filter even though no such label appears on the panels If either of ...

Page 47: ...iiders The Keyboard Related Circuits General As suggested in the preceeding paragraphs each channel of the CS 80 has eight sets of note generating circuit components each set consisting of a VCO WSC VCF and VCA and two EG s When you move any one of the panel programming controls it actually affects all 8 sets of note generating components on the corresponding channel While there is 8 note simultan...

Page 48: ...e cord When you press down on the felt the cord contacts the pad and establishes a given resistance Voltage passes through the pad and the cord the value varying in proportion to where the strip is pressed down The actual voltage produced when the ribbon is first pressed down is not important it serves only as a reference point The output from the ribbon circuit then be comes proportional to the d...

Page 49: ...eaching the photosensor In turn the sensor varies its resistance and hence varies the voltage output from the circuit Depending on the setting of the front panel FOOT PEDAL SELECTOR buttons the voltage from the Foot Controller is applied to either the VGA in EXP mode or to the VCA and the VCF in EXP WAH mode The Foot Switch has a standard tip sleeve phone plug whereas the Foot Controller because i...

Page 50: ...e music is played Therefore make It clean and rhythmically precise For large multi track machines you might use a click track metronome or a rhythm line with a pair of bass and piano tracks On the other hand with 4 track machines it is usually better to start with a rhythm sound that Is as close to the midrange as possible This avoids excess high frequency loss or low frequency irregularities that...

Page 51: ...s a low source impedance so that it will drive a low impedance 600 ohm or high impedance input without adapters The CS 80 output is unbalanced meaning that the signal which flows through a single conductor shielded cable is grounded on one side the shield and ungrounded on the other side the center conductor This arrangement is per fectly suitable for cables of up to 3 m 10 in length When a longer...

Page 52: ... a much lower impedance to the direct box transformer causing some transient distortion While the resulting sound will be brighter and less accurate there is no harm if you like it ALWA YS USE THE PAD WHEN YOU CONNECT A SPEAKER LEVEL OUTPUT TO THE DIRECT BOX tSet for minimum hum and noise If in doubt leave IN TRAVEL CASE The CS 80 is built into a durable plywood case with a removable cover which i...

Page 53: ...ustable from 0 7Hz to 60Hz Velocity Sensitive Touch Response INITIAL effects Individual channel programming controls increase the LEVEL volume and or BRILLIANCE filter cutoff frequencies as keys are pressed faster control to increase the amount of PITCHBEND oscillator pitch change for any voices being played Pressure Sensitive Touch Response AFTER effects Individual channel programming controls in...

Page 54: ...in the example below c e UX AAEUOW i i4iiil iii t i iliHaiil iiiiii tii ITTTT iiit TT I H h h H I JH l rK T TTTT 444 SUSTltm nMTUHMT p z E z z Zzzz 6 i I G O0Ul I0 T t_ crw WTtHKim Sw lOw Q rxi l HMtK Sffl WiSl Z IZ Z c O O W M EArSSMOO awTn c MTw um z 7 _ _ _ I z _ _ _ _ z z z II 1 9 a T T f 5w sm sot o Z _ _ _ _ Z I _ z z z z z z z r z _ _ z z z z z z z J wm c 0 U MCOXi V SUtWCiu _ 1 SfffD J vc ...

Page 55: ...o IMKLttrw MILUU TDUOt s a cT I FjHCTim snm nu I S1 1 r Z T i Z r T r r 7 O O SUSTMi rnTAMCNIO M Ml I CUSSAXOO TTUCMMSnMI L i aKUMa a 6 MIUKCMl hm UDOjii s sc oomnnoii w f K3 rtC vC I n Si wiLiAMQ sa KiTwwD cnrm 1 Q fUWCIlOfc s EE 1 Ev ir r 1 r I ...

Page 56: ...I YAMAHA SINCE 1887 NIPPON GAKKI CO LTD HAMAMATSU JAPAN LOM 209 i 78710 Printed in Japan ...

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Yamaha CS-80, Instruction Manual

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